Imagined Realism
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| Author | : The Amon Carter Museum of American Art |
| Publisher | : University of Texas Press |
| Total Pages | : 304 |
| Release | : 2021-09-07 |
| Genre | : Art |
| ISBN | : 9781477323762 |
This is the first major publication on the art and lives of twentieth-century Fort Worth artists Scott (1942–2011) and Stuart (1942–2006) Gentling. Prolific modern-day Renaissance men, the brothers created an extensive body of landscapes; portraits of regional and national luminaries; historical studies ranging from a visual reconstruction of the Aztec capital of Tenochtitlan to subjects drawn from the French and American Revolutions; and natural history illustrations of the flora and fauna of Texas. Realist painters, they drew inspiration from past masters such as Jacques-Louis David and John James Audubon, and they corresponded and collaborated with contemporaries such as Andrew Wyeth and Ed Ruscha. The Gentling brothers’ place within the canon of twentieth-century American art is established here. Along with 290 images, including 120 plates, the book includes five essays, two by scholars Erika Doss of the University of Notre Dame and Barbara Mundy of Fordham University; a trio of Carter museum curators provide deep analyses of the Gentlings’ artistic process, the output of their fifty-year career, and a chronology of their lives; plus several brief and incisive takes on specific aspects of the brothers’ multifaceted art and lives are featured throughout.
| Author | : James Gurney |
| Publisher | : Andrews McMeel Publishing |
| Total Pages | : 228 |
| Release | : 2009-10-20 |
| Genre | : Art |
| ISBN | : 0740785508 |
A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.
| Author | : George Levine |
| Publisher | : University of Chicago Press |
| Total Pages | : 368 |
| Release | : 1981 |
| Genre | : Literary Criticism |
| ISBN | : 0226475514 |
In The Realistic Imagination, George Levine argues that the Victorian realists and the later modernists were in fact doing similar things in their fiction: they were trying to use language to get beyond language. Levine sees the history of the nineteenth- and early twentieth-century novel as a continuing process in which each generation of writers struggled to escape the grip of convention and attempted to create new language to express their particular sense of reality. As these attempts hardened into new conventions, they generated new attempts to break free.
| Author | : Dr Rosa Mucignat |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 316 |
| Release | : 2013-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 1472401395 |
Posing new questions about realism and the creative power of narratives, Rosa Mucignat takes a fresh look at the relationship between representation and reality. As Mucignat points out, worlds evoked in fiction all depend to a greater or lesser extent on the world we know from experience, but they are neither parasites on nor copies of those realms. Never fully aligned with the real world, stories grow out of the mismatch between reality and representation-those areas of the fictional space that are not located on actual maps, but still form a fully structured imagined geography. Mucignat offers new readings of six foundational texts of modern Western culture: Goethe's Wilhelm Meister's Apprenticeship, Jane Austen's Mansfield Park, Alessandro Manzoni's The Betrothed, Stendahl'ss The Red and the Black, Charles Dickens's Great Expectations, and Gustave Flaubert's Sentimental Education. Using these texts as source material and supporting evidence for a new and comprehensive theory of space in fiction, she examines the links between the nineteenth-century novel's interest in creating substantial, life-like worlds and contemporary developments in science, art, and society. Mucignat's book is an evocative analysis of the way novels marshal their technical and stylistic resources to produce imagined geographies so complex and engrossing that they intensify and even transform the reader's experience of real-life places.
| Author | : Linda Nochlin |
| Publisher | : CUP Archive |
| Total Pages | : 360 |
| Release | : 1971 |
| Genre | : Art, Modern |
| ISBN | : |
| Author | : Mary L. Coffey |
| Publisher | : University of Toronto Press |
| Total Pages | : 411 |
| Release | : 2019-05-09 |
| Genre | : Literary Criticism |
| ISBN | : 1487531699 |
Imagined Truths provides a twenty-first-century analysis of stylistic and philosophical manifestations of nineteenth- and twentieth-century Spanish literary realism. Bringing together the work of the foremost specialists in the field of contemporary Spanish letters, this collection offers new approaches to literary and cultural criticism and reveals how Spanish realism, far from imitative of other European movements, engaged in complex and modern concepts of representation and mimesis. Imagined Truths acknowledges the critical importance of women writers and contemporary approaches to questions of gender. The essays address the impact of economics on our perceptions of reality and our constructions of everyday life, and they argue for the importance of emotions in the social construction of individual identity. Most importantly, the essays acknowledge the post-imperial turn in literary studies. Addressing a broad range of authors, works, and topics, including the continued relevance of Cervantes’s Don Quijote and the way Spanish realism moved beyond narrative to inhabit the spaces of both theatre and film, Imagined Truths comprises a series of meditations on new ways of understanding the unique place of realism in Spanish cultural history. Offering insights for specialists in a wide range of disciplines – literature, cultural studies, gender studies, history, philosophy – this collection is equally important for readers just becoming acquainted with realist narrative as a central component of Spanish literary history.
