Indian Art Worlds In Contention
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| Author | : Helle Bundgaard |
| Publisher | : Routledge |
| Total Pages | : 126 |
| Release | : 2013-11-05 |
| Genre | : Social Science |
| ISBN | : 1136806326 |
This beautifully illustrated book explores the opinions of artists, critics and others involved with arts or crafts, arguing for a theory that considers the different discursive formations and related strategic practices of an art world. Focusing on Orissan patta paintings in India the author examines the local, regional and national discourses involved. In so doing, the text demonstrates that, while painters' local discourses are characterised by pragmatism, the discourses of regional and especially national elites are concerned with the exegesis of local paintings and their association with the great Sanskrit tradition A central theme of the study focuses on the awards given for skill in craft making and their changing significance as they pass from national and regional elites to local painters. It is shown how certain key actions by local painters result from a clash between local discourses on the one hand and regional and national discourses on the other.
| Author | : Susan Surette |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 321 |
| Release | : 2021-10-21 |
| Genre | : Design |
| ISBN | : 1350067598 |
This collection of 19 original essays argues for a critical and sustained engagement between the fields of craft and heritage. The book's interdisciplinary and international array of authors consider how heritage and craft institutions, policies, practices and audiences encounter the constraints and opportunities of production, recognition and exhibition. Case studies spanning 125 years raise and address questions concerning authenticity and commodification, innovation and improvisation, diasporas and decolonization, global economies and national and professional identities. Authors also analyse mechanisms through which craft mobilises and has been harnessed by heritage processes and designations. Examples range from an Irish village at the 1893 Chicago World's Fair and the role of chronopolitics in contemporary Vietnamese pottery, to the invisibility of crochet within Swedish heritagisation processes and the application of game theory in a ceramics museum. With section one considering citizenship and identity, section two sustainability and section three dynamic craft in cultural institutions, Craft and Heritage interrogates how craft objects, makers and processes intersect with current heritage concerns and practices.
| Author | : Raminder Kaur |
| Publisher | : Routledge |
| Total Pages | : 278 |
| Release | : 2020-05-21 |
| Genre | : Social Science |
| ISBN | : 1000189651 |
This is an investigation of arts and aesthetics in their widest senses and experiences, presenting a variety of perspectives which range from the metaphysical to the political. Moving beyond art as an expression of the inner mind and invention of the individual self, the volume bridges the gap between changing perceptions of contemporary art and aesthetics, and maps globalizing currents in a number of contexts and regions.The volume includes an impressive variety of case studies offered by established leaders in the field and original and emerging scholarly talent covering areas in India, Nepal, Indonesia, Iran, Russia, Rwanda, and Germany, as well as providing transnational or diasporic perspectives. From the contradictory demands made on successful artists from the south in the global art world such as Anish Kapoor, to images of war and puppetry created by female political prisoners, the volume compels creative and political interpretations of the ever-changing and globalizing terrain of arts and aesthetics.
| Author | : Sasanka Perera |
| Publisher | : Springer |
| Total Pages | : 311 |
| Release | : 2019-02-23 |
| Genre | : Social Science |
| ISBN | : 3030058522 |
Taking South Asia as its focus, this wide-ranging collection probes the general reluctance of the cultural anthropology to engage with contemporary visual art and artists, including painting, sculpture, performance art and installation. Through case studies engaged equally in anthropology and visual studies, contributors examine art and artistic production in India, Sri Lanka, Pakistan, Bangladesh, and Nepal to bring the social and political complexities of artistic practice to the fore. Demonstrating the potential of the visual as a means to understand a society, its values, and its politics, this volume ranges across discourses of anthropology, sociology, biography, memory, art history, and contemporary practices of visual art. Ultimately, Intersections of Contemporary Art, Anthropology and Art History in South Asia simultaneously expands and challenges the disciplinary foci of two fields: it demonstrates to art criticism and art history the necessity of anthropological and sociological methodologies and theories, while at the same time challenging the “iconophobia” of social sciences.
| Author | : Helle Bundgaard |
| Publisher | : University of Toronto Press |
| Total Pages | : 208 |
| Release | : 2021-12-02 |
| Genre | : Social Science |
| ISBN | : 1487527357 |
Painting Stories explores the accomplishments, struggles, and livelihoods of traditional artisans in Raghurajpur, a village known for its patta chitra painters. In this collection, Helle Bundgaard weaves thirty years of observations and experiences into a tapestry of stories, which together present a poignant image of the lives of Indian craft makers and their personal connections to the art that they create. The painters’ stories are situated in a rich cultural environment and steeped in social relations. For them, painting is more than a livelihood or an aesthetic expression – it is a way of life. Painting Stories is a window into a part of our world rarely seen, reminding us of both our rich diversity and our shared humanity. Written with the painters, students, and laypersons in mind, the book includes a discussion of ethnographic storytelling and resources for ethnographic writing, as well as color photographs that bring the stories to life.
