Impossible Picturesqueness
| Author | : Vidya Dehejia |
| Publisher | : Columbia University Press |
| Total Pages | : 146 |
| Release | : 1989 |
| Genre | : India |
| ISBN | : 0231069553 |
Impossible Picturesqueness
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Flora's Empire
| Author | : Eugenia W. Herbert |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 415 |
| Release | : 2012-01-31 |
| Genre | : Architecture |
| ISBN | : 0812205057 |
Like their penchant for clubs, cricket, and hunting, the planting of English gardens by the British in India reflected an understandable need on the part of expatriates to replicate home as much as possible in an alien environment. In Flora's Empire, Eugenia W. Herbert argues that more than simple nostalgia or homesickness lay at the root of this "garden imperialism," however. Drawing on a wealth of period illustrations and personal accounts, many of them little known, she traces the significance of gardens in the long history of British relations with the subcontinent. To British eyes, she demonstrates, India was an untamed land that needed the visible stamp of civilization that gardens in their many guises could convey. Colonial gardens changed over time, from the "garden houses" of eighteenth-century nabobs modeled on English country estates to the herbaceous borders, gravel walks, and well-trimmed lawns of Victorian civil servants. As the British extended their rule, they found that hill stations like Simla offered an ideal retreat from the unbearable heat of the plains and a place to coax English flowers into bloom. Furthermore, India was part of the global network of botanical exploration and collecting that gathered up the world's plants for transport to great imperial centers such as Kew. And it is through colonial gardens that one may track the evolution of imperial ideas of governance. Every Government House and Residency was carefully landscaped to reflect current ideals of an ordered society. At Independence in 1947 the British left behind a lasting legacy in their gardens, one still reflected in the design of parks and information technology campuses and in the horticultural practices of home gardeners who continue to send away to England for seeds.
India by Design
| Author | : Saloni Mathur |
| Publisher | : Univ of California Press |
| Total Pages | : 232 |
| Release | : 2007-11-06 |
| Genre | : Art |
| ISBN | : 0520234170 |
“Eschewing simple formulation of power's dependence on display, Saloni Mathur offers a brilliantly original disentangling of the anxious and involuted attempts to manage India as an 'aesthetic' project. Her account is rich in archival research, theoretically elegant, and exceptionally engrossing. With remarkable clarity, it opens colonial rule's 'cultural techniques' to a new set of illuminating questions.”—Christopher Pinney, author of Photos of the Gods: The Printed Image and Political Struggle in India “India by Design is an elegant and precise book, remarkable for its conciseness and clarity. Taking a transnational perspective and deftly engaging postcolonial theory, Mathur explores not only the representations but also the representational practices that shaped imperial, colonial, and postcolonial relations.”—Barbara Kirshenblatt-Gimblett, author of Destination Culture: Tourism, Museums, and Heritage “Saloni Mathur's book is a gathering of rare gifts and talents. With the subtle, searching eye of an expert curator, and the analytic skills of a fine scholar, Mathur explores the diverse scales and conflicting values of colonial design and discourse, arts and crafts. Monumental histories of museums are placed beside the petits recits of post-cards; the picturesque Victorian portraiture of Indian life makes a fine contrast with the celebration of 'modern' Indian art in the diasporic world of non-resident Indians. Always open to the lure and pleasure of Imperial display and spectacle, Mathur is equally astute about its underlying strategies of surveillance and subordination. This remarkable work is deeply engaged in the mechanics and mediations of Imperial authority and its visual signs.”—Homi Bhabha, Anne F. Rothenberg Professor of the Humanities, Harvard University "Saloni Mathur manages to bring together remarkably diverse strands that make up the contemporary visual cultures of India and provide insights for art historians, anthropologists and cultural theorists alike. India by Design: Colonial History and Cultural Display illuminates issues that are long overdue but hardly ever addressed in the art historical circles. Mathur's command of theory is truly impressive, but even more noteworthy are her insights about Indian modernity and colonial and post-colonial institutions in and outside of the country."—Vishakha N. Desai, President, Asia Society
