War/photography
Author | : Anne Tucker |
Publisher | : Museum of Fine Arts (Houston) |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Photography, Artistic |
ISBN | : 9780300177381 |
Contains primary source material.
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Author | : Anne Tucker |
Publisher | : Museum of Fine Arts (Houston) |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Photography, Artistic |
ISBN | : 9780300177381 |
Contains primary source material.
Author | : Glyn Harper |
Publisher | : |
Total Pages | : 400 |
Release | : 2013 |
Genre | : Soldiers |
ISBN | : 9781775540342 |
In 1914, despite being forbidden, many a Kiwi soldier's kitbag included a portable camera known as 'The Soldier's Kodak'. The images they recorded form the basis of this poignant collection of our soldiers from the First World War. In a major research project, Glyn Harper and the National Army Museum combined official war photographs with more informal images to provide a moving visual history. Originally published in 2008, this book has now been beautifully redesigned as a stunning large-format hardback. While primarily drawn from the Museum's collection, many photographs from private sources were included. From more than 25,000 photographs, just over 800 were selected - most of which had never been published before. Chosen to depict each theatre of the 1914-18 war, including Gallipoli, Sinai-Palestine and the Western Front, poignant images from the home front were included, along with graphic portraits of wounded soldiers, whose treatment marked the beginnings of modern plastic surgery.Despite the First World War being described as the most important and far-reaching political and military event of the twentieth century, pivotal in forging our national sense of identity, relatively little photographic material had been published from a soldier's perspective. This new edition contains additional information that has come to light since the first edition regarding many of the photos, as well as some new images. Poignant, stirring and at times unbearable, it records the appalling, brutalising, mundane and touching experiences of those who were there. Lest we forget.
Author | : David Shields |
Publisher | : Simon and Schuster |
Total Pages | : 112 |
Release | : 2019-06-11 |
Genre | : History |
ISBN | : 1576879496 |
Bestselling author David Shields analyzed over a decade's worth of front-page war photographs fromTheNew York Timesand came to a shocking conclusion: the photo-editing process ofthe "paper of record,"by way of pretty, heroic, and lavishly aesthetic image selection, pullsthe woolover the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.This powerful media mouthpiece, the mightyTimes, far from being a check on governmental power, is in reality a massive amplifier for its dark forces by virtue of the way it aestheticizeswarfare. Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals. Shields forces the reader to weigh the consequences of our own passivity in the face of these images' opiatic numbing. The photographs gathered inWar Is Beautiful, often beautiful and always artful, are filters of reality rather than the documentary journalism they purport to be.
Author | : Time-Life Books |
Publisher | : |
Total Pages | : 312 |
Release | : 2003 |
Genre | : History |
ISBN | : |
Great Photographs of the Civil War brings together in one volume the most evocative Civil War photographs ever published. The images--selected by Time Life editors from thousands of photographs preserved in museums and collections around the country--tell the epic story of a nation divided. Reflected here are the tireless efforts of pioneering photographers who used heavy equipment and portable darkrooms mounted on wagon beds to record this fateful struggle. The editors have assembled 300 gripping images, some of them recognized classics and others rarely seen, into 20 chronological photo essays. Here, the crucial events of the war, from the bloodiest day at Antietam and the Confederate high tide at Gettysburg to the battles for Atlanta and the climactic siege of Petersburg, are conveyed with power and precision in the defining photographs of the conflict that redefined our nation.
Author | : Neil Kagan |
Publisher | : |
Total Pages | : 312 |
Release | : 2003 |
Genre | : History |
ISBN | : |
Oxmoor House Great Photographs of World War II (Collectors Edition) The most evocative collection of World War II photographs ever published. Selected by Time Life editors from thousands of images from museums and collections around the world, these photographs tell the haunting story of the war's heroes and horrors. Famous images from LIFE magazine are juxtaposed with rare photographs to give us a unique glimpse of war through the eyes of soldiers and civilians caught up in the most destructive conflict of all time. The editors have assembled over 280 gripping images into 25 chronological photo essays. Here, the most cataclysmic events of the war, from the Battle of Britain and the attack on Pearl Harbor to D-Day and the fall of the Third Reich, are defined by some of the most dramatic photographs of the 20th century. February 2004280+ photos 304 pages1 0 1/2" x 10 1/4" Hardcover with jacket Carton 6, Item 130057 ISBN 0-8487-2818-1 $39.95 US UPC 7-49075-30057-7
Author | : Glyn Harper |
Publisher | : |
Total Pages | : 384 |
Release | : 2021-08-12 |
Genre | : |
ISBN | : 9780995140738 |
NEW ZEALAND'S WAR THROUGH THE LENS OF THOSE WHO SERVEDA landmark book exploring New Zealand's second world war effort through over800 photographs, many never before published and many live-action shots takenby those at the front. The images span North Africa, Europe and the Pacific, aswell as action on the water and in the air - every battle and theatre in which NewZealanders fought. The text by one of New Zealand's leading military historiansplaces the images in context. Chapters on prisoners of war, the home front and NewZealand's role in Japan after the end of hostilities in the Pacific round out this richvisual account of a conflict that dominated all aspects of New Zealand life for sevenyears.