| Author | : Isabella Nardi |
| Publisher | : Routledge |
| Total Pages | : 281 |
| Release | : 2007-01-24 |
| Genre | : Art |
| ISBN | : 1134165234 |
The study of technical treatises in Indian art has increasingly attracted much interest. This work puts forward a critical re-examination of the key Indian concepts of painting described in the Sanskrit treatises, called citrasutras. In an in-depth and systematic analysis of the texts on the theory of Indian painting, it critically examines the different ways in which the texts have been interpreted and used in the study of Indian painting, and suggests a new approach to reading and understanding their concepts. Contrary to previous publications on the subject, it is argued that the intended use of such texts as a standard of critique largely failed due to a fundamental misconceptualization of the significance of ‘text’ for Indian painters. Isabella Nardi offers an original approach to research in this field by drawing on the experiences of painters, who are considered as a valid source of knowledge for our understanding of the citrasutras, and provides a new conceptual framework for understanding the interlinkages between textual sources and the practice of Indian painting. Filling a significant gap in Indian scholarship, Nardi's study will appeal to those studying Indian painting and Indian art in general.
| Author | : Isabelle Clark-Decès |
| Publisher | : John Wiley & Sons |
| Total Pages | : 580 |
| Release | : 2011-02-28 |
| Genre | : Social Science |
| ISBN | : 1405198923 |
A Companion to the Anthropology of India offers a broad overview of the rapidly evolving scholarship on Indian society from the earliest area studies to views of India’s globalization in the twenty-first century. Provides readers with an important new introduction to the anthropology of India Explores the larger global issues that have transformed India since the end of colonization, including demographic, economic, social, cultural, political, and religious issues Contributions by leading experts present up-to-date, comprehensive coverage of key topics such as population and life expectancy, civil society, social-moral relationships, caste and communalism, youth and consumerism, the new urban middle class, environment and health, tourism, public and religious cultures, politics and law Represents an authoritative guide for professional social and cultural anthropologists, and South Asian specialists, and an accessible reference work for students engaged in the analysis of India’s modern transformation
| Author | : Chandan Bose |
| Publisher | : Springer |
| Total Pages | : 323 |
| Release | : 2019-03-30 |
| Genre | : Social Science |
| ISBN | : 3030125165 |
Providing an ethnographic account of the everyday life of a household of artisans in the Telangana state of southern India, Chandan Bose engages with craft practice beyond the material (in this case, the region's characteristic murals, narrative cloth scrolls, and ritual masks and figurines). In situating the voice of the artisans themselves as the central focus of study, simultaneous and juxtaposing histories of craft practice emerge, through which artisans assemble narratives about work, home, and identity through multiple lenses. These perspectives include: the language artisans use to articulate their experience of materials, materiality, and the physical process of making; the shared and collective memory of practitioners through which they recount the genealogy of the practice; the everyday life of the household and its kinship practices, given the integration of the studio-space and the home-space; the negotiations between practitioners and the nation-state over matters of patronage; and the capacities of artisans to both conform to and affect the practices of the neo-liberal market.
| Author | : John Clammer |
| Publisher | : Routledge |
| Total Pages | : 169 |
| Release | : 2014-11-13 |
| Genre | : Business & Economics |
| ISBN | : 1317687795 |
Culture is not simply an explanation of last resort, but is itself a rich, multifaceted and contested concept and set of practices that needs to be expanded, appreciated and applied in fresh ways if it is to be both valued in itself and to be of use in practical development. This innovative book places culture, specifically in the form of the arts, back at the centre of debates in development studies by introducing new ways of conceptualizing art in relation to development. The book shows how the arts and development are related in very practical ways – as means to achieve development goals through visual, dramatic, filmic and craft-inspired ways. It advocates not so much culture and development, but rather for the development of culture. Without a cultural content to economic and social transformation the problems found in much development – up-rooting of cultures, loss of art forms, languages and modes of expression and performance – may only accelerate. Paying attention to the development of the arts as the content of development helps to amend this culturally destructive process. Finally, the book argues for the value of the arts in attaining sustainable cultures, promoting poverty alleviation, encouraging self-empowerment, stimulating creativity and the social imagination, which in turn flow back into wider processes of social transformation. Discussion questions at the end of each chapter make this book ideal to help foster further thinking and debate. This book is an inspiring read for postgraduate students and researchers in the fields of development studies, cultural studies and sociology of development.
| Author | : Alice Tilche |
| Publisher | : University of Washington Press |
| Total Pages | : 258 |
| Release | : 2022-02-19 |
| Genre | : Social Science |
| ISBN | : 0295749725 |
As India consolidates an aggressive model of economic development, indigenous tribal people known as adivasis continue to be overrepresented among the country’s poor. Adivasis make up more than eight hundred communities in India, with a total population of more than 100 million people who speak more than three hundred different languages. Although their historical presence is acknowledged by the state and they are lauded as a part of India’s ethnic identity today, their poverty has been compounded by the suppression of their cultural heritage and lifestyle. In Adivasi Art and Activism, Alice Tilche draws on anthropological fieldwork conducted in rural western India to chart changes in adivasi aesthetics, home life, attire, food, and ideas of religiosity that have emerged from negotiation with the homogenizing forces of Hinduization, development, and globalization in the twenty-first century. She documents curatorial projects located not only in museums and art institutions, but in the realms of the home, the body, and the landscape. Adivasi Art and Activism raises vital questions about preservation and curation of indigenous material and provides an astute critique of the aesthetics and politics of Hindu nationalism.
