Imagined Land
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| Author | : Eduardo Berti |
| Publisher | : Deep Vellum Publishing |
| Total Pages | : 128 |
| Release | : 2018-09-18 |
| Genre | : Fiction |
| ISBN | : 1941920624 |
With sensuous imagery and musical cadence, Berti conjures up a star-crossed love story for a brother and sister in pre-revolutionary China. Their hearts' desires collide with their parents' strictness, superstitions, the delicate balance between modernity and tradition, and with the indelible memory of their grandmother, who visits the young girl in her dreams from the "imagined country" of her death.
| Author | : W. H. Liddell |
| Publisher | : |
| Total Pages | : 100 |
| Release | : 1996 |
| Genre | : English literature |
| ISBN | : |
| Author | : GOTTESMAN ET AL |
| Publisher | : |
| Total Pages | : 384 |
| Release | : 2021-07-12 |
| Genre | : |
| ISBN | : 9783038602477 |
A unique documentation of how ideology translated into colonialism, settlement, urbanization, infrastructure, and mechanized agriculture radically reshaped the environment of Palestine-Israel. The biblical metaphor of a "Land of Milk and Honey" has denoted for millennia a prophecy and promise for plenitude. This book, published in conjunction with the Israeli Pavilion at the seventeenth International Architecture Exhibition of the Venice Biennale, examines the reciprocal relations between humans, animals, and the environment within the context of modern Palestine-Israel, and demonstrates how this promise has become an action-plan over the course of the twentieth century. Land. Milk. Honey investigates how colonialism, urbanization, and mechanized agriculture radically reshaped the environment and altered human-animal relationships. It shows how the celebrated metamorphosis of the region into a prosperous agricultural landscape was entangled with irreparable damage to the environment, as well as the disruption of human communities. And it highlights the predicaments that both the environment and its inhabitants are facing after the territory has, over a century, been the testbed of modernist aspirations for plenitude. The fundamental changes the region has undergone are portrayed through the stories of five local animals: cow, goat, honeybee, water buffalo, and bat. These case-studies and analysis construct a spatial history of a place in five acts: Mechanization, Territory, Cohabitation, Extinction, and the Post-Human. A rich collection of literary excerpts, historical documents, archival photos, as well as short original vignettes reveals the story of this remarkable transfiguration and redesign.
| Author | : David Williams |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 280 |
| Release | : 2003-03-24 |
| Genre | : Literary Collections |
| ISBN | : 0773570888 |
In Imagined Nations David Williams explores works by authors such as Alistair MacLeod, Michael Ondaatje, and Timothy Findley, examining the ways in which these writers show how our sense of time and space and our sense of personal and national identities have been altered by changes in modes of communication. He discusses how they have dramatized a series of shifts from the oral clan to the nation of the book (Alistair MacLeod), from print-nationalism to radio-confederacy (Wayne Johnston), and from print-stasis to an electronic space of flows (Michael Ondaatje). Some writers have resisted the threat of filmic images to print-formed communities (Timothy Findley, Guy Vanderhaeghe), while others have sought release from the prison of print (Hubert Aquin), or attempted to infiltrate cyberspace in the border war against globalization (William Gibson). Building on the work of Harold Innis, Williams joins other Canadians such as Marshall McLuhan, Ronald Deibert, and Gerald Friesen in extending and clarifying our understanding of the way differing media environments predispose us to imagine unique forms of political community.
| Author | : Jason R. Rudy |
| Publisher | : JHU Press |
| Total Pages | : 263 |
| Release | : 2017-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1421423928 |
A ground-breaking study of nineteenth-century British colonial poetry. Imagined Homelands chronicles the emerging cultures of nineteenth-century British settler colonialism, focusing on poetry as a genre especially equipped to reflect colonial experience. Jason Rudy argues that the poetry of Victorian-era Australia, New Zealand, South Africa, and Canada—often disparaged as derivative and uncouth—should instead be seen as vitally engaged in the social and political work of settlement. The book illuminates cultural pressures that accompanied the unprecedented growth of British emigration across the nineteenth century. It also explores the role of poetry as a mediator between familiar British ideals and new colonial paradigms within emerging literary markets from Sydney and Melbourne to Cape Town and Halifax. Rudy focuses on the work of poets both canonical—including Tennyson, Browning, Longfellow, and Hemans—and relatively obscure, from Adam Lindsay Gordon, Susanna Moodie, and Thomas Pringle to Henry Kendall and Alexander McLachlan. He examines in particular the nostalgic relations between home and abroad, core and periphery, whereby British emigrants used both original compositions and canonical British works to imagine connections between their colonial experiences and the lives they left behind in Europe. Drawing on archival work from four continents, Imagined Homelands insists on a wider geographic frame for nineteenth-century British literature. From lyrics printed in newspapers aboard emigrant ships heading to Australia and South Africa, to ballads circulating in New Zealand and Canadian colonial journals, poetry was a vibrant component of emigrant life. In tracing the histories of these poems and the poets who wrote them, this book provides an alternate account of nineteenth-century British poetry and, more broadly, of settler colonial culture.
