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| Author | : Stephen Kelly |
| Publisher | : Brepols Publishers |
| Total Pages | : 280 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : |
Contributors discuss early printed books and manuscripts between the 14th and 16th centuries under the section headings of: 'Imagined compilers and editors', 'Imagined patrons and collectors', Imagined readings and readers' and 'Beyond the book: verbal and visual cultures'.
| Author | : Sara Hosey |
| Publisher | : CamCat Publishing, LLC |
| Total Pages | : 336 |
| Release | : 2022-06-28 |
| Genre | : Young Adult Fiction |
| ISBN | : 0744305594 |
Being a better person can be a lot harder than it looks. It’s 1988, and former bully Astrid is forced to move from Queens to the small town of Elsewhere. Although this town is totally weird, Astrid sees the move as a way to reinvent herself. That is, until Candi—the teenage tyrant with supernatural powers who rules Elsewhere—decides she wants Astrid to be her new bestie. Having to choose between the perks and safety of being the Queen B’s best friend and the desire to be a better person could literally cost Astrid her life. As Astrid and her new friends begin to dig into the dark history of Elsewhere and the source of Candi’s powers, they form a dangerous plan to resist Candi’s compulsion and to escape Elsewhere, or else be doomed to live under Candi’s rule forever.
| Author | : Jasmine Mitchell |
| Publisher | : University of Illinois Press |
| Total Pages | : 388 |
| Release | : 2020-05-25 |
| Genre | : Social Science |
| ISBN | : 0252052161 |
Brazil markets itself as a racially mixed utopia. The United States prefers the term melting pot. Both nations have long used the image of the mulatta to push skewed cultural narratives. Highlighting the prevalence of mixed race women of African and European descent, the two countries claim to have perfected racial representation—all the while ignoring the racialization, hypersexualization, and white supremacy that the mulatta narrative creates. Jasmine Mitchell investigates the development and exploitation of the mulatta figure in Brazilian and U.S. popular culture. Drawing on a wide range of case studies, she analyzes policy debates and reveals the use of mixed-Black female celebrities as subjects of racial and gendered discussions. Mitchell also unveils the ways the media moralizes about the mulatta figure and uses her as an example of an ”acceptable” version of blackness that at once dreams of erasing undesirable blackness while maintaining the qualities that serve as outlets for interracial desire.
| Author | : Janna Quitney Anderson |
| Publisher | : Rowman & Littlefield Publishers |
| Total Pages | : 319 |
| Release | : 2005-07-21 |
| Genre | : Science |
| ISBN | : 0742568660 |
In the early 1990s, people predicted the death of privacy, an end to the current concept of 'property,' a paperless society, 500 channels of high-definition interactive television, world peace, and the extinction of the human race after a takeover engineered by intelligent machines. Imagining the Internet zeroes in on predictions about the Internet's future and revisits past predictions—and how they turned out. It gives the history of communications in a nutshell, illustrating the serious impact of pervasive networks and how they will change our lives over the next century.
| Author | : |
| Publisher | : University of Georgia Press |
| Total Pages | : 321 |
| Release | : 1996-02-01 |
| Genre | : History |
| ISBN | : 0820318108 |
How we make history--and what we then make of it--is engagingly dramatized in T. H. Breen's portrait of a 350-year-old American community faced with the costs of its “progress.” In the particulars of one town's struggle to check development and save its natural environment, Breen shows how our sense of history reflects our ever-changing self-perceptions and hopes for the future. Breen first went to East Hampton, the celebrated Long Island resort town, to write about the Mulford Farmstead, a picturesque saltbox dating from the 1680s. Through his research, he came across a fascinating cast of local characters, past and present, who contributed to, invented, and reinvented the town's history. Breen's work also drew him into contemporary local affairs: factionalism among residents, zoning disputes, and debates over resource management. Driving these heated issues, Breen found, were some dearly held notions about a harmonious, agrarian past that conflicted with what he had come to know about the divisiveness and opportunism of East Hampton's early days. Imagining the Past is about the interplay between some of the East Hampton histories Breen encountered: the “official” histories of many generations, the myths and oral traditions, and the curious stories that Breen, as an outsider, discerned in the town's rich holdings of artifacts and documents. With a warm yet wry regard for human nature, Breen obliges us to confront our pasts in all their complexities and ironies, no matter how unsettling or inconvenient the experience.
