Imagining World Politics
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| Author | : L.H.M. Ling |
| Publisher | : Routledge |
| Total Pages | : 245 |
| Release | : 2014-02-03 |
| Genre | : Political Science |
| ISBN | : 1317962389 |
This book offers a non-Western feminist perspective on world politics and international relations. Creative, innovative, and challenging, it seeks completely to transform contemporary Eurocentric and masculinist IR by re-presenting it in non-Western, non-masculinist, and non-academic terms. Drawing on Daoist dialectics, the stories of Sihar and Shenya aim to redress such hegemonic imbalance by completing the IR story. To the yang of power politics, this book offers a yin of fairy-tale. (Both are equally fantastical but to different purposes.) To the yang of binary categories like Self vs Other, West vs Rest, hypermasculinity vs hyperfemininity, Sihar and Shenya show their yin complementarities and complicities, inside and out, top and bottom, center and periphery. And to the yang of intransigent hegemony, Sihar & Shenya explores the yin of emancipation through porous, water-like thought and behavior through venues like aesthetics and emotions. From this basis, we begin to see another world with another kind of politics. Written with students of IR and world politics in mind, this book offers a postcolonial bridge for IR/WP. Following an academic introduction to assist the reader, Ling moves away from traditional scholarship and into three interlocking fables: Book I shows what an alternative world could look and feel like. Book II makes the implications for IR/WP more explicit. It draws on the traditional Chinese notion of the five movements (wu xing) -- fire, metal, earth, wood, and water -- to illustrate iconic elements of IR/WP -- power, wealth, security, love, and knowledge -- and how they could change according to circumstance and context. Epilogue/Introduction: The Return brings the reader back into the Western world and focuses on modern-day PhD student Wanda who is troubled by what she is learning, and searches for a different perspective. Engaging with the substantive problematiques at the heart of international relations studies, this work is a unique and innovative resource for all students and scholars of international relations and world politics.
| Author | : L.H.M. Ling |
| Publisher | : Routledge |
| Total Pages | : 237 |
| Release | : 2014-02-03 |
| Genre | : Political Science |
| ISBN | : 1317962370 |
This book offers a non-Western feminist perspective on world politics and international relations. Creative, innovative, and challenging, it seeks completely to transform contemporary Eurocentric and masculinist IR by re-presenting it in non-Western, non-masculinist, and non-academic terms. Drawing on Daoist dialectics, the stories of Sihar and Shenya aim to redress such hegemonic imbalance by completing the IR story. To the yang of power politics, this book offers a yin of fairy-tale. (Both are equally fantastical but to different purposes.) To the yang of binary categories like Self vs Other, West vs Rest, hypermasculinity vs hyperfemininity, Sihar and Shenya show their yin complementarities and complicities, inside and out, top and bottom, center and periphery. And to the yang of intransigent hegemony, Sihar & Shenya explores the yin of emancipation through porous, water-like thought and behavior through venues like aesthetics and emotions. From this basis, we begin to see another world with another kind of politics. Written with students of IR and world politics in mind, this book offers a postcolonial bridge for IR/WP. Following an academic introduction to assist the reader, Ling moves away from traditional scholarship and into three interlocking fables: Book I shows what an alternative world could look and feel like. Book II makes the implications for IR/WP more explicit. It draws on the traditional Chinese notion of the five movements (wu xing) -- fire, metal, earth, wood, and water -- to illustrate iconic elements of IR/WP -- power, wealth, security, love, and knowledge -- and how they could change according to circumstance and context. Epilogue/Introduction: The Return brings the reader back into the Western world and focuses on modern-day PhD student Wanda who is troubled by what she is learning, and searches for a different perspective. Engaging with the substantive problematiques at the heart of international relations studies, this work is a unique and innovative resource for all students and scholars of international relations and world politics.
| Author | : Barry Buzan |
| Publisher | : Cambridge University Press |
| Total Pages | : 197 |
| Release | : 2021-12-09 |
| Genre | : Political Science |
| ISBN | : 1316513858 |
Aimed at readers interested in constructing a less West-centric, more global discipline of International Relations, this book provides a concise, thorough introduction to the thought and practice of international relations from premodern India, China and the Islamic world, and how it relates to modern IR.
