Imagining Medea
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| Author | : Rena Fraden |
| Publisher | : UNC Press Books |
| Total Pages | : 271 |
| Release | : 2012-12-30 |
| Genre | : Social Science |
| ISBN | : 1469610973 |
This ain't no Dreamgirls," Rhodessa Jones warns participants in the Medea Project, the theater program for incarcerated women that she founded and directs. Her expectations are grounded in reality, tempered, for example, by the fact that women are the fastest growing population in U.S. prisons. Still, Jones believes that by engaging incarcerated women in the process of developing and staging dramatic works based on their own stories, she can push them toward tapping into their own creativity, confronting the problems that landed them in prison, and taking control of their lives. Rena Fraden chronicles the collaborative process of transforming incarcerated women's stories into productions that incorporate Greek mythology, hip-hop music, dance, and autobiography. She captures a diverse array of voices, including those of Jones and other artists, the sheriff and prison guards, and, most vividly, the women themselves. Through compelling narrative and thoughtful commentary, Fraden investigates the Medea Project's blend of art and activism and considers its limits and possibilities for enacting social change. Rhodessa Jones is co-artistic director of the San Francisco-based performance company Cultural Odyssey and founder of the Medea Project: Theater for Incarcerated Women. An award-winning performer, she has taught at the Yale School of Drama and the New College of California.
| Author | : K. Heavey |
| Publisher | : Springer |
| Total Pages | : 244 |
| Release | : 2015-02-24 |
| Genre | : Literary Criticism |
| ISBN | : 1137466243 |
This is the first book-length study of early modern English approaches to Medea, the classical witch and infanticide who exercised a powerful sway over literary and cultural imagination in the period 1558-1688. It encompasses poetry, prose and drama, and translation, tragedy, comedy and political writing.
| Author | : Heike Bartel |
| Publisher | : Routledge |
| Total Pages | : 353 |
| Release | : 2017-07-05 |
| Genre | : Foreign Language Study |
| ISBN | : 1351538187 |
Medea - simply to mention her name conjures up echoes and cross-connections from Antiquity to the present. The vengeful wife, the murderess of her own children, the frail, suicidal heroine, the archetypal Bad Mother, the smitten maiden, the barbarian, the sorceress, the abused victim, the case study for a pathology. For more than two thousand years, she has arrested the eye in paintings, reverberated in opera, called to us from the stage. She demands the most interdisciplinary of study, from ancient art to contemporary law and medicine; she is no more to be bound by any single field of study than by any single take on her character. The contributors to this wide-ranging volume are Brian Arkins, Angela J. Burns, Anthony Bushell, Richard Buxton, Peter A. Campbell, Margherita Carucci, Daniela Cavallaro, Robert Cowan, Hilary Emmett, Edith Hall, Laurence D. Hurst, Ekaterini Kepetzis, Ivar Kvistad, Catherine Leglu, Yixu Lue, Edward Phillips, Elizabeth Prettejohn, Paula Straile-Costa, John Thorburn, Isabelle Torrance, Terence Stephenson, and Amy Wygant.
| Author | : Thomas Van Nortwick |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 188 |
| Release | : 2008-08-30 |
| Genre | : History |
| ISBN | : 031305519X |
Exploring models for masculinity as they appear in major works of Greek literature, this book combines literary, historical, and psychological insights to examine how the ancient Greeks understood the meaning of a man's life. The thoughts and actions of Achilles, Odysseus, Oedipus, and other enduring characters from Greek literature reflect the imperatives that the ancient Greeks saw as governing a man's life as he moved from childhood to adult maturity to old age. Because the Greeks believed that men (as opposed to women) were by nature the proper agents of human civilization within the larger order of the universe, examining how the Greeks thought that a man ought to live his life prompts exploration of the place of human life in a world governed by transcendent forces, nature, fate, and the gods. While focusing on the experience of men in ancient Greece, the discussion also offers an analysis of the society in which they lived, addressing questions still vital in our own time, such as how the members of a society should govern themselves, distribute resources, form relationships with others, weigh the needs of the individual against the larger good of the community, and establish right relations with divine forces beyond their knowledge or control. Suggestions for further reading offer the reader the chance to explore the ideas in the book.
| Author | : James J. Clauss |
| Publisher | : Princeton University Press |
| Total Pages | : 396 |
| Release | : 1997-01-12 |
| Genre | : Art |
| ISBN | : 9780691043760 |
The figure of Medea has inspired artists in all fields throughout the centuries. This work examines the major representations of Medea in myth, art, and ancient and contemporary literature, as well as the philosophical, psychological and cultural questions these portrayals raise.
| Author | : Giulia Sissa |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 265 |
| Release | : 2023-07-27 |
| Genre | : Poetry |
| ISBN | : 1350268968 |
This book positions Ovid's Metamorphoses as a foundational text in the western history of environmental thought. The poem is about new bodies. Stones, springs, plants and animals materialize out of human origins to create a world of hybrid objects, which retain varying degrees of human subjectivity while taking on new physical form. In bending the boundaries of known categories of being, these hybrid entities reveal both the porousness of human and other agencies as well as the dangers released by their fusion. Metamorphosis unsettles the category of the human within the complex ecologies that make up the world as we know it. Drawing on a range of modern environmental theorists and approaches, the contributors to this volume trace how the Metamorphoses models the relationship between humans and other life forms in ways that resonate with the preoccupations of contemporary eco-criticism. They make the case for seeing the worldview depicted in Ovid's poem as an exemplar of the 'premodern' ecological mindset that contemporary environmental thought seeks to approximate. They also highlight critical moments in the history of the poem's ecological reception, including reflections by a contemporary poet, as well as studies of Medieval and Renaissance responses to Ovid.
