Indian Voice
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| Author | : Laura Brueck |
| Publisher | : University of Michigan Press |
| Total Pages | : 339 |
| Release | : 2020-05-14 |
| Genre | : Social Science |
| ISBN | : 0472054341 |
From the cinema to the recording studio to public festival grounds, the range and sonic richness of Indian cultures can be heard across the subcontinent. Sound articulates communal difference and embodies specific identities for multiple publics. This diversity of sounds has been and continues to be crucial to the ideological construction of a unifying postcolonial Indian nation-state. Indian Sound Cultures, Indian Sound Citizenship addresses the multifaceted roles sound plays in Indian cultures and media, and enacts a sonic turn in South Asian Studies by understanding sound in its own social and cultural contexts. “Scapes, Sites, and Circulations” considers the spatial and circulatory ways in which sound “happens” in and around Indian sound cultures, including diasporic cultures. “Voice” emphasizes voices that embody a variety of struggles and ambiguities, particularly around gender and performance. Finally, “Cinema Sound” make specific arguments about film sound in the Indian context, from the earliest days of talkie technology to contemporary Hindi films and experimental art installations. Integrating interdisciplinary scholarship at the nexus of sound studies and South Asian Studies by questions of nation/nationalism, postcolonialism, cinema, and popular culture in India, Indian Sound Cultures, Indian Sound Citizenship offers fresh and sophisticated approaches to the sonic world of the subcontinent.
| Author | : Shilpa S. Dave |
| Publisher | : University of Illinois Press |
| Total Pages | : 211 |
| Release | : 2013-02-01 |
| Genre | : Social Science |
| ISBN | : 0252094581 |
Amid immigrant narratives of assimilation, Indian Accents focuses on the representations and stereotypes of South Asian characters in American film and television. Exploring key examples in popular culture ranging from Peter Sellers' portrayal of Hrundi Bakshi in the 1968 film The Party to contemporary representations such as Apu from The Simpsons and characters in Harold and Kumar Go to White Castle, Shilpa S. Dave develops the ideas of "accent," "brownface," and "brown voice" as new ways to explore the racialization of South Asians beyond just visual appearance. Dave relates these examples to earlier scholarship on blackface, race, and performance to show how "accents" are a means of representing racial difference, national origin, and belonging, as well as distinctions of class and privilege. While focusing on racial impersonations in mainstream film and television, Indian Accents also amplifies the work of South Asian American actors who push back against brown voice performances, showing how strategic use of accent can expand and challenge such narrow stereotypes.
| Author | : Rumya Sree Putcha |
| Publisher | : Duke University Press |
| Total Pages | : 138 |
| Release | : 2022-11-11 |
| Genre | : Social Science |
| ISBN | : 1478023767 |
In The Dancer’s Voice Rumya Sree Putcha theorizes how the Indian classical dancer performs the complex dynamics of transnational Indian womanhood. Putcha argues that the public persona of the Indian dancer has come to represent India in the global imagination—a representation that supports caste hierarchies and Hindu ethnonationalism, as well as white supremacist model minority narratives. Generations of Indian women have been encouraged to embody the archetype of the dancer, popularized through film cultures from the 1930s to the present. Through analyses of films, immigration and marriage laws, histories of caste and race, advertising campaigns, and her own family’s heirlooms, photographs, and memories, Putcha reveals how women’s citizenship is based on separating their voices from their bodies. In listening closely to and for the dancer’s voice, she offers a new way to understand the intersections of body, voice, performance, caste, race, gender, and nation.
| Author | : Laura Brueck |
| Publisher | : University of Michigan Press |
| Total Pages | : 339 |
| Release | : 2020-05-14 |
| Genre | : Social Science |
| ISBN | : 0472126237 |
From the cinema to the recording studio to public festival grounds, the range and sonic richness of Indian cultures can be heard across the subcontinent. Sound articulates communal difference and embodies specific identities for multiple publics. This diversity of sounds has been and continues to be crucial to the ideological construction of a unifying postcolonial Indian nation-state. Indian Sound Cultures, Indian Sound Citizenship addresses the multifaceted roles sound plays in Indian cultures and media, and enacts a sonic turn in South Asian Studies by understanding sound in its own social and cultural contexts. “Scapes, Sites, and Circulations” considers the spatial and circulatory ways in which sound “happens” in and around Indian sound cultures, including diasporic cultures. “Voice” emphasizes voices that embody a variety of struggles and ambiguities, particularly around gender and performance. Finally, “Cinema Sound” make specific arguments about film sound in the Indian context, from the earliest days of talkie technology to contemporary Hindi films and experimental art installations. Integrating interdisciplinary scholarship at the nexus of sound studies and South Asian Studies by questions of nation/nationalism, postcolonialism, cinema, and popular culture in India, Indian Sound Cultures, Indian Sound Citizenship offers fresh and sophisticated approaches to the sonic world of the subcontinent.