Landscape, Seascape, and the Eco-Spatial Imagination
| Author | : Simon C. Estok |
| Publisher | : Routledge |
| Total Pages | : 252 |
| Release | : 2016-05-12 |
| Genre | : Literary Criticism |
| ISBN | : 1317327683 |
Written from within the best traditions of ecocritical thought, this book provides a wide-ranging account of the spatial imagination of landscape and seascape in literary and cultural contexts from many regions of the world. It brings together essays by authors writing from within diverse cultural traditions, across historical periods from ancient Egypt to the postcolonial and postmodern present, and touches on an array of divergent theoretical interventions. The volume investigates how our spatial imaginations become "wired," looking at questions about mediation and exploring how various traditions compete for prominence in our spatial imagination. In what ways is personal experience inflected by prevailing cultural traditions of representation and interpretation? Can an individual maintain a unique and distinctive spatial imagination in the face of dominant trends in perception and interpretation? What are the environmental implications of how we see landscape? The book reviews how landscape is at once conceptual and perceptual, illuminating several important themes including the temporality of space, the mediations of place that form the response of an observer of a landscape, and the development of response in any single life from early, partial thoughts to more considered ideas in maturity. Chapters provide suggestive and culturally nuanced propositions from varying points of view on ancient and modern landscapes and seascapes and on how individuals or societies have arranged, conceptualized, or imagined circumambient space. Opening up issues of landscape, seascape, and spatiality, this volume commences a wide-ranging critical discussion that includes various approaches to literature, history and cultural studies. Bringing together research from diverse areas such as ecocriticism, landscape theory, colonial and postcolonial theory, hybridization theory, and East Asian Studies to provide a historicized and global account of our ecospatial imaginations, this book will be useful for scholars of landscape ecology, ecocriticism, physical and social geography, postcolonialism and postcolonial ecologies, comparative literary studies, and East Asian Studies.
The Oxford History of the British Empire: Volume V: Historiography
| Author | : Robin Winks |
| Publisher | : OUP Oxford |
| Total Pages | : 757 |
| Release | : 1999-10-21 |
| Genre | : History |
| ISBN | : 0191542415 |
The Oxford History of the British Empire is a major new assessment of the Empire in the light of recent scholarship and the progressive opening of historical records. From the founding of colonies in North America and the West Indies in the seventeenth century to the reversion of Hong Kong to China at the end of the twentieth, British imperialism was a catalyst for far-reaching change. The Oxford History of the British Empire as a comprehensive study helps us to understand the end of Empire in relation to its beginning, the meaning of British imperialism for the ruled as well as for the rulers, and the significance of the British Empire as a theme in world history. This fifth and final volume shows how opinions have changed dramatically over the generations about the nature, role, and value of imperialism generally, and the British Empire more specifically. The distinguished team of contributors discuss the many and diverse elements which have influenced writings on the Empire: the pressure of current events, access to primary sources, the creation of relevant university chairs, the rise of nationalism in former colonies, decolonization, and the Cold War. They demonstrate how the study of empire has evolved from a narrow focus on constitutional issues to a wide-ranging enquiry about international relations, the uses of power, and impacts and counterimpacts between settler groups and native peoples. The result is a thought-provoking cultural and intellectual inquiry into how we understand the past, and whether this understanding might affect the way we behave in the future.
