In Search Of Hannah Crafts
| Author | : Hollis Robbins |
| Publisher | : Civitas Books |
| Total Pages | : 490 |
| Release | : 2004 |
| Genre | : History |
| ISBN | : |
Table of contents
In Search Of Hannah Crafts
Download In Search Of Hannah Crafts full books in PDF, epub, and Kindle. Read online free In Search Of Hannah Crafts ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
The Bondwoman's Narrative
| Author | : Hannah Crafts |
| Publisher | : Grand Central Publishing |
| Total Pages | : 318 |
| Release | : 2002-04-02 |
| Genre | : Fiction |
| ISBN | : 0759527644 |
Possibly the first novel written by a black woman slave, this work is both a historically important literary event and a gripping autobiographical story in its own right. When her master is betrothed to a woman who conceals a tragic secret, Hannah Crafts, a young slave on a wealthy North Carolina plantation, runs away in a bid for her freedom up North. Pursued by slave hunters, imprisoned by a mysterious and cruel captor, held by sympathetic strangers, and forced to serve a demanding new mistress, she finally makes her way to freedom in New Jersey. Her compelling story provides a fascinating view of American life in the mid-1800s and the literary conventions of the time. Written in the 1850's by a runaway slave, THE BONDSWOMAN'S NARRATIVE is a provocative literary landmark and a significant historical event that will captivate a diverse audience.
In Search of Hannah Crafts
| Author | : Henry Louis Gates |
| Publisher | : Civitas Books |
| Total Pages | : 480 |
| Release | : 2004-12-01 |
| Genre | : Social Science |
| ISBN | : 9780465027088 |
Three years ago, Henry Louis Gates, Jr. discovered an unpublished manuscript, The Bondwoman's Narrative, By Hannah Crafts, A Fugitive Recently Escaped From North Carolina, which turned out to be the first novel by a female African-American slave ever found, and possibly the first novel written by a black women anywhere. The Bondwoman's Narrative was published in 2002. In Search of Hannah Crafts now brings together twenty-two authorities on African-American studies to examine such issues as authenticity, and the history and criticism of this unique novel, including Nina Baym, Jean Fagan Yellin, William Andrews, Lawrence Buell, Karen Sanchez-Eppler and Shelley Fisher-Fishkin.The Bondwoman's Narrative will take its place in the African-American canon, and In Search of Hannah Crafts is the book that scholars and students of African-American Studies, of women writers, and of slavery, need to have to understand this unprecedented historical and literary event.
Dislocating Race and Nation
| Author | : Robert S. Levine |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 335 |
| Release | : 2009-06-01 |
| Genre | : Literary Criticism |
| ISBN | : 0807887889 |
American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British literature. Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period. Levine emphasizes the centrality of both inter- and intra-American conflict in his analysis of four illuminating "episodes" of literary responses to questions of U.S. racial nationalism and imperialism. He examines Charles Brockden Brown and the Louisiana Purchase; David Walker and the debates on the Missouri Compromise; Nathaniel Hawthorne, Herman Melville, and Hannah Crafts and the blood-based literary nationalism and expansionism of the mid-nineteenth century; and Frederick Douglass and his approximately forty-year interest in Haiti. Levine offers critiques of recent developments in whiteness and imperialism studies, arguing that a renewed attention to the place of contingency in American literary history helps us to better understand and learn from writers trying to make sense of their own historical moments.