| Author | : Roy Bhaskar |
| Publisher | : Routledge |
| Total Pages | : 271 |
| Release | : 2013-01-28 |
| Genre | : Philosophy |
| ISBN | : 1134050852 |
First Published in 2008. Now acknowledged as a classic in the philosophy of science, A Realist Theory of Science is one of the very few books which has transformed not only our understanding of science, but that of the nature of the world it studies. Since its original publication in 1975, the book has inspired the multi-disciplinary and international movement of thought known as "critical realism"; and its ideas have been influential across the whole spectrum of the sciences, arts and humanities and in a diverse array of social practices and professions. In this book, Roy Bhaskar sets out to revindicate ontology, critiquing the reduction of being in favor of knowledge, which he calls the "epistemic fallacy". Employing a transcendental argument from the nature of experimental activity, he establishes a critique of the dominant positivist and neo-Kantian traditions in the philosophy of science, developing a new ontology in which concepts of structure, difference and change come to the fore. Then, analyzing the nature of scientific discovery and development, he shows how, against both the empiricist and rationalist traditions, science can come to have a posteriori knowledge of natural necessity. The resultant position, which the author characterizes as transcendental realism, has the power to resolve many traditional philosophical problems, such as the problem of induction. At the same time it lays the basis for radically new accounts of social science, ethics and the project of human emancipation. A new introduction to this edition by Mervyn Hartwig decribes the significance of A Realist Theory of Science throughout the humanities world, and offers an expert critique of its content.
| Author | : Margaret Cohen |
| Publisher | : U of Minnesota Press |
| Total Pages | : 382 |
| Release | : 1995 |
| Genre | : Electronic books |
| ISBN | : 9781452900568 |
| Author | : Yaron Ezrahi |
| Publisher | : Cambridge University Press |
| Total Pages | : 341 |
| Release | : 2012-10-15 |
| Genre | : Political Science |
| ISBN | : 1139577069 |
This book proposes a revisionist approach to democratic politics. Yaron Ezrahi focuses on the creative unconscious collective imagination that generates ever-changing visions of legitimate power and authority, which compete for enactment and institutionalization in the political arena. If, in the past, political authority was grounded in fictions such as the divine right of kings, the laws of nature, historical determinism and scientism, today the space of democratic politics is filled with multiple alternative social imaginaries of the desirable political order. Exposure to electronic mass media has made contemporary democratic publics more aware that credible popular fictions have greater impact on shaping our political realities than do rational social choices or moral arguments. The pressing political question in contemporary democracy is, therefore, how to select and enact political fictions that promote peace and how to found the political order on checks and balances between alternative political imaginaries of freedom and justice.
| Author | : Rachel E. Johnson |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 257 |
| Release | : 2014-05-28 |
| Genre | : Literary Criticism |
| ISBN | : 1625642385 |
This book offers an examination of the hero figure in the work of G. A. Henty (1832-1902) and George MacDonald (1824-1905) and a reassessment of oppositional critiques of their writing. It demonstrates the complementary characteristics of the hero figure which construct a complete identity commensurate with the Victorian ideal hero. The relationship between the expansion of the British Empire and youthful heroism is established through investigation of the Victorian political, social, and religious milieu, the construct of the child, and the construct of the hero. A connection between the exotic geographical space of empire and the unknown psychological space is drawn through examination of representation of the "other" in the work of Henty and MacDonald. This book demonstrates that Henty's work is more complex than the stereotypically linear, masculine, imperialistic critique of his stories as historical realism allows, and that MacDonald's work displays more evidence of historical embedding and ideological interpellation than the critical focus on his work as fantasy and fairy tale considers. Greater understanding of the effect of this heroic ideal on nineteenth-century society leads to a greater understanding of the implications for subsequent children's literature and Western cultures, including that of the twenty-first century.
