Imperiled Destinies
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| Author | : Franciscus Verellen |
| Publisher | : BRILL |
| Total Pages | : 400 |
| Release | : 2020-10-26 |
| Genre | : History |
| ISBN | : 1684171024 |
"Imperiled Destinies" examines the evolution of Daoist beliefs about human liability and redemption over eight centuries and outlines ritual procedures for rescuing an ill‐starred destiny. From the second through the tenth century CE, Daoism emerged as a liturgical organization that engaged vigorously with Buddhism and transformed Chinese thinking about suffering, the nature of evil, and the aims of liberation. In the fifth century, elements of classical Daoism combined with Indian yogic practices to interiorize the quest for deliverance. The medieval record portrays a world engulfed by evil, where human existence was mortgaged from birth and burdened by increasing debts and obligations in this world and the next. Against this gloomy outlook, Daoism offered ritual and sacramental instruments capable of acting on the unseen world, providing therapeutic relief and ecstatic release from apprehensions of death, disease, war, spoilt harvests, and loss. Drawing on prayer texts, liturgical sermons, and experiential narratives, Franciscus Verellen focuses on the Daoist vocabulary of bondage and redemption, the changing meanings of sacrifice, and metaphoric conceptualizations bridging the visible and invisible realms. The language of medieval supplicants envisaged the redemption of an imperiled destiny as debt forgiveness, and deliverance as healing, purification, release, or emergence from darkness into light.
| Author | : Robert Ford Campany |
| Publisher | : BRILL |
| Total Pages | : 282 |
| Release | : 2022-03-07 |
| Genre | : Social Science |
| ISBN | : 1684176425 |
Dreaming is a near-universal human experience, but there is no consensus on why we dream or what dreams should be taken to mean. In this book, Robert Ford Campany investigates what people in late classical and early medieval China thought of dreams. He maps a common dreamscape—an array of ideas about what dreams are and what responses they should provoke—that underlies texts of diverse persuasions and genres over several centuries. These writings include manuals of dream interpretation, scriptural instructions, essays, treatises, poems, recovered manuscripts, histories, and anecdotes of successful dream-based predictions. In these many sources, we find culturally distinctive answers to questions peoples the world over have asked for millennia: What happens when we dream? Do dreams foretell future events? If so, how might their imagistic code be unlocked to yield predictions? Could dreams enable direct communication between the living and the dead, or between humans and nonhuman animals? The Chinese Dreamscape, 300 BCE – 800 CE sheds light on how people in a distant age negotiated these mysteries and brings Chinese notions of dreaming into conversation with studies of dreams in other cultures, ancient and contemporary. Taking stock of how Chinese people wrestled with—and celebrated—the strangeness of dreams, Campany asks us to reflect on how we might reconsider our own notions of dreaming.
| Author | : Robert Ford Campany |
| Publisher | : BRILL |
| Total Pages | : 325 |
| Release | : 2024-09-09 |
| Genre | : Religion |
| ISBN | : 1684176794 |
Practitioners of any of the paths of self-cultivation available in ancient and medieval China engaged daily in practices meant to bring their bodies and minds under firm control. They took on regimens to discipline their comportment, speech, breathing, diet, senses, desires, sexuality, even their dreams. Yet, compared with waking life, dreams are incongruous, unpredictable—in a word, strange. How, then, did these regimes of self-fashioning grapple with dreaming, a lawless yet ubiquitous domain of individual experience? In Dreaming and Self-Cultivation in China, 300 BCE–800 CE, Robert Ford Campany examines how dreaming was addressed in texts produced and circulated by practitioners of Daoist, Buddhist, Confucian, and other self-cultivational disciplines. Working through a wide range of scriptures, essays, treatises, biographies, commentaries, fictive dialogues, diary records, interpretive keys, and ritual instructions, Campany uncovers a set of discrete paradigms by which dreams were viewed and responded to by practitioners. He shows how these paradigms underlay texts of diverse religious and ideological persuasions that are usually treated in mutual isolation. The result is a provocative meditation on the relationship between individuals’ nocturnal experiences and one culture’s persistent attempts to discipline, interpret, and incorporate them into waking practice.
| Author | : Lucas Rambo Bender |
| Publisher | : BRILL |
| Total Pages | : 428 |
| Release | : 2022-03-07 |
| Genre | : Literary Criticism |
| ISBN | : 1684176484 |
Often considered China’s greatest poet, Du Fu (712–770) came of age at the height of the Tang dynasty, in an era marked by confidence that the accumulated wisdom of the precedent cultural tradition would guarantee civilization’s continued stability and prosperity. When his society collapsed into civil war in 755, however, he began to question contemporary assumptions about the role that tradition should play in making sense of experience and defining human flourishing. In this book, Lucas Bender argues that Du Fu’s reconsideration of the nature and importance of tradition has played a pivotal role in the transformation of Chinese poetic understanding over the last millennium. In reimagining his relationship to tradition, Du Fu anticipated important philosophical transitions from the late-medieval into the early-modern period and laid the template for a new and perduring paradigm of poetry’s relationship to ethics. He also looked forward to the transformations his own poetry would undergo as it was elevated to the pinnacle of the Chinese poetic pantheon.
