In Praise Of The Unfinished
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Author | : Julia Hartwig |
Publisher | : Knopf |
Total Pages | : 161 |
Release | : 2012-11-07 |
Genre | : Poetry |
ISBN | : 0307496104 |
Hailed by Czeslaw Milosz as “the grande dame of Polish poetry” and named “one of the foremost Polish poets of the twentieth century” by Ryszard Kapuscinski, Julia Hartwig has long been considered the gold standard of poetry in her native Poland. With this career-spanning collection, we finally have a book of her work in English. The tragic story of the last century flows naturally through Hartwig’s poems. She evokes the husbands who returned silent from battle (“What woman was told about the hell at Monte Cassino?”) and asks, “Why didn’t I dance on the Champs-Élysées / when the crowd cheered the end of the war? . . . Why was I fated to be on the main street of Lublin / watching regiments with red stars enter the city.” But there is also a welcoming of new experience in her verse, a sense that life, finally, is too beautiful to condemn. She seeks a higher peace, urging us to hear other voices: “an ermine’s cry, moan of a dove, / complaint of an owl—that remind us / the hardship of solitude is measured out equally.” Hartwig’s compassionate spirit in the face of destruction and suffering, her apparent need to live in the moment, make her poems monumental and deeply touching and the introduction of her work here long overdue. Return to My Childhood Home Amid a dark silence of pines—the shouts of young birches calling each other. Everything is as it was. Nothing is as it was. Speak to me, Lord of the child. Speak, innocent terror! To understand nothing. Each time in a different way, from the first cry to the last breath. Yet happy moments come to me from the past, like bridesmaids carrying oil lamps.
Author | : Nico Van Hout |
Publisher | : Harry N. Abrams |
Total Pages | : 0 |
Release | : 2013-03-05 |
Genre | : Art |
ISBN | : 9781419707513 |
Travelling through the history of art from the 15th to the 20th century, this book is a survey of works of art by Old and Modern Masters including Van Eyck, Leonardo, Michelangelo, Rubens, David, Manet, Cézanne, Matisse and Mondrian that have remained deliberately or unintentionally unfinished, and that are usually marginalized in traditional art history. They remain incomplete for various reasons: illness or death of the artist; political turmoil forcing him to flee; disagreements with the commissioner or dissatisfaction with the artistic result. However, from the 16th century onwards, artists started to use the non finito as a tool of expression. Unfinished pictures therefore gained a certain reputation in the romantic era, when they were thought to offer the spectator a glimpse of artistic genius. In the 20th century, these paintings were discovered by cubists, expressionists and abstract painters who were fascinated by their rough and incoherent appearance, often unaware of their history.
Author | : João Biehl |
Publisher | : Duke University Press |
Total Pages | : 269 |
Release | : 2017-11-16 |
Genre | : Social Science |
ISBN | : 0822372452 |
This original, field-changing collection explores the plasticity and unfinishedness of human subjects and lifeworlds, advancing the conceptual terrain of an anthropology of becoming. People's becomings trouble and exceed ways of knowing and acting, producing new possibilities for research, methodology, and writing. The contributors creatively bridge ethnography and critical theory in a range of worlds on the edge, from war and its aftermath, economic transformation, racial inequality, and gun violence to religiosity, therapeutic markets, animal rights activism, and abrupt environmental change. Defying totalizing analytical schemes, these visionary essays articulate a human science of the uncertain and unknown and restore a sense of movement and possibility to ethics and political practice. Unfinished invites readers to consider the array of affects, ideas, forces, and objects that shape contemporary modes of existence and future horizons, opening new channels for critical thought and creative expression. Contributors. Lucas Bessire, João Biehl, Naisargi N. Dave, Elizabeth A. Davis, Michael M. J. Fischer, Angela Garcia, Peter Locke, Adriana Petryna, Bridget Purcell, Laurence Ralph, Lilia M. Schwarcz
Author | : Greg Bear |
Publisher | : HarperCollins |
Total Pages | : 387 |
Release | : 2021-02-16 |
Genre | : Fiction |
ISBN | : 1328592367 |
A sweeping Elizabethan historical fantasy from an internationally renowned author that evokes the seafaring adventures of Robert Louis Stevenson and the magic of The Bear and the Nightingale Reynard, a young apprentice, seeks release from the drudgery of working for his fisherman uncle in the English village of Southwold. His rare days off lead him to strange encounters—not just with press gangs hoping to fill English ships to fight the coming Spanish Armada, but with strangers who seem to know him, one of whom casts a peculiar shadow. The village’s ships are commandeered, and after a fierce battle at sea, Reynard finds himself the sole survivor of his uncle’s devastated boat. For days he drifts, starving and dying of thirst, until he is rescued by a galleon, also lost—and both are propelled by a strange current to an unknown northern island. Here, Reynard must meet his destiny in a violent clash between humans and gods.
Author | : Rob Bentz |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Religion |
ISBN | : 9781433540066 |
Pastor Rob Bentz helps individuals and small groups grasp the importance of the local church for the Christian life through engaging anecdotes, powerful reflections on Scripture, and instructive lessons from church history.
