Imago Musicae 1985
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Author | : Tilman Seebass |
Publisher | : Duke University Press |
Total Pages | : 232 |
Release | : 1987-06 |
Genre | : Art |
ISBN | : 9780822307235 |
Each volume in this series for the study of pictorial documents on musical subjects contains articles, a catalog (published in installments) devoted to the complete documentation of specific sources, and an annual bibliography that bridges the gap between the bibliographies in art history and musicology.
Author | : Ross W. Duffin |
Publisher | : Indiana University Press |
Total Pages | : 618 |
Release | : 2000 |
Genre | : Music |
ISBN | : 9780253215338 |
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Author | : Tilman Seebass |
Publisher | : Duke University Press |
Total Pages | : 302 |
Release | : 1985-06-30 |
Genre | : Art |
ISBN | : 9780822304616 |
Each volume in this series for the study of pictorial documents on musical subjects contains articles, a catalog (published in installments) devoted to the complete documentation of specific sources, and an annual bibliography that bridges the gap between the bibliographies in art history and musicology.
Author | : Arnd Adje Both |
Publisher | : Ekho Verlag |
Total Pages | : 159 |
Release | : 2015-12-31 |
Genre | : Music |
ISBN | : 394441523X |
Reprint of the selfmade bulletin of the ICTM Study Group on Music Archaeology, edited and self-published in 6 volumes between 1984 and 1986 by Catherine Homo-Lechner.
Author | : Michael B. Bakan |
Publisher | : University of Chicago Press |
Total Pages | : 424 |
Release | : 1999-12-15 |
Genre | : Music |
ISBN | : 9780226034874 |
The accompanying CD contains music excerpts which are listed in the book on pgs. xiii-xvii.
Author | : Trevor Herbert |
Publisher | : Yale University Press |
Total Pages | : 426 |
Release | : 2006-01-01 |
Genre | : Music |
ISBN | : 9780300100952 |
This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries. The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone's development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.
Author | : Benjamin Knysak |
Publisher | : Hollitzer Wissenschaftsverlag |
Total Pages | : 530 |
Release | : 2022-02-04 |
Genre | : Music |
ISBN | : 3990129740 |
"Musical History as Seen through Contemporary Eyes", edited by Benjamin Knysak and Zdravko Blažeković, is a Festschrift published in honor of the musicologist H. Robert Cohen. Born in Baltimore, educated in New York, and with a career spanning France, Canada, and the United States, Cohen is the founder of the Répertoire international de la presse musicale (RIPM), the international project focused on the historic musical press. With research interests spanning print culture, music iconography, Hector Berlioz, musical France, and Giuseppe Verdi, this volume presents a collection of essays written by many friends and collaborators exploring these themes and many others. "Musical History as Seen through Contemporary Eyes" is a tribute to Cohen's contributions to musicology, librarianship, and information science spanning more than fifty years.
Author | : Tosca A. C. Lynch |
Publisher | : John Wiley & Sons |
Total Pages | : 564 |
Release | : 2020-06-29 |
Genre | : History |
ISBN | : 1119275504 |
A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.
Author | : Mark Everist |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2018-08-09 |
Genre | : Music |
ISBN | : 1108577075 |
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Author | : Music History and Literature San Francisco Conservatory of Music John Spitzer Chair |
Publisher | : Oxford University Press, USA |
Total Pages | : 670 |
Release | : 2005-08-05 |
Genre | : Music |
ISBN | : 9780199719914 |
This is the story of the orchestra, from 16th-century string bands to the "classical" orchestra of Haydn, Mozart, and Beethoven. Spitzer and Zaslaw document orchestral organization, instrumentation, social roles, repertories, and performance practices in Europe and the American colonies, concluding around 1800 with the widespread awareness of the orchestra as a central institution in European life.