A Cultural History of the British Empire
| Author | : John MacKenzie |
| Publisher | : Yale University Press |
| Total Pages | : 451 |
| Release | : 2022-12-06 |
| Genre | : History |
| ISBN | : 0300268815 |
A compelling history of British imperial culture, showing how it was adopted and subverted by colonial subjects around the world As the British Empire expanded across the globe, it exported more than troops and goods. In every colony, imperial delegates dispersed British cultural forms. Facilitated by the rapid growth of print, photography, film, and radio, imperialists imagined this new global culture would cement the unity of the empire. But this remarkably wide-ranging spread of ideas had unintended and surprising results. In this groundbreaking history, John M. MacKenzie examines the importance of culture in British imperialism. MacKenzie describes how colonized peoples were quick to observe British culture—and adapted elements to their own ends, subverting British expectations and eventually beating them at their own game. As indigenous communities integrated their own cultures with the British imports, the empire itself was increasingly undermined. From the extraordinary spread of cricket and horse racing to statues and ceremonies, MacKenzie presents an engaging imperial history—one with profound implications for global culture in the present day.
The Natural History of Edward Lear, New Edition
| Author | : Robert McCracken Peck |
| Publisher | : Princeton University Press |
| Total Pages | : 241 |
| Release | : 2021-04-13 |
| Genre | : Art |
| ISBN | : 0691217238 |
"Edward Lear is well known as the brilliant writer of nonsense poetry, children's books, and travel books who popularized the limerick, and wrote verses such as "The Owl and the Pussycat." But few people are aware that Lear was one of the most talented and accomplished painters of natural history subjects in the nineteenth century, and worked with British scientists, collectors, and publishers to make Britain the nexus for scientific investigation and its circulation. One of the best ornithological artists of his generation, Lear published his first book, a monograph on the parrot family, at age 18, and established a format that would be followed by decades by such publishers as John Gould, with whom he worked closely and often anonymously. Over his career, Lear produced a multitude of drawings of birds and mammals from around the world for scientific publications, public institutions, and individual patrons, not just of English species, but of birds and mammals from Australia, New Zealand, and the Americas. He is also the Lear in the name of the rare species Lear's Macaw. In this book, Peck has assembled the first comprehensive view of this important part of Lear's career. Featuring over 200 illustrations and a foreword by Sir David Attenborough, the book also examines the influence Lear had on modern artists such as Walton Ford and Tony Foster. This new edition includes a new chapter that addresses Lear's continued fascination with wildlife and the natural world after giving up his career as a scientific illustrator, and his fascination with domestic pets, from his own beloved cat which he cartooned repeatedly, to the portraits of dogs owned by his family and friends, alongside thirteen never-before-published illustrations, including fully finished watercolors, rough preliminary sketches, and whimsical cartoons"--
The Raj on the Move
| Author | : Rajika Bhandari |
| Publisher | : Roli Books Private Limited |
| Total Pages | : 160 |
| Release | : 2013-12-19 |
| Genre | : History |
| ISBN | : 9351940373 |
Established in the 1840s by the peripatetic British, dak bungalows forever changed the way officers of the Empire and their families travelled across the subcontinent and got to know the real India. With most of the British Raj perpetually on the move, whether on tour or during the summer migration to the hills, dak bungalow travel inspired a brotherhood of sorts for generations of British and Indian officers, who could recount tales of horrid dak bungalow food, a crazed khansama, and the time their only companion at the bungalow was a tiger on the loose. Today, too, PWD-run circuit houses and dak bungalows continue to occupy an important place in the lives and imagination of India's civil servants. In The Raj on the Move: Story of the Dak Bungalow, Rajika Bhandari weaves together history, architecture, and travel to take us on a fascinating journey of India's British-era dak bungalows and circuit houses, following, quite literally, in the footsteps of travellers who stayed in these bungalows over the past two centuries. Her search takes her from the early-19th century memoirs and travelogues of British memsahibs, to travelling from the original colonial outpost of Madras in the south to the deep interiors of Madhya Pradesh, the heart of British India. Evoking the stories of Rudyard Kipling and Ruskin Bond, and filled with fascinating tidbits and amusing anecdotes, the book unearths local folklore about these remote and mysterious buildings, from the crotchety khansamas and their delectable chicken dishes to the resident ghosts that still walk the halls at night.