Author | : Lillian Hellman |
Publisher | : Back Bay Books |
Total Pages | : 304 |
Release | : 1999-06-07 |
Genre | : Biography & Autobiography |
ISBN | : 9780316352857 |
Caustic, brilliant, uncompromising, accomplished, Lillian Hellman, one writer noted, can "take the tops off bottles with her teeth". Her career as a playwright began in 1938 with The Children's Hour, the first of seven plays that would bring her international attention and praise. Thirty years later, Hellman unleashed her peerless wit and candor on the subject she knew best: herself. An Unfinished Woman is a rich, surprising, emotionally charged portrait of a bygone world -- and of an independent-minded woman coming into her own. Wendy Wasserstein's introduction to this new edition provides a fascinating literary and historical context for reexamining Lillian Hellman's life and achievement.
Author | : Mark Spragg |
Publisher | : Vintage |
Total Pages | : 277 |
Release | : 2004-08-31 |
Genre | : Fiction |
ISBN | : 1400043808 |
In an extraordinary tale of love and forgiveness, Mark Spragg brings us this novel of a complex, prodigal homecoming. Jean Gilkyson has a history of choosing the wrong men. After yet another night of argument turned to violence with her boyfriend, Roy, Jean knows it's time to leave—if not for herself, then for her ten-year-old daughter, Griff. But the only place they can afford to go is Ishawooa, Wyoming, where Jean's family is dead and her deceased husband's father Einar wishes Jean was too. Of course, Griff knows none of this—only that here in Wyoming, with a grandfather she has never known and his crippled friend Mitch, she may finaly be able to find a home.
Author | : Joanna Stalnaker |
Publisher | : Cornell University Press |
Total Pages | : 259 |
Release | : 2011-05-02 |
Genre | : Literary Criticism |
ISBN | : 0801462347 |
In The Unfinished Enlightenment, Joanna Stalnaker offers a fresh look at the French Enlightenment by focusing on the era's vast, collective attempt to compile an ongoing and provisional description of the world. Through a series of readings of natural histories, encyclopedias, scientific poetry, and urban topographies, the book uncovers the deep epistemological and literary tensions that made description a central preoccupation for authors such as Buffon, Bernardin de Saint-Pierre, Diderot, Delille, and Mercier. Stalnaker argues that Enlightenment description was the site of competing truth claims that would eventually resolve themselves in the modern polarity between literature and science. By the mid-nineteenth century, the now habitual association between description and the novel was already firmly anchored in French culture, but just a century earlier, in the diverse network of articles on description in Diderot and d'Alembert's Encyclopédie and in the works derived from it, there was not a single mention of the novel. Instead, we find articles on description in natural history, geometry, belles-lettres, and poetry. Stalnaker builds on the premise that the tendency to view description as the inevitable (and subservient) partner of narration—rather than as a universal tool for making sense of knowledge in all fields—has obscured the central place of description in Enlightenment discourse. As a result, we have neglected some of the most original and experimental works of the eighteenth century.
Author | : Adele Griffin |
Publisher | : Soho Press |
Total Pages | : 231 |
Release | : 2014-08-12 |
Genre | : Young Adult Fiction |
ISBN | : 1616953616 |
For fans of Miss Peregrine's Home for Peculiar Children, Girl, Interrupted, and A.S. King, National Book Award-finalist Adele Griffin tells the fully illustrated story of a brilliant young artist, her mysterious death, and the fandom that won't let her go. From the moment she stepped foot in NYC, Addison Stone’s subversive street art made her someone to watch, and her violent drowning left her fans and critics craving to know more. I conducted interviews with those who knew her best—including close friends, family, teachers, mentors, art dealers, boyfriends, and critics—and retraced the tumultuous path of Addison's life. I hope I can shed new light on what really happened the night of July 28. —Adele Griffin
Author | : Sarah J. Townsend |
Publisher | : Northwestern University Press |
Total Pages | : 428 |
Release | : 2018-07-15 |
Genre | : Performing Arts |
ISBN | : 0810137429 |
A certain idea of the avant-garde posits the possibility of a total rupture with the past. The Unfinished Art of Theater pulls back on this futuristic impulse by showing how theater became a key site for artists on the semiperiphery of capitalism to reconfigure the role of the aesthetic between 1917 and 1934. The book argues that this “unfinished art”—precisely because of its historic weakness as a representative institution in Mexico and Brazil, where the bourgeois stage had not (yet) coalesced—was at the forefront of struggles to redefine the relationship between art and social change. Drawing on extensive archival research, Sarah J. Townsend reveals the importance of projects and texts that belie the rhetoric of rupture and immediacy associated with the avant-garde: ethnographic operas with ties to the recording industry, populist puppet plays, children’s radio programs about the wonders of technology, a philosophical drama about the birth of a new race, and an antifascist spectacle written for (but never performed at) a theater shut down by the police. Ultimately, the book makes the case that the very category of avant-garde art is bound up in the experience of dependency, delay, and the uneven development of capitalism.