Impressionists Side by Side

Impressionists Side by Side
Author: Barbara Ehrlich White
Publisher: Knopf
Total Pages: 318
Release: 1996
Genre: Art
ISBN:

Examines the personal and professional relationships between seven pairs of Impressionist artists such as Degas, Renoir, and Monet.

Van Gogh and the Post-Impressionists for Kids

Van Gogh and the Post-Impressionists for Kids
Author: Carol Sabbeth
Publisher: Chicago Review Press
Total Pages: 162
Release: 2011-05
Genre: Juvenile Nonfiction
ISBN: 156976882X

A collection of artwork for children by Vincent van Gogh and other French artists.

Modern Chromatics, with Applications to Art and Industry

Modern Chromatics, with Applications to Art and Industry
Author: Ogden N. Rood
Publisher: Alpha Edition
Total Pages: 338
Release: 2019-12
Genre: History
ISBN: 9789353926113

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Renoir: An Intimate Biography

Renoir: An Intimate Biography
Author: Barbara Ehrlich White
Publisher: Thames & Hudson
Total Pages: 444
Release: 2017-11-07
Genre: Art
ISBN: 050077403X

A major new biography of this enduringly popular artist by the world’s foremost scholar of his life and work Expertly researched and beautifully written by the world’s leading authority on Auguste Renoir’s life and work, Renoir fully reveals this most intriguing of Impressionist artists. The narrative is interspersed with more than 1,100 extracts from letters by, to, and about Renoir, 452 of which come from unpublished letters. Renoir became hugely popular despite great obstacles: thirty years of poverty followed by thirty years of progressive paralysis of his fingers. Despite these hardships, much of his work is optimistic, even joyful. Close friends who contributed money, contacts, and companionship enabled him to overcome these challenges to create more than 4,000 paintings. Renoir had intimate relationships with fellow artists (Caillebotte, Cézanne, Monet, and Morisot), with his dealers (Durand-Ruel, Bernheim, and Vollard) and with his models (Lise, Aline, Gabrielle, and Dédée). Barbara Ehrlich White’s lifetime of research informs this fascinating biography that challenges common misconceptions surrounding Renoir’s reputation. Since 1961 White has studied more than 3,000 letters relating to Renoir and gained unique insight into his personality and character. Renoir provides an unparalleled and intimate portrait of this complex artist through images of his own iconic paintings, his own words, and the words of his contemporaries. “Barbara White is a biographer of courage, seriousness and unrelenting honesty. She has read and dissected about 3,000 letters about Renoir written by him, his friends, his family, as well as the newspapers of the day. Practically every member of the Renoir family has entrusted their personal documents to her – a pledge of trust totally deserved. Whenever I am asked a question about Auguste, I write to Barbara to ask her opinion or call on her knowledge, since she has become an indisputable reference for me. She is always careful and verifies facts and contexts by every route possible. The Renoir family, and Auguste himself, are very lucky that Barbara is so passionate about her subject, and I feel personally lucky to know her. I thank her from the bottom of my heart for this work of a lifetime – a magnificent success. I am very pleased that her book has been edited by the quality editors at Thames & Hudson, as it will remain a point of reference for many generations to come.” – Sophie Renoir (great-granddaughter of Auguste Renoir, granddaughter of his eldest son Pierre, and daughter of Renoir’s grandson Claude Renoir, Jr.), June 7, 2017

Australia's Impressionists

Australia's Impressionists
Author: Tim Bonyhady
Publisher: National Gallery London
Total Pages: 0
Release: 2016
Genre: Impressionism
ISBN: 9781857096125

Catalog of an exhibition held at the National Gallery, London, December 7, 2016-March 26, 2017.

Impressionist Quartet

Impressionist Quartet
Author: Jeffrey Meyers
Publisher: Oldcastle Books Ltd
Total Pages: 343
Release: 2016-04-01
Genre: Art
ISBN: 1904915515

In this book, Jeffrey Meyers follows the lives of four Impressionist painters whose rebellious work was scorned by the critics and derided by their contemporaries. The French art establishment dismissed them altogether and at the time their sold for very little. Impressionist Quartet describes the relationships between these artists and how they struggle emotionally and intellectually to create a new way of seeing and representing the world.

Impressionists and Politics

Impressionists and Politics
Author: Philip Nord
Publisher: Routledge
Total Pages: 151
Release: 2014-04-04
Genre: Art
ISBN: 1136131809

Impressionists and Politics is an accessible introduction to the current debates about Impressionism. Was the artistic movement really radical and innovative? Is the term "Impressionism" itself an adequate characterization of the movement of painters and critics that took the mid-nineteenth century Paris art world by storm? By providing an historical background and context, the book places the Impressionists' roots in wider social and economic transformations and explains its militancy, both aesthetic and political. Impressionists and Politics is a concise history of the movement, from its youthful inception in the 1860s, through to its final years of recognition and then crisis.

The Women Impressionists

The Women Impressionists
Author: Russell T. Clement
Publisher: Bloomsbury Publishing USA
Total Pages: 212
Release: 2000-02-28
Genre: Art
ISBN: 0313032467

This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.

Realism in the Age of Impressionism

Realism in the Age of Impressionism
Author: Marnin Young
Publisher: Yale University Press
Total Pages: 273
Release: 2015-01-01
Genre: Art
ISBN: 0300208324

The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Franocois Raffaeelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.