In Concert
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Author | : Philip Auslander |
Publisher | : University of Michigan Press |
Total Pages | : 305 |
Release | : 2021-01-04 |
Genre | : Music |
ISBN | : 0472054716 |
The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.
Author | : Philip Auslander |
Publisher | : University of Michigan Press |
Total Pages | : 305 |
Release | : 2021-01-04 |
Genre | : Music |
ISBN | : 0472128396 |
The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.
Author | : Mike Wu |
Publisher | : Disney Electronic Content |
Total Pages | : |
Release | : 2018-05-29 |
Genre | : Juvenile Fiction |
ISBN | : 1368041612 |
Since Ellie saved her home with her wonderful paintings, the zoo is back in business and the animals are more energetic than ever. All except for Lucy the giraffe, who hasn't been able to sleep with all the noise. Determined to help her friend, Ellie tries to tone down the ruckus and organizes the animals into an orchestra. But is it possible to conduct the cacophony of the zoo into beautiful music? Praise for Ellie "[Wu's] visual storytelling, rendered in sweet, throwback-style watercolors, shows creativity and poise. . . .
Author | : Carl Vigeland |
Publisher | : Open Road Media |
Total Pages | : 289 |
Release | : 2016-07-05 |
Genre | : Music |
ISBN | : 1504033744 |
An intimate, moving, dramatic story about the musicians in a great orchestra who make music come alive in performance and recording. The musicians here are members of the fabled Boston Symphony Orchestra, led by conductor Seiji Ozawa, during a season highlighted by Mahler’s Second Symphony, The Resurrection.
Author | : Jennifer Mitzen |
Publisher | : University of Chicago Press |
Total Pages | : 275 |
Release | : 2013-09-10 |
Genre | : Political Science |
ISBN | : 022606025X |
How states cooperate in the absence of a sovereign power is a perennial question in international relations. With Power in Concert, Jennifer Mitzen argues that global governance is more than just the cooperation of states under anarchy: it is the formation and maintenance of collective intentions, or joint commitments among states to address problems together. The key mechanism through which these intentions are sustained is face-to-face diplomacy, which keeps states’ obligations to one another salient and helps them solve problems on a day-to-day basis. Mitzen argues that the origins of this practice lie in the Concert of Europe, an informal agreement among five European states in the wake of the Napoleonic wars to reduce the possibility of recurrence, which first institutionalized the practice of jointly managing the balance of power. Through the Concert’s many successes, she shows that the words and actions of state leaders in public forums contributed to collective self-restraint and a commitment to problem solving—and at a time when communication was considerably more difficult than it is today. Despite the Concert’s eventual breakdown, the practice it introduced—of face to face diplomacy as a mode of joint problem solving—survived and is the basis of global governance today.
Author | : Peter Hillmore |
Publisher | : |
Total Pages | : 196 |
Release | : 1985 |
Genre | : Economic assistance |
ISBN | : |
Author | : Meghan Stevens |
Publisher | : Music and Image in Concert |
Total Pages | : 202 |
Release | : 2009 |
Genre | : Art |
ISBN | : 0980732603 |
In 'Music and Image in Concert' composer, graphic designer and writer Meghan Stevens explores the implications to music when images are presented in music concerts. But how do artistic directors ensure that listeners aren't more engaged by the images than the music? Stevens presents a number of concepts that aim to maintain musical salience over added image in the instrumental music concert. This is to avoid the situation that occurs in film where the music is backgrounded and often not heard or not remembered. These concepts cover a range of music-image characteristics including narrative, synchronisation, rhythm, tempo, meaning, emotion, structure, genre, integration, interpretation, voice and text. As there is little research in this new field, these original concepts draw on a number of other disciplines including film, music-video, multimedia, cognitive psychology, psychomusicology, education and music philosophy. This book provides a practical approach for adding image to the music concert.
Author | : Emilio Audissino |
Publisher | : |
Total Pages | : 87 |
Release | : 2021-12-16 |
Genre | : Music |
ISBN | : 1009009095 |
Explores film music's role in the concert repertoire, highlighting how the Boston Pops under John Williams pioneered its inclusion.
Author | : Angel Romero |
Publisher | : Mel Bay Publications |
Total Pages | : 53 |
Release | : 2013-12-12 |
Genre | : Music |
ISBN | : 1619114496 |
Mel Bay proudly presents Angel Romero: In Concert. This collection features some of Maestro Romero's most famous and best-loved repertoire, with Romero's own arrangements, edits, dynamics, fingerings and musical suggestions. The book contains some of the most dynamic music performed throughout Romero's career, including favorites by composers such as Bach, Scarlatti, Debussy, Satie and more. Romero took the world by storm with his expressive, communicative and virtuosic musical spirit, and these arrangements capture and highlight that dynamism in all its splendor.
Author | : Ian M. Rusten |
Publisher | : McFarland |
Total Pages | : 340 |
Release | : 2018-10-20 |
Genre | : Music |
ISBN | : 1476634432 |
This day-by-day chronicle of every live concert by the Rolling Stones from 1962 through 1982 traces their development from a band playing small clubs around London to the global phenomenon we know today. Comprehensive coverage of the shows includes set lists, venues, concert reviews, anecdotes and notable events in the lives of the band members. A list of the Stones' radio recordings--some of which were performed before live audiences--and television performances is included, along with never-before-published posters, programs, tickets, handbills and photographs.