Industrialisation And Culture 1830 1914 Ed By Chr Harvie G Martin And A Scharf
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Industrialisation and Culture, 1830-1914, Edited by Christopher Harvie, Graham Martin, Aaron Scharf
Author | : Christopher HARVIE |
Publisher | : |
Total Pages | : 460 |
Release | : 1970 |
Genre | : |
ISBN | : 9780333121474 |
Industrialisation and Culture 1830-1914
Author | : Christopher T. Harvie |
Publisher | : |
Total Pages | : 460 |
Release | : 1970 |
Genre | : Great Britain |
ISBN | : |
Industrialisation and Culture
Author | : NA NA |
Publisher | : Springer |
Total Pages | : 432 |
Release | : 2015-12-22 |
Genre | : History |
ISBN | : 1349861898 |
The World of UCL
Author | : Negley Harte |
Publisher | : UCL Press |
Total Pages | : 179 |
Release | : 2018-05-21 |
Genre | : Education |
ISBN | : 1787352943 |
From its foundation in 1826, UCL embraced a progressive and pioneering spirit. It was the first university in England to admit students regardless of religion and made higher education affordable and accessible to a much broader section of society. It was also effectively the first university to welcome women on equal terms with men. From the outset UCL showed a commitment to innovative ideas and new methods of teaching and research. This book charts the history of UCL from 1826 through to the present day, highlighting its many contributions to society in Britain and around the world. It covers the expansion of the university through the growth in student numbers and institutional mergers. It documents shifts in governance throughout the years and the changing social and economic context in which UCL operated, including challenging periods of reconstruction after two World Wars. Today UCL is one of the powerhouses of research and teaching, and a truly global university. It is currently seventh in the QS World University Rankings. This completely revised and updated edition features a new chapter based on interviews with key individuals at UCL. It comes at a time of ambitious development for UCL with the establishment of an entirely new campus in East London, UCL East, and Provost Michael Arthur’s ‘UCL 2034’ strategy which aims to secure the university’s long-term future and commits UCL to delivering global impact.
Postmodernism, or, The Cultural Logic of Late Capitalism
Author | : Fredric Jameson |
Publisher | : Duke University Press |
Total Pages | : 474 |
Release | : 1992-01-06 |
Genre | : Literary Criticism |
ISBN | : 9780822310907 |
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
Maryland Historical Magazine
Author | : William Hand Browne |
Publisher | : |
Total Pages | : 458 |
Release | : 1910 |
Genre | : Maryland |
ISBN | : |
Includes the proceedings of the Society.
A History of Experimental Film and Video
Author | : A.L. Rees |
Publisher | : Bloomsbury Publishing |
Total Pages | : 208 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838714197 |
Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.