| Author | : Emma Jinhua Teng |
| Publisher | : BRILL |
| Total Pages | : 419 |
| Release | : 2020-03-23 |
| Genre | : History |
| ISBN | : 1684173930 |
"Until 300 years ago, the Chinese considered Taiwan a “land beyond the seas,” a “ball of mud” inhabited by “naked and tattooed savages.” The incorporation of this island into the Qing empire in the seventeenth century and its evolution into a province by the late nineteenth century involved not only a reconsideration of imperial geography but also a reconceptualization of the Chinese domain. The annexation of Taiwan was only one incident in the much larger phenomenon of Qing expansionism into frontier areas that resulted in a doubling of the area controlled from Beijing and the creation of a multi-ethnic polity. The author argues that travelers’ accounts and pictures of frontiers such as Taiwan led to a change in the imagined geography of the empire. In representing distant lands and ethnically diverse peoples of the frontiers to audiences in China proper, these works transformed places once considered non-Chinese into familiar parts of the empire and thereby helped to naturalize Qing expansionism. By viewing Taiwan–China relations as a product of the history of Qing expansionism, the author contributes to our understanding of current political events in the region."
| Author | : Geoffrey C. Gunn |
| Publisher | : Hong Kong University Press |
| Total Pages | : 313 |
| Release | : 2021-09-03 |
| Genre | : History |
| ISBN | : 9888528653 |
Imagined Geographies is a pioneering work in the study of history and geography of the pre-1800 world. In this book, Gunn argues that different regions astride the maritime silk roads were not only interconnected but can also be construed as “imagined geographies.” Taking a grand civilizational perspective, five such geographic imaginaries are examined across respective chapters, namely Indian, Arabic, Chinese, Japanese, and European including an imagined Great South Land. Drawing upon an array of marine and other archaeological examples, the author offers compelling evidence of the intertwining of political, cultural, and economic regions across the sea silk roads from ancient times until the seventeenth century. Through a thorough analysis of these five geographic imaginaries, the author sets aside purely national history and looks at the maritime realm from a broader spatial perspective. He challenges the Eurocentric concept of center and periphery and establishes a revisionist view on a decentered world regional history. This book will definitely interest history lovers from all around the world who wants to know more about how their forebears viewed their respective region and how their region fits into world history with local uniqueness. “Gunn takes large themes and makes them understandable. He is not afraid to make the grand statement, and to look at the sweep of history all in one arc. I admire that greatly; this is not history for the faint of heart. But it is history well-done, and history that can show the forest from the trees.” —Eric Tagliacozzo, John Stambaugh Professor of History, Cornell University “This is one of the most ambitious and insightful books that I have read on pre-Modern maritime Asia. The author offers fascinating perspectives on how this vast region was imagined, charted, and experienced over many centuries. That requires mastery of an immense range of scholarship and primary sources. His aim is to knit this watery world together into a conceptual whole. This mission is accomplished with style and discipline.” —Andrew R. Wilson, John A. van Beuren Chair of Asia-Pacific Studies, U.S. Naval War College
| Author | : Benedict Anderson |
| Publisher | : Verso Books |
| Total Pages | : 338 |
| Release | : 2006-11-17 |
| Genre | : Political Science |
| ISBN | : 178168359X |
What are the imagined communities that compel men to kill or to die for an idea of a nation? This notion of nationhood had its origins in the founding of the Americas, but was then adopted and transformed by populist movements in nineteenth-century Europe. It became the rallying cry for anti-Imperialism as well as the abiding explanation for colonialism. In this scintillating, groundbreaking work of intellectual history Anderson explores how ideas are formed and reformulated at every level, from high politics to popular culture, and the way that they can make people do extraordinary things. In the twenty-first century, these debates on the nature of the nation state are even more urgent. As new nations rise, vying for influence, and old empires decline, we must understand who we are as a community in the face of history, and change.
| Author | : Huw Lewis-Jones |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Literary Criticism |
| ISBN | : 9780226596631 |
"The Writer's Map is an atlas of the journeys that our most creative storytellers have made throughout their lives. This collection encompasses not only the maps that appear in their books but also the many maps that have inspired them, the sketches that they used while writing, and others that simply sparked their curiosity. " -- Publisher's description
| Author | : Jane Stadler |
| Publisher | : Indiana University Press |
| Total Pages | : 239 |
| Release | : 2015-12-21 |
| Genre | : Literary Criticism |
| ISBN | : 0253018498 |
An analysis of the depiction of Australia’s landscape in its films and literature. Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identify patterns of representation in Australia’s cultural landscape, the book presents an integrated perspective on the translation of space across narrative forms and pioneers new ways of seeing and understanding landscape. It offers fresh insights on cultural topography and spatial history by examining the technical and conceptual challenges of georeferencing fictional and fictionalized places in narratives. Among the items discussed are Wake in Fright, a novel by Kenneth Cook, adapted iconically to the screen and recently onto the stage; the Australian North as a mythic space; spatial and temporal narrative shifts in retellings of the story of Alexander Pearce, a convict who gained notoriety for resorting to cannibalism after escaping from a remote Tasmanian penal colony; travel narratives and road movies set in Western Australia; and the challenges and spatial politics of mapping spaces for which there are no coordinates. “It will likely be the indispensable touchstone for any future work in these areas with respect to Australian cultural studies.” —Robert T. Tally, Texas State University “Definitely original in its approach, since it combines a conceptual approach with a more applied one. The book is a serious contribution to the field of mapping spatial narratives and to a better understanding of the production and spatial structure of fictional places.” —Sébastien Caquard, Concordia University