| Author | : Lawrence Thornton |
| Publisher | : Bantam |
| Total Pages | : 242 |
| Release | : 1991-11-01 |
| Genre | : Fiction |
| ISBN | : 0553345796 |
“Remarkable . . . deeply inventive . . . Thorton has imagined Argentina truly; his inspired fable troubles and feeds our own intriguing imagining.”—Los Angeles Times Imagining Argentina is set in the dark days of the late 1970's, when thousands of Argentineans disappeared without a trace into the general's prison cells and torture chambers. When Carlos Ruweda's wife is suddenly taken from him, he discovers a magical gift: In waking dreams, he had clear visions of the fates of “the disappeared.” But he cannot “imagine” what has happened to his own wife. Driven to near madness, his mind cannot be taken away: imagination, stories, and the mystical secrets of the human spirit. Praise for Imagining Argentina “A harrowing, brilliant novel.”—The New Yorker “A powerful new novel . . . Thorton seems to have wedded his study of such writers as Borges and Marquez with thy his own instinctive gift for metaphor, and in doing so, created his own brand of magical realism”—The New York Times “Imagining Argentina is a slim volume filled with beautiful writing. It is an exciting adventure story. It is a haunting love story. And it is a story for all time.”—Detroit Free Press “The writing is crystalline, the metaphors compelling . . . Its central theme is universal.”—The Philadelphia Inquirer “In a time when much North American fiction is contained by crabbed realism, Thorton takes for his material one of the bleaker recent instances of human cruelty, sees in it the enduring nobility of the human spirit and imagines a book that celebrates that spirit.”—The Washington Post Book World “A powerful first novel and a manifesto for the memorializing power of literature.”—The New York Times Book Review “A profoundly hopeful book.”—The Cleveland Plain Dealer
| Author | : Jonathan Z. Smith |
| Publisher | : University of Chicago Press |
| Total Pages | : 181 |
| Release | : 1982 |
| Genre | : Religion |
| ISBN | : 0226763609 |
With this influential book of essays, Jonathan Z. Smith has pointed the academic study of religion in a new theoretical direction, one neither theological nor willfully ideological. Making use of examples as apparently diverse and exotic as the Maori cults in nineteenth-century New Zealand and the events of Jonestown, Smith shows that religion must be construed as conventional, anthropological, historical, and as an exercise of imagination. In his analyses, religion emerges as the product of historically and geographically situated human ingenuity, cognition, and curiosity—simply put, as the result of human labor, one of the decisive but wholly ordinary ways human beings create the worlds in which they live and make sense of them. "These seven essays . . . display the critical intelligence, creativity, and sheer common sense that make Smith one of the most methodologically sophisticated and suggestive historians of religion writing today. . . . Smith scrutinizes the fundamental problems of taxonomy and comparison in religious studies, suggestively redescribes such basic categories as canon and ritual, and shows how frequently studied myths may more likely reflect situational incongruities than vaunted mimetic congruities. His final essay, on Jonestown, demonstrates the interpretive power of the historian of religion to render intelligible that in our own day which seems most bizarre."—Richard S. Sarason, Religious Studies Review
| Author | : A. Carver |
| Publisher | : |
| Total Pages | : 132 |
| Release | : 2017-01-05 |
| Genre | : |
| ISBN | : 9780692809662 |
ALL THINGS ARE POSSIBLE TO THOSE WHO LOOK WITHIN... Discover: How to bridge the divide between "wanting something" and actually ACTING on your desire with effortless intensity What do you want out of life, and why don't you have it? Really, why don't you? Chances are, it's because you are your own greatest enemy. If most people in the world could just get out of their own way, they'd have everything they wanted and more. Our greatest limiting factors always come from within. They are solved and dissolved from within as well. And when those limiting factors are replaced with a limitless mindset? That's when you're really cooking with gasoline. The paradigm-shift begins with imagining things. As the great writer George Bernard Shaw once put it: "Imagination is the beginning of creation. You imagine what you desire; you will what you imagine; and at last you create what you will." As you'll soon learn from this book, that statement is much more literal-and dare I say, "mystical"-than the vast majority of people ever realize. That's why in You're Imagining Things, you'll be led down a fast-paced and amusing rabbit hole of supernatural discovery. Sparks will fly off the pages as you zig-zag back and forth between the esoteric and the obvious-all leading up to a thrilling revelation on the extrasensory wish-granting mechanism hidden deep within your subconscious mind. Mental imagery "magic" is the key to accessing that mechanism, and once you've realized the possibilities of this metaphysical "technology," things will never be the same. This book will redefine your ideas on desire, achievement, and reality at large. It will shatter your misconceptions of the impossible and leave you with a new outlook on life.
| Author | : Joseph A. Conforti |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 404 |
| Release | : 2003-01-14 |
| Genre | : History |
| ISBN | : 0807875066 |
Say "New England" and you likely conjure up an image in the mind of your listener: the snowy woods or stone wall of a Robert Frost poem, perhaps, or that quintessential icon of the region--the idyllic white village. Such images remind us that, as Joseph Conforti notes, a region is not just a territory on the ground. It is also a place in the imagination. This ambitious work investigates New England as a cultural invention, tracing the region's changing identity across more than three centuries. Incorporating insights from history, literature, art, material culture, and geography, it shows how succeeding generations of New Englanders created and broadcast a powerful collective identity for their region through narratives about its past. Whether these stories were told in the writings of Frost or Harriet Beecher Stowe, enacted in historical pageants or at colonial revival museums, or conveyed in the pages of a geography textbook or Yankee magazine, New Englanders used them to sustain their identity, revising them as needed to respond to the shifting regional landscape.
| Author | : Lola Olufemi |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2021-10-28 |
| Genre | : English literature |
| ISBN | : 9781914221057 |
This is a book of failure and mistakes; it begins with what is stolen from us and proposes only an invitation to imagine. In these playful written experiments, Lola Olufemi navigates the space between what is and what could be. Weaving together fragmentary reflections in prose and poetry, this is an exploration of the possibility of living differently, grounded in black feminist scholarship and political organising. Olufemi shows that the horizon is not an immaterial state we gesture toward. Instead, propelled by the motion of thinking against and beyond, we must invent the future now and never let go of the otherwise.