| Author | : Chenxi Tang |
| Publisher | : Cornell University Press |
| Total Pages | : 455 |
| Release | : 2018-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1501716921 |
In early modern Europe, international law emerged as a means of governing relations between rapidly consolidating sovereign states, purporting to establish a normative order for the perilous international world. However, it was intrinsically fragile and uncertain, for sovereign states had no acknowledged common authority that would create, change, apply, and enforce legal norms. In Imagining World Order, Chenxi Tang shows that international world order was as much a literary as a legal matter. To begin with, the poetic imagination contributed to the making of international law. As the discourse of international law coalesced, literary works from romances and tragedies to novels responded to its unfulfilled ambitions and inexorable failures, occasionally affirming it, often contesting it, always uncovering its problems and rehearsing imaginary solutions. Tang highlights the various modes in which literary texts—some highly canonical (Camões, Shakespeare, Corneille, Lohenstein, and Defoe, among many others), some largely forgotten yet worth rediscovering—engaged with legal thinking in the period from the sixteenth to the eighteenth century. In tracing such engagements, he offers a dual history of international law and European literature. As legal history, the book approaches the development of international law in this period—its so-called classical age—in terms of literary imagination. As literary history, Tang recounts how literature confronted the question of international world order and how, in the process, a set of literary forms common to major European languages (epic, tragedy, romance, novel) evolved.
| Author | : Hui Wang |
| Publisher | : Harvard University Press |
| Total Pages | : 369 |
| Release | : 2011-07-15 |
| Genre | : Political Science |
| ISBN | : 0674061357 |
In this bold, provocative collection, Wang Hui confronts some of the major issues concerning modern China and the status quo of contemporary Chinese thought. The book’s overarching theme is the possibility of an alternative modernity that does not rely on imported conceptions of Chinese history and its legacy. Wang Hui argues that current models, based largely on Western notions of empire and the nation-state, fail to account for the richness and diversity of pre-modern Chinese historical practice. At the same time, he refrains from offering an exclusively Chinese perspective and placing China in an intellectual ghetto. Navigating terrain on regional language and politics, he draws on China’s unique past to expose the inadequacies of European-born standards for assessing modern China’s evolution. He takes issue particularly with the way in which nation-state logic has dominated politically charged concerns like Chinese language standardization and “The Tibetan Question.” His stance is critical—and often controversial—but he locates hope in the kinds of complex, multifaceted arrangements that defined China and much of Asia for centuries. The Politics of Imagining Asia challenges us not only to re-examine our theories of “Asia” but to reconsider what “Europe” means as well. As Theodore Huters writes in his introduction, “Wang Hui’s concerns extend beyond China and Asia to an ambition to rethink world history as a whole.”
| Author | : L. H. M. Ling |
| Publisher | : Routledge |
| Total Pages | : 291 |
| Release | : 2013-10-30 |
| Genre | : Political Science |
| ISBN | : 1134526989 |
This book draws on Daoist yin/yang dialectics to move world politics from the current stasis of hegemony, hierarchy, and violence to a more balanced engagement with parity, fluidity, and ethics. The author theorizes that we may develop a richer, more representative approach towards sustainable and democratic governance by offering a non-Western alternative to hegemonic debates in IR. The book presents the story of world politics by integrating folk tales and popular culture with policy analysis. It does not exclude current models of liberal internationalism but rather brackets them for another day, another purpose. The deconstruction of IR as a singular unifying school of thought through the lens of a non-Westphalian analytic shows a unique perspective on the forces that drive and shape world politics. This book suggests new ways to articulate and act so that global politics is more inclusive and less coercive. Only then, the book claims, could IR realize what the dao has always stood for: a world of compassion and care. The Dao of World Politics bridges the humanities and social sciences, and will be of interest to scholars and students of the global/international, as well as policymakers and activists of the local/domestic.