| Author | : |
| Publisher | : |
| Total Pages | : 546 |
| Release | : 1971 |
| Genre | : Indians of North America |
| ISBN | : |
| Author | : Anand Mulloo |
| Publisher | : Motilal Banarsidass Publishe |
| Total Pages | : 424 |
| Release | : 2007 |
| Genre | : East Indian diaspora |
| ISBN | : 9788120831971 |
About the Book: Spread over a wide canvas, but focused entirely on the Indian diaspora, Mulloo attempts a diasporic perspective by using the inter disciplinary tools of history, economics, politics and sociology to narrate the story of overseas Indians.
| Author | : Baytoram Ramharack |
| Publisher | : Xlibris Corporation |
| Total Pages | : 504 |
| Release | : 2023-03-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 1669858758 |
Baytoram Ramharack was born in Berbice, Guyana. He teaches history and political science at Nassau Community College. His previous publications include Against the Grain: Balram Singh Rai and the Politics of Guyana (2005); and Jung Bahadur Singh of Guyana (1886-1956): Politician, ship doctor, labor leader and protector of Indians (2019). He remains a strong advocate and supporter of stable democracy in Guyana. Dr. Ramharack is working on a forthcoming book examining Cheddi Jagan’s relationship with Indians in Guyana.
| Author | : Suma Subramaniam |
| Publisher | : Farrar, Straus and Giroux (BYR) |
| Total Pages | : 42 |
| Release | : 2022-11-08 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0374391653 |
A picture book biography about M.S. Subbulakshmi, a powerful Indian singer who advocated for justice and peace through song. Before M.S. Subbulakshmi was a famous Carnatic singer and the first Indian woman to perform at the United Nations, she was a young girl with a prodigious voice. But Subbulakshmi was not free to sing everywhere. In early 1900s India, girls were not allowed to perform for the public. So Subbulakshmi busted barriers to sing at small festivals. Eventually, she broke tradition to record her first album. She did not stop here. At Gandhi's request, Subbulakshmi sang for India’s freedom. Her fascinating odyssey stretched across borders, and soon she was no longer just a young prodigy. She was a woman who changed the world.
| Author | : Jaspal Naveel Singh |
| Publisher | : Multilingual Matters |
| Total Pages | : 288 |
| Release | : 2021-10-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1788928156 |
This book presents the narratives and voices of young, mostly male practitioners of hip hop culture in Delhi, India. The author suggests that practitioners understand hip hop as both a thing that can be appropriated and authenticated, made real, in the local and global context and as a way that enables them to transform their lives and futures in the rapidly globalising urban environments of Delhi. The dancers, artists, musicians and cultural theorists that feature in this book construct a multitude of voices in their narratives to formulate their ‘own’ transcultural voices within global hip hop. Through a combination of linguistic ethnography, sociolinguistics and discourse studies, the book addresses issues including gender and sexuality, identity construction and global culture.
| Author | : Arnold Krupat |
| Publisher | : U of Nebraska Press |
| Total Pages | : 170 |
| Release | : 1998-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780803277861 |
The Turn to the Native is a timely account of Native American literature and the critical writings that have grown up around it. Arnold Krupat considers racial and cultural “essentialism,” the ambiguous position of non-Native critics in the field, cultural “sovereignty” and “property,” and the place of Native American culture in a so-called multicultural era. Chapters follow on the relationship of Native American culture to postcolonial writing and postmodernism. Krupat comments on the recent work of numerous Native writers. The final chapter, “A Nice Jewish Boy among the Indians,” presents the author’s effort to balance his Jewish and working-class heritage, his adherence to Western “critical” ideals, and his ongoing loyalty to the values of Native cultures.