Real or Fake
| Author | : Joe Nickell |
| Publisher | : University Press of Kentucky |
| Total Pages | : 253 |
| Release | : 2009-07-17 |
| Genre | : Law |
| ISBN | : 0813173302 |
Will the rare autographed baseball your great-uncle gave you put your children through college? Is your grandmother's chest of drawers really a seventeenth-century antique, or merely a reproduction? A leader in forgery detection and forensic investigation, Joe Nickell reveals his secrets to detecting artifacts items in Real or Fake: Studies in Authentication. Detailing how the pros determine whether an Abraham Lincoln signature is forged or if a photograph of Emily Dickinson is genuine, Nickell provides the essential tools necessary to identify counterfeits. In this general introduction to the principles of authentication, Nickell provides readers with step-by-step explanations of the science used to detect falsified documents, photographs, and other objects. Illustrating methods used on hit shows such as Antiques Roadshow and History Detectives, Nickell recommends that aspiring investigators employ a comprehensive approach to identifying imitations. One should consider the object's provenance (the origin or derivation of an artifact), content (clues in the scene or item depicted), and material composition (what artifacts are made of), as well as the results of scientific analyses, including radiographic, spectroscopic, microscopic, and microchemical tests. Including fascinating cases drawn from Nickell's illustrious career, Real or Fake combines historical and scientific investigations to reveal reproductions and genuine objects. Nickell explains the warning signs of forgery, such as patching and unnatural pen lifts; chronicles the evolution of writing instruments, inks, and papers; shows readers how to date photographs, papers, and other materials; and traces the development of photographic processes since the mid-nineteenth century. Lavishly illustrated with examples of replicas and authentic objects inspected by Nickell, Real or Fake includes case studies of alleged artifacts including Jack the Ripper's diary, a draft of the Gettysburg Address, notes by Charles Dickens, Jefferson Davis's musket, and debris from the Titanic.
Old Style
| Author | : Claudia Stokes |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 273 |
| Release | : 2021-12-14 |
| Genre | : Literary Criticism |
| ISBN | : 0812298160 |
An aesthetic of unoriginality shaped literary style and reader taste for decades of the nineteenth century. While critics in the twentieth century and beyond have upheld originality and innovation as essential characteristics of literary achievement, they were not features particularly prized by earlier American audiences, Claudia Stokes contends. On the contrary, readers were taught to value familiarity, traditionalism, and regularity. Literary originality was often seen as a mark of vulgar sensationalism and poor quality. In Old Style Stokes offers the first dedicated study of a forgotten nineteenth-century aesthetic, explicating the forms, practices, conventions, and uses of unoriginality. She focuses in particular on the second quarter of the century, when improvements in printing and distribution caused literary markets to become flooded with new material, and longstanding reading practices came under threat. As readers began to prefer novelty to traditional forms, advocates openly extolled unoriginality in an effort to preserve the old literary ways. Old Style examines this era of significant literary change, during which a once-dominant aesthetic started to give way to modern preferences. If writing in the old style came to be associated with elite conservatism—a linkage that contributed to its decline in the twentieth century—it also, paradoxically provided marginalized writers—people of color, white women, and members of the working class—the literary credentials they needed to enter print. Writing in the old style could affirm an aspiring author's training, command of convention, and respectability. In dismissing unoriginality as the literary purview of the untalented or unambitious, Stokes cautions, we risk overlooking something of vital importance to generations of American writers and readers.
The Transatlantic Gothic Novel and the Law, 1790–1860
| Author | : Bridget M. Marshall |
| Publisher | : Routledge |
| Total Pages | : 199 |
| Release | : 2016-02-17 |
| Genre | : Literary Criticism |
| ISBN | : 1317013727 |
Tracing the use of legal themes in the gothic novel, Bridget M. Marshall shows these devices reflect an outpouring of anxiety about the nature of justice. On both sides of the Atlantic, novelists like William Godwin, Mary Shelley, Charles Brockden Brown, and Hannah Crafts question the foundations of the Anglo-American justice system through their portrayals of criminal and judicial procedures and their use of found documents and legal forms as key plot devices. As gothic villains, from Walpole's Manfred to Godwin's Tyrrell to Stoker's Dracula, manipulate the law and legal system to expand their power, readers are confronted with a legal system that is not merely ineffective at stopping villains but actually enables them to inflict ever greater harm on their victims. By invoking actual laws like the Black Act in England or the Fugitive Slave Act in America, gothic novels connect the fantastic horrors that constitute their primary appeal with much more shocking examples of terror and injustice. Finally, the gothic novel's preoccupation with injustice is just one element of many that connects the genre to slave narratives and to the horrors of American slavery.