| Author | : Nivi Manchanda |
| Publisher | : Cambridge University Press |
| Total Pages | : 265 |
| Release | : 2020-07-09 |
| Genre | : History |
| ISBN | : 1108491235 |
An innovative exploration of how colonial interventions in Afghanistan have been made possible through representations of the country as 'backward'.
| Author | : Daniele Archibugi |
| Publisher | : Stanford University Press |
| Total Pages | : 372 |
| Release | : 1998 |
| Genre | : Political Science |
| ISBN | : 9780804735353 |
Understanding world politics today means acknowledging that the state is no longer the only actor in international relations. The interstate system is increasingly challenged by new transnational forces and institutions: multinational companies, cross-border coalitions of social interest groups, globally oriented media, and a growing number of international agencies. These forces increasingly influence interstate decisions and set the agenda of world politics. Though these phenomena have been discussed in the recent literature of international relations, little attention has been given to their impact on political life within and between communities. This book aims to explore the changing meaning of political community in a world of regional and global social and economic relations. The authors of the essays in this volume, who reflect a variety of academic disciplines, reconsider some of the key terms of political association, such as legitimacy, sovereignty, identity, and citizenship. Their common approach is to generate an innovative account of what democracy means today and how it can be reconceptualized to include subnational as well as transnational levels of political organization. Inspired by Immanuel Kant’s cosmopolitan principles, the authors conclude that favorable conditions exist for a further development of democracy--locally, nationally, regionally, and globally.
| Author | : Cynthia Weber |
| Publisher | : Routledge |
| Total Pages | : 208 |
| Release | : 2020-07-24 |
| Genre | : Fiction |
| ISBN | : 1000155293 |
Ten films released between 9/11 and Gulf War II reflect raging debates about US foreign policy and what it means to be an American. Tracing the portrayal of America in the films Pearl Harbor (World War II); We Were Soldiers and The Quiet American (the Vietnam War); Behind Enemy Lines, Black Hawk Down and Kandahar (episodes of humanitarian intervention); Collateral Damage and In the Bedroom (vengeance in response to loss); Minority Report (futurist pre-emptive justice); and Fahrenheit 9/11 (an explicit critique of Bush’s entire war on terror), Cynthia Weber presents a stimulating new study of how Americans construct their identity and the moral values that inform their foreign policy. This is not just another book about post-9/11 America. It introduces the concept of 'moral grammars of war', and explains how they are articulated: Many Americans asked in the wake of 9/11 – not only 'why do they hate us?' but 'what does it mean to be a moral America(n) and how might such an America(n) act morally in contemporary international politics? This text explores how these questions were answered at the intersections of official US foreign policy and post-9/11 popular films. It also details US foreign policy formation in relation to traditional US narratives about US identity ‘who we think we were/are’, 'who we wish we’d never been', 'who we really are', and 'who we might become' as well as in relation to their foundations in nationalist discourses of gender and sexuality. This book will be of great interest to students of American Studies, US Foreign Policy, Contemporary US History, Cultural Studies, Gender and Sexuality Studies and Film Studies.
| Author | : Sheila L. Croucher |
| Publisher | : Rutgers University Press |
| Total Pages | : 260 |
| Release | : 1997 |
| Genre | : History |
| ISBN | : 9780813917054 |
Miami has long captured the world's attention in provocative ways. During the 1980s, a series of violent racial disturbances focused national and international attention there as analysts and observers scrambled to explain the demise of the "Magic City." What has emerged is a popular image of Miami as an urban area in which three distinct ethnic groups- Hispanics, Blacks, and Anglos- are pitted against one another in a battle for limited political, economic, and social resources. Sheila L. Croucher uses Miami as a laboratory in which to explore the social and political construction of ethnic identities and ethnic group conflict. Incorporating interviews with community leaders, politicians, journalists, and business people, as well as periodical and popular literature on Miami, this book examines how social constructs emerge and become accepted, as well as how these definitions reflect the pull of vested interests locally, nationally, and even internationally.