| Author | : Hsiao-t'i Li |
| Publisher | : BRILL |
| Total Pages | : 380 |
| Release | : 2020-10-26 |
| Genre | : History |
| ISBN | : 1684171016 |
"Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China experimented with both stage and scripts to present bold new plays centering on social reform. Operas became closely intertwined with social and political issues. This trend toward “politicization” was to become the most dominant theme of Chinese opera from the 1930s to the 1970s, when ideology-laden political plays reflected a radical revolutionary agenda.Drawing upon a rich array of primary sources, this book focuses on the reformed operas staged in Shanghai and Xi’an. By presenting extensive information on both traditional/imperial China and revolutionary/Communist China, it reveals the implications of these “modern” operatic experiences and the changing features of Chinese operas throughout the past five centuries. Although the different genres of opera were watched by audiences from all walks of life, the foundations for opera’s omnipresence completely changed over time."
| Author | : Loretta E. Kim |
| Publisher | : BRILL |
| Total Pages | : 368 |
| Release | : 2020-10-26 |
| Genre | : History |
| ISBN | : 1684171032 |
"Ethnic Chrysalis" is the first book in English to cover the early modern history of the Orochen, an ethnic group that has for centuries inhabited areas now belonging to the Russian Federation and the People’s Republic of China. The Qing dynasty (1644–1911) was a formative period for Orochen identity, and its actions preserved the Orochen as a separate ethnic group. While incorporating the Orochen into the imperial political domain through military conscription and compulsory resource extraction, the Qing government created two Orochen subgroups that experienced disparate levels of social and economic autonomy. The use of “Orochen” as an official modifier by Qing officials forms an early layer of the chrysalis that embodies various senses of ethnic identity for people who have been identified, or self‐identified, as Orochen. Since the Qing, the Orochen have continued to cherish the perception that their Qing‐period ancestors were key players in the defense and economy of northeast China. Tracing the evolution of Qing policies toward the Orochen along the Chinese–Russian borderland, Loretta Kim examines how the impact of political organization in one era can endure in a group’s social and cultural values.
| Author | : Thomas J. Mazanec |
| Publisher | : Cornell University Press |
| Total Pages | : 301 |
| Release | : 2024-02-15 |
| Genre | : History |
| ISBN | : 1501773844 |
Poet-Monks focuses on the literary and religious practices of Buddhist poet-monks in Tang-dynasty China to propose an alternative historical arc of medieval Chinese poetry. Combining large-scale quantitative analysis with close readings of important literary texts, Thomas J. Mazanec describes how Buddhist poet-monks, who first appeared in the latter half of Tang-dynasty China, asserted a bold new vision of poetry that proclaimed the union of classical verse with Buddhist practices of repetition, incantation, and meditation. Mazanec traces the historical development of the poet-monk as a distinct actor in the Chinese literary world, arguing for the importance of religious practice in medieval literature. As they witnessed the collapse of the world around them, these monks wove together the frayed threads of their traditions to establish an elite-style Chinese Buddhist poetry. Poet-Monks shows that during the transformative period of the Tang-Song transition, Buddhist monks were at the forefront of poetic innovation.
| Author | : Charles Hartman |
| Publisher | : Cambridge University Press |
| Total Pages | : 467 |
| Release | : 2023-03-31 |
| Genre | : History |
| ISBN | : 1009235648 |
A groundbreaking revisionist history of the workings of governance in Imperial China centered on the Song Dynasty (960-1279 BCE).
| Author | : Michael Stanley-Baker |
| Publisher | : Manchester University Press |
| Total Pages | : 485 |
| Release | : 2023-12-05 |
| Genre | : Medical |
| ISBN | : 1526160005 |
This edited volume presents the latest research on the intersection of religion and medicine in Asia. It features chapters by internationally known scholars, who bring to bear a range of methodological and geographic expertise on this topic. The book’s central question is to what extent ‘religion’ and ‘medicine’ have overlapped or interrelated in various Asian societies. Collectively, the contributions explore a number of related issues, such as: which societies separated out religious from medical concerns, at which times and in what ways? Where have medicine and religion converged, and how has such knowledge been defined by scholars and cultural actors? Are ‘religion’ and ‘medicine’ the best terms by which scholars can grapple with knowledge about the sacred and the self, destiny and disease?
| Author | : Shih-shan Susan Huang |
| Publisher | : BRILL |
| Total Pages | : 1069 |
| Release | : 2024-11-20 |
| Genre | : History |
| ISBN | : 9004700013 |
This comprehensive study explores the dynamic spread of Buddhist print culture in China and its Asian neighbors. It examines a vast selection of Buddhist printed images and texts, not merely as static cultural relics, but holistically within multicultural contexts related to other cultural products, and as objects on the move, transmitted across a sprawling web of transnational networks, “Buddhist Book Roads”. The author applies interdisciplinary and network approaches developed in art history, religious studies, digital humanities, and the history of the print and book culture to shed new light on Buddhist print culture from visual, textual, social, and religious perspectives.