Sites Unseen
| Author | : William A. Gleason |
| Publisher | : NYU Press |
| Total Pages | : 286 |
| Release | : 2011-08-22 |
| Genre | : Literary Criticism |
| ISBN | : 0814732488 |
Sites Unseen examines the complex intertwining of race and architecture in nineteenth and early-twentieth century American culture, the period not only in which American architecture came of age professionally in the U.S. but also in which ideas about architecture became a prominent part of broader conversations about American culture, history, politics, and—although we have not yet understood this clearly—race relations. This rich and copiously illustrated interdisciplinary study explores the ways that American writing between roughly 1850 and 1930 concerned itself, often intensely, with the racial implications of architectural space primarily, but not exclusively, through domestic architecture. In addition to identifying an archive of provocative primary materials, Sites Unseen draws significantly on important recent scholarship in multiple fields ranging from literature, history, and material culture to architecture, cultural geography, and urban planning. Together the chapters interrogate a variety of expressive American vernacular forms, including the dialect tale, the novel of empire, letters, and pulp stories, along with the plantation cabin, the West Indian cottage, the Latin American plaza, and the “Oriental” parlor. These are some of the overlooked plots and structures that can and should inform a more comprehensive consideration of the literary and cultural meanings of American architecture. Making sense of the relations between architecture, race, and American writing of the long nineteenth century—in their regional, national, and hemispheric contexts—Sites Unseen provides a clearer view not only of this catalytic era but also more broadly of what architectural historian Dell Upton has aptly termed the social experience of the built environment.
Slavery, Surveillance and Genre in Antebellum United States Literature
| Author | : Kelly Ross |
| Publisher | : Oxford University Press |
| Total Pages | : 209 |
| Release | : 2022-10-30 |
| Genre | : Literary Collections |
| ISBN | : 0192856278 |
Slavery, Surveillance, and Genre in Antebellum United States Literature argues for the existence of deep, often unexamined, interconnections between genre and race by tracing how surveillance migrates from the literature of slavery to crime, gothic, and detective fiction. Attending to the long history of surveillance and policing of African Americans, the book challenges the traditional conception of surveillance as a top-down enterprise, equally addressing the tactics of sousveillance (watching from below) that enslaved people and their allies used to resist, escape, or merely survive racial subjugation. Examining the dialectic of racialized surveillance and sousveillance from fugitive slave narratives to fictional genres focused on crime and detection, the book shows how these genres share a thematic concern with the surveillance of racialized bodies and formal experimentation with ways of telling a story in which certain information is either rendered visible or kept hidden. Through close readings of understudied fugitive slave narratives published in the 1820s and 1830s, as well as texts by Edgar Allan Poe, Herman Melville, Frederick Douglass, Hannah Crafts, and Harriet Jacobs, Ross analyzes the different ways white and black authors take up these issues in their writing--from calming white fears of enslaved rebellion to abolishing slavery--and demonstrates how literary representations ultimately destabilize any clear-cut opposition between watching from above and below. In so doing, the book demonstrates the importance of race to surveillance studies and claims a greater role for the impact of surveillance on literary expression in the US during the era of slavery.
Haunted Property
| Author | : Sarah Gilbreath Ford |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 241 |
| Release | : 2020-08-25 |
| Genre | : Literary Criticism |
| ISBN | : 1496829735 |
Winner of a 2021 South Central Modern Language Association Book Prize At the heart of America’s slave system was the legal definition of people as property. While property ownership is a cornerstone of the American dream, the status of enslaved people supplies a contrasting American nightmare. Sarah Gilbreath Ford considers how writers in works from nineteenth-century slave narratives to twenty-first-century poetry employ gothic tools, such as ghosts and haunted houses, to portray the horrors of this nightmare. Haunted Property: Slavery and the Gothic thus reimagines the southern gothic, which has too often been simply equated with the macabre or grotesque and then dismissed as regional. Although literary critics have argued that the American gothic is driven by the nation’s history of racial injustice, what is missing in this critical conversation is the key role of property. Ford argues that out of all of slavery’s perils, the definition of people as property is the central impetus for haunting because it allows the perpetration of all other terrors. Property becomes the engine for the white accumulation of wealth and power fueled by the destruction of black personhood. Specters often linger, however, to claim title, and Ford argues that haunting can be a bid for property ownership. Through examining works by Harriet Jacobs, Hannah Crafts, Mark Twain, Herman Melville, Sherley Anne Williams, William Faulkner, Eudora Welty, Toni Morrison, Octavia Butler, and Natasha Trethewey, Ford reveals how writers can use the gothic to combat legal possession with spectral possession.
