In Search Of Stanislavskys Creative State On The Stage
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Author | : Gabriela Curpan |
Publisher | : Routledge |
Total Pages | : 331 |
Release | : 2021-04-13 |
Genre | : Performing Arts |
ISBN | : 1000377059 |
This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski’s work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.
Author | : Gabriela Curpan |
Publisher | : |
Total Pages | : 266 |
Release | : 2021 |
Genre | : Method acting |
ISBN | : 9780367630645 |
This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski's work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.
Author | : Konstantin Sergeevič Stanislavskij |
Publisher | : |
Total Pages | : 295 |
Release | : 1967 |
Genre | : |
ISBN | : |
Author | : Maria Knebel |
Publisher | : Routledge |
Total Pages | : 265 |
Release | : 2021-12-30 |
Genre | : Performing Arts |
ISBN | : 1136448926 |
Active Analysis combines two of Maria Knebel’s most important books, On Active Analysis of the Play and the Role and The Word in the Actor’s Creative Work, in a single edition conceived and edited by one of Knebel's most famous students, the renowned theatre and film director, Anatoli Vassiliev. This is the first English translation of an important and authoritative fragment of the great Stanislavski jigsaw. A landmark publication. This book is an indispensable resource for professional directors, student directors, actors and researchers interested in Stanislavski, directing, rehearsal methods and theatre studies more generally.
Author | : Gabriela Curpan |
Publisher | : |
Total Pages | : |
Release | : 2019 |
Genre | : |
ISBN | : |
Author | : Maria Shevtsova |
Publisher | : Cambridge University Press |
Total Pages | : 305 |
Release | : 2019-11-21 |
Genre | : Drama |
ISBN | : 1107023394 |
An interdisciplinary approach to Stanislavsky's theatre practice in sociocultural and political contexts and its legacy in the twenty-first century.
Author | : Konstantin Stanislavsky |
Publisher | : |
Total Pages | : 340 |
Release | : 1950 |
Genre | : Acting |
ISBN | : |
Author | : Konstantin Stanislavski |
Publisher | : Taylor & Francis |
Total Pages | : 762 |
Release | : 2016-10-04 |
Genre | : Performing Arts |
ISBN | : 1315474247 |
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
Author | : Vasili Toporkov |
Publisher | : Bloomsbury Publishing |
Total Pages | : 213 |
Release | : 2016-01-14 |
Genre | : Performing Arts |
ISBN | : 1474279074 |
A rare insider's account of the true story behind the development of the famous Stanislavski method. Vasili Toporkov was one of the rare outsiders ever to be invited to join the Moscow Art Theatre. Although already an experienced and accomplished artist, he was forced to retrain as an actor under Stanislavski's rigorous guidance. Stanislavski in Rehearsal is Toporkov's vivid account of this learning process, offering an eloquent and jargon-free insight into Stanislavski's legendary 'system' and his method of rehearsal that became known as the Method of Physical Action. Spanning ten years - from 1928 to 1938 - Toporkov charts the last crucial years of Stanislavski's work as a director and offers the only reliable biographical sketch that we have. Through Toporkov's account, Stanislavski is revealed as a multi-faceted personality - funny, furious, kind, ruthless, encouraging, exacting - waging a war against clichés and quick answers, inspiring his actors and driving them to despair in his pursuit of artistic perfection.
Author | : Vasily Osipovich Toporkov |
Publisher | : Taylor & Francis |
Total Pages | : 225 |
Release | : 2023-04-28 |
Genre | : Performing Arts |
ISBN | : 1000950859 |
Vasili Toporkov was one of the rare outsiders ever to be invited to join the Moscow Art Theatre. Although already an experienced and accomplished artist, he was forced to retrain as an actor under Stanislavski's rigorous guidance. This is Toporkov's account of this learning process, offering an insight into Stanislavski's legendary "system" and his method of rehearsal that became known as the method of physical action. Spanning ten years - from 1928 to 1938 - Toporkov charts the last crucial years of Stanislavski's work as a director. Toporkov reveals Stanislavski as a multi-faceted personality - funny, furious, kind, ruthless, encouraging, exacting - waging war against clichés and quick answers, inspiring his actors and driving to despair in his pursuit of artistic perfection. Jean Benedetti's new translation of Toporkov's invaluable record restores to us the vitality and insight of Stanislavski's mature thoughts on acting.