Imagining The Pagan Past
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Author | : Marion Gibson |
Publisher | : Routledge |
Total Pages | : 265 |
Release | : 2013-02-11 |
Genre | : History |
ISBN | : 1135082545 |
Imagining the Pagan Past explores stories of Britain’s pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state. This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history. Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.
Author | : Marion Gibson |
Publisher | : Routledge |
Total Pages | : 265 |
Release | : 2013 |
Genre | : History |
ISBN | : 0415674182 |
Imagining the Pagan Past explores stories of Britain's pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state. This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history. Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.
Author | : Sarah Salih |
Publisher | : D. S. Brewer |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Art |
ISBN | : 9781843845409 |
Late medieval English culture was fascinated by the figure of the pagan, the ancestor whose religious difference must be negotiated, and by the pagan's idol, an animate artefact. In romances, histories and hagiographies medieval Christians told the story of the pagans, who built the cities that Christians appropriated and the idols that they destroyed and replaced. Encounters with traces of pagan culture in the present raised the question of whether paganity had been fully eliminated, or whether it was liable to recur.
Author | : Samantha Kahn Herrick |
Publisher | : Harvard University Press |
Total Pages | : 284 |
Release | : 2007-03-31 |
Genre | : History |
ISBN | : 9780674024434 |
In 911, the French king ceded land along the river Seine to Rollo the Viking, on condition that he convert to Christianity. This work advances our understanding of early Normandy and the Vikings' transformation from pagan raiders to Christian princes. It also sheds light on the intersection of religious tradition, identity, and power.
Author | : Richard Matthew Pollard |
Publisher | : Cambridge University Press |
Total Pages | : 377 |
Release | : 2020-12-17 |
Genre | : Art |
ISBN | : 110717791X |
A comprehensive, innovative study of how medieval people envisioned heaven, hell, and purgatory - images and imaginings that endure today.
Author | : Dimitra Fimi |
Publisher | : Bloomsbury Publishing |
Total Pages | : 233 |
Release | : 2023-02-23 |
Genre | : Literary Criticism |
ISBN | : 1350350001 |
Focusing on representations of Celtic motifs and traditions in post-1980s adult fantasy literature, this book illuminates how the historical, the mythological and the folkloric have served as inspiration for the fantastic in modern and popular culture of the western world. Bringing together both highly-acclaimed works with those that have received less critical attention, including French and Gaelic fantasy literature, Imagining the Celtic Past in Modern Fantasy explores such texts as Susanna Clarke's Jonathan Strange & Mr Norrell, Alan Garner's Weirdstone trilogy, the Irish fantasies of Jodi McIsaac, David Gemmell's Rigante novels, Patricia Kennealy-Morrison Keltiad books, as well as An Sgoil Dhubh by Iain F. MacLeòid and the Vertigen and Frontier series by Léa Silhol. Lively and covering new ground, the collection examines topics such as fairy magic, Celtic-inspired worldbuilding, heroic patterns, classical ethnography and genre tropes alongside analyses of the Celtic Tarot in speculative fiction and Celtic appropriation in fan culture. Introducing a nuanced understanding of the Celtic past, as it has been informed by recent debates in Celtic studies, this wide-ranging and provocative book shows how modern fantasy is indebted to medieval Celtic-language texts, folkloric traditions, as well as classical sources.
Author | : Sabina Magliocco |
Publisher | : University of Pennsylvania Press |
Total Pages | : 278 |
Release | : 2010-11-24 |
Genre | : Religion |
ISBN | : 0812202708 |
Taking the reader into the heart of one of the fastest-growing religious movements in North America, Sabina Magliocco reveals how the disciplines of anthropology and folklore were fundamental to the early development of Neo-Paganism and the revival of witchcraft. Magliocco examines the roots that this religious movement has in a Western spiritual tradition of mysticism disavowed by the Enlightenment. She explores, too, how modern Pagans and Witches are imaginatively reclaiming discarded practices and beliefs to create religions more in keeping with their personal experience of the world as sacred and filled with meaning. Neo-Pagan religions focus on experience, rather than belief, and many contemporary practitioners have had mystical experiences. They seek a context that normalizes them and creates in them new spiritual dimensions that involve change in ordinary consciousness. Magliocco analyzes magical practices and rituals of Neo-Paganism as art forms that reanimate the cosmos and stimulate the imagination of its practitioners. She discusses rituals that are put together using materials from a variety of cultural and historical sources, and examines the cultural politics surrounding the movement—how the Neo-Pagan movement creates identity by contrasting itself against the dominant culture and how it can be understood in the context of early twenty-first-century identity politics. Witching Culture is the first ethnography of this religious movement to focus specifically on the role of anthropology and folklore in its formation, on experiences that are central to its practice, and on what it reveals about identity and belief in twenty-first-century North America.
Author | : Eric Gerald Stanley |
Publisher | : Boydell & Brewer |
Total Pages | : 175 |
Release | : 2000 |
Genre | : History |
ISBN | : 0859915883 |
Decisive argument on the issues under review by one of the leading Anglo-Saxon scholars.
Author | : Elena N. Boeck |
Publisher | : Cambridge University Press |
Total Pages | : 337 |
Release | : 2015-07-09 |
Genre | : Art |
ISBN | : 1107085810 |
The first comparative, cross-cultural study of medieval illustrated histories that engages in a direct, confrontational dialogue with Byzantine historical memory.
Author | : Stephanie Porras |
Publisher | : Penn State Press |
Total Pages | : 217 |
Release | : 2016-02-23 |
Genre | : Art |
ISBN | : 027108457X |
The question of how to understand Bruegel’s art has cast the artist in various guises: as a moralizing satirist, comedic humanist, celebrator of vernacular traditions, and proto-ethnographer. Stephanie Porras reorients these apparently contradictory accounts, arguing that the debate about how to read Bruegel has obscured his pictures’ complex relation to time and history. Rather than viewing Bruegel’s art as simply illustrating the social realities of his day, Porras asserts that Bruegel was an artist deeply concerned with the past. In playing with the boundaries of the familiar and the foreign, history and the present, Bruegel’s images engaged with the fraught question of Netherlandish history in the years just prior to the Dutch Revolt, when imperial, religious, and national identities were increasingly drawn into tension. His pictorial style and his manipulation of traditional iconographies reveal the complex relations, unique to this moment, among classical antiquity, local history, and art history. An important reassessment of Renaissance attitudes toward history and of Renaissance humanism in the Low Countries, this volume traces the emergence of archaeological and anthropological practices in historical thinking, their intersections with artistic production, and the developing concept of local art history.