| Author | : Brandy Marks |
| Publisher | : Brandy Marks |
| Total Pages | : 564 |
| Release | : 2021-01-01 |
| Genre | : Fiction |
| ISBN | : |
Hell’s Retribution is a fantasy adventure novel based on presumed real-life events wherein Lucifer, a powerful cherub, and the first of its kind, gets into trouble with the Lord of Heaven. Lucifer lets his pride get in the way of his good sense, thereby corrupting him, and he is evicted from paradise. Working with his faithful commander, once an archangel, he sets out to destroy all who live on the earth wherein he now resides. Redemption is the last thing on his mind when he enters The Garden to create a little mischief. Doing his best to corrupt the people of earth by any means he can contrive, it does nothing but ensure his further unhappiness. Then, his favorite dragon, a cherub at one time, who’d followed him from paradise is killed. Lucifer’s goal now is seeking revenge on, Anak, one of the fabled Nephilim. Unconcerned with Lucifer, he enters hell with one of the Fae, to save a Faerie queen. Unknown to Anak, she’s a favorite of Lucifer’s. Twice rejected by her, and continually confronted by Lucifer, Anak and Kai struggle to find their way out of hell, through the chasm, and beyond where dangers Lurk but also the end of their journey. One disaster after another confronts the two, yet despite of all Lucifer's attempts to destroy Anak, he has failed. So, Lucifer kidnaps a certain angel he believes the man loves, and does his best to seduce her. But what is the end result when Lucifer himself is seduced by his own schemes? Will he find love at last or more disappointment? The adventure is seen through his eyes, as well as other characters: humans, the Fae, fallen angels, and other of heaven’s celestials. The quest takes them through Earth, into Hell, back to Heaven, and finally earth, again, for a surprising ending. Lest you imagine this is the end of the story, be not dismayed for their adventure truly has just begun.
| Author | : Irene Berti |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 328 |
| Release | : 2020-10-15 |
| Genre | : Performing Arts |
| ISBN | : 1350075396 |
The collected essays in this volume focus on the presentation, representation and interpretation of ancient violence – from war to slavery, rape and murder – in the modern visual and performing arts, with special attention to videogames and dance as well as the more usual media of film, literature and theatre. Violence, fury and the dread that they provoke are factors that appear frequently in the ancient sources. The dark side of antiquity, so distant from the ideal of purity and harmony that the classical heritage until recently usually called forth, has repeatedly struck the imagination of artists, writers and scholars across ages and cultures. A global assembly of contributors, from Europe to Brazil and from the US to New Zealand, consider historical and mythical violence in Stanley Kubrick's Spartacus and the 2010 TV series of the same name, in Ridley Scott's Gladiator, in the work of Lars von Trier, and in Soviet ballet and the choreography of Martha Graham and Anita Berber. Representations of Roman warfare appear in videogames such as Ryse: Son of Rome and Total War, as well as recent comics, and examples from both these media are analysed in the volume. Finally, interviews with two artists offer insight into the ways in which practitioners understand and engage with the complex reception of these themes.
| Author | : David Vann Bright |
| Publisher | : Open Road + Grove/Atlantic |
| Total Pages | : 244 |
| Release | : 2017-03-07 |
| Genre | : Fiction |
| ISBN | : 0802189636 |
A “sensual, brutal . . . ambitious, dazzling, disturbing, and memorable” retelling of Jason and the Argonauts seen through the eyes of Medea (Financial Times). International bestselling and multi-prize-winning author David Vann transports readers to the Mediterranean and Black Sea, 3,250 years ago, for “[a] stunning depiction of one of mythology’s most complex characters” (The Australian). It is thirteenth century BC, and the Argo is bound for its epic return journey across the Black Sea from Persia’s Colchis with the valiant Jason, the equally heroic Argonauts, and the treasured symbol of kingship, the Golden Fleece. Aboard as well is Medea, semi-divine priestess, and a believer in power, not gods. Having fled her father, and butchered her brother, she is embarking on a conquest of her own. Rejected for her gender, Medea is hungry for revenge, and to right the egregious fate of being born a woman in a world ruled by men. In Bright Air Black, “David Vann blow[s] away all the elegance and toga-clad politeness . . . around our idea of ancient Greece . . . to reveal the bare bones of the Archaic period in all their bloody, reeking nastiness (The Times, London), and to deliver a bracing alternative to the long-held notions of Medea as monster or sorceress. We witness Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, the cataclysmic repercussions of betrayal, and the drive of an impassioned woman—victim, survivor, and ultimately, agent of her own destiny. The most intimate and corporal version of Medea’s story ever told, Bright Air Black “a compelling study of human nature stripped to its most elemental” (The Guardian).
| Author | : Martin M. Winkler |
| Publisher | : Cambridge University Press |
| Total Pages | : 553 |
| Release | : 2024-02-29 |
| Genre | : History |
| ISBN | : 1009396722 |
This book aims to enhance our appreciation of the modernity of the classical cultures and, conversely, of cinema's debt to ancient Greece and Rome. It explores filmic perspectives on the ancient verbal and visual arts and applies what is often referred to as pre-cinema and what Sergei Eisenstein called cinematism: that paintings, statues, and literature anticipate modern visual technologies. The motion of bodies depicted in static arts and the vividness of epic ecphrases point to modern features of storytelling, while Plato's Cave Allegory and Zeno's Arrow Paradox have been related to film exhibition and projection since the early days of cinema. The book additionally demonstrates the extensive influence of antiquity on an age dominated by moving-image media, as with stagings of Odysseus' arrow shot through twelve axes or depictions of the Golden Fleece. Chapters interpret numerous European and American silent and sound films and some television productions and digital videos.
