Implicit Meanings
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| Author | : Professor Mary Douglas |
| Publisher | : Psychology Press |
| Total Pages | : 352 |
| Release | : 2010-10-14 |
| Genre | : Social Science |
| ISBN | : 9780415606738 |
Implicit Meanings was first published to great acclaim in 1975. It includes writings on the key themes which are associated with Mary Douglas' work and which have had a major influence on anthropological thought, such as food, pollution, risk, animals and myth. The papers in this text demonstrate the importance of seeking to understand beliefs and practices that are implicit and a priori within what might seem to be alien cultures.
| Author | : David BORDWELL |
| Publisher | : Harvard University Press |
| Total Pages | : 353 |
| Release | : 2009-06-30 |
| Genre | : Philosophy |
| ISBN | : 0674028538 |
David Bordwell's new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques--a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.
| Author | : Paul Horwich |
| Publisher | : Oxford University Press |
| Total Pages | : 254 |
| Release | : 1998-12-03 |
| Genre | : Philosophy |
| ISBN | : 0198237286 |
What is meaning? Paul Horwich presents an original philosophical theory, demonstrates its richness, and defends it against all comers. At the core of his theory is the idea, made famous by Wittgenstein, that the meaning of a word derives from its use; Horwich articulates this idea in a new way that will restore it to the prominence that it deserves. He surveys the diversity of valuable insights into meaning that have been gained in the twentieth century, and seeks to accommodatethem within his theory. His aim is not to correct a common-sense view of meaning, but to vindicate it: he seeks to take the mystery out of meaning.Horwich's 1990 book Truth stablished itself both as the definitive exposition and defence of a notable philosophical theory, `minimalism', and as a stimulating, straightforward introduction to philosophical debate about truth. Meaning now gives the broader context in which the theory of truth operates, and is published simultaneously with a revised edition of Truth, in which Horwich refines and develops his treatment of the subject in the light of subsequentdiscussions, while preserving the distinctive format which made the book so successful. The two books together present a compelling view of the relations between language, thought, and reality. They will be essential reading for all philosophers of language.
| Author | : Liudmila Liashchova |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 327 |
| Release | : 2018-10-16 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1527519511 |
Our ability to acquire a language – one of the most complex semiotic systems – is stunning. However, to describe and explain even a small fraction of this system and of this ability is a great challenge. This book brings together modified papers of seventeen university scholars from Belarus, Germany, Russia and Lithuania originally presented at an international conference held in Minsk, Belarus, in 2017, on different hidden and implicit aspects of language and the ways of disclosing and explicating them. Language is understood by them differently as a cognitive ability, a specific semiotic structure interwoven with culture, and a discourse. This book will be of great interest to a wide range of linguist-theoreticians, specialists in applied linguistics, and the general reader with an interest in understanding what exactly language is.
| Author | : Edward J. O'Brien |
| Publisher | : Cambridge University Press |
| Total Pages | : 439 |
| Release | : 2015-04-16 |
| Genre | : Psychology |
| ISBN | : 131629904X |
Inferencing is defined as 'the act of deriving logical conclusions from premises known or assumed to be true', and it is one of the most important processes necessary for successful comprehension during reading. This volume features contributions by distinguished researchers in cognitive psychology, educational psychology, and neuroscience on topics central to our understanding of the inferential process during reading. The chapters cover aspects of inferencing that range from the fundamental bottom-up processes that form the basis for an inference to occur, to the more strategic processes that transpire when a reader is engaged in literary understanding of a text. Basic activation mechanisms, word-level inferencing, methodological considerations, inference validation, causal inferencing, emotion, development of inferences processes as a skill, embodiment, contributions from neuroscience, and applications to naturalistic text are all covered as well as expository text, online learning materials, and literary immersion.
| Author | : Jonathan Webster |
| Publisher | : A&C Black |
| Total Pages | : 320 |
| Release | : 2008-06-21 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0826497357 |
Meaning in Context brings together somes of the biggest names in Systemic Functional Linguistics to explore the construction of meaning in language.
| Author | : Bradley J. Dilger |
| Publisher | : U of Minnesota Press |
| Total Pages | : 272 |
| Release | : 2010 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0816666083 |
Essays exploring the role of markup in contemporary discourse.
| Author | : Aharon Barak |
| Publisher | : Princeton University Press |
| Total Pages | : 444 |
| Release | : 2011-10-16 |
| Genre | : Law |
| ISBN | : 1400841267 |
This book presents a comprehensive theory of legal interpretation, by a leading judge and legal theorist. Currently, legal philosophers and jurists apply different theories of interpretation to constitutions, statutes, rules, wills, and contracts. Aharon Barak argues that an alternative approach--purposive interpretation--allows jurists and scholars to approach all legal texts in a similar manner while remaining sensitive to the important differences. Moreover, regardless of whether purposive interpretation amounts to a unifying theory, it would still be superior to other methods of interpretation in tackling each kind of text separately. Barak explains purposive interpretation as follows: All legal interpretation must start by establishing a range of semantic meanings for a given text, from which the legal meaning is then drawn. In purposive interpretation, the text's "purpose" is the criterion for establishing which of the semantic meanings yields the legal meaning. Establishing the ultimate purpose--and thus the legal meaning--depends on the relationship between the subjective and objective purposes; that is, between the original intent of the text's author and the intent of a reasonable author and of the legal system at the time of interpretation. This is easy to establish when the subjective and objective purposes coincide. But when they don't, the relative weight given to each purpose depends on the nature of the text. For example, subjective purpose is given substantial weight in interpreting a will; objective purpose, in interpreting a constitution. Barak develops this theory with masterful scholarship and close attention to its practical application. Throughout, he contrasts his approach with that of textualists and neotextualists such as Antonin Scalia, pragmatists such as Richard Posner, and legal philosophers such as Ronald Dworkin. This book represents a profoundly important contribution to legal scholarship and a major alternative to interpretive approaches advanced by other leading figures in the judicial world.
| Author | : Ted Nannicelli |
| Publisher | : Routledge |
| Total Pages | : 278 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 0415521440 |
Recently, scholars in a variety of disciplines--including philosophy, film and media studies, and literary studies--have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art--more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks.
| Author | : Celeste A. Fisher |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 152 |
| Release | : 2006 |
| Genre | : Social Science |
| ISBN | : 0810857227 |
"Fisher provides insight into how meaning is determined by a multicultural audience in response to a particularly controversial representation of "blackness" in America. Her research provides a greater understanding of how hood films are interpreted, and her inquiries help to explain the violence that accompanied the screenings of some of these films. Black on Black is suitable for scholars and students interested in the subject, as well as anyone interested in film, race, multiculturalism, and identity politics."--BOOK JACKET.