Author | : Marja Vuorinen |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 170 |
Release | : 2012-01-17 |
Genre | : Political Science |
ISBN | : 1443837024 |
In the post 9/11 world, the emotionally charged concepts of identity and ideology, enmity and political violence have once again become household words. Contrary to the serene assumptions of the early 1990s, history did not end. Civilisations are busy clashing against one another, and the self-proclaimed pacified humanity is once again showing its barbaric roots. Religion mixes with politics to produce governments that abuse even their own citizens, and victorious insurgents too often fail to carry out the promised reforms. Terrorists blow up unsuspecting pedestrians, and allegedly democratic nations threaten to bomb allegedly less democratic ones back to the Stone Age. Mass demonstrations materialise like flash mobs out of nowhere, prepared to hold their ground until the bitter end. Where does all this passionate intensity come from? To better understand how the ideological enmity of today is moulded, spread and managed, this book investigates the propaganda operations of the past. Its topics range from the ruthless portrayal of female enemy soldiers in an early-20th-century civil war setting to the multiple enemy images cherished by Adolf Hitler, and onwards, to the WWII Soviet Russians as a subtype of a more ancient notion of the Eastern Hordes. Of more recent events, the book covers the Rwandan genocide of 1994 and the still ongoing Israel-Palestine conflict. The closing chapter on cyber warfare introduces the reader to the invisible enemies of the future.
Author | : Serge Gruzinski |
Publisher | : Duke University Press |
Total Pages | : 300 |
Release | : 2001-06-08 |
Genre | : Art |
ISBN | : 9780822326434 |
DIVExplores Mexico and its romance with the image as well as othe issues of Spanish colonialism./div
Author | : Sharon Macdonald |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 268 |
Release | : 1988 |
Genre | : History |
ISBN | : 9780299117641 |
As warriors, freedom fighters and victims, as mothers, wives and prostitutes, and as creators and members of peace movements, women are inevitably caught up in the net of war. Yet women's participation in warfare and peace campaigns has often been underestimated or ignored. Images of Women in Peace and War explores women's relationships to war, peace, and revolution, from the Amazons, Inka and Boadicea, to women soldiers in South Africa, Mau Mau freedom fighters and the protestors at Greenham Common. The contributors consider not only the reality of women's participation but also look at how their actions have been perceived and represented across cultures and through history. They examine how sexual imagery is constructed, how it is used to delineate women's relation to warfare and how these images have sometimes been subverted in order to challenge the status quo. The book raises important questions about whether women have a special prerogative to promote peace and considers whether the experience of motherhood leads to a distinctive women's position on war. The authors find that their analyses lead them to deal with arguments on the basic nature of the sexes and to reevaluate our concepts of "peace," "war," and "gender."
Author | : Stephen M. Norris |
Publisher | : |
Total Pages | : 308 |
Release | : 2006 |
Genre | : Antiques & Collectibles |
ISBN | : |
The lubok--a broadside or poster--played an important role in Russia's cultural history. Evolving as a medium for communication with a largely illiterate population, the popular prints were adapted to express political propaganda. Stephen Norris examines the use of such prints to stir patriotic fervor during times of war, from Napoleon's failed attempt at conquering Russia to Hitler's invasion. Norris shows how visual images of patriotism and expressions of the Russian spirit changed over time, yet remained similar. The lubok produced during Russia's modern wars consistently featured the same key elements: the Russian peasant, the Cossack, and a representation of "the Russian spirit." When Russia was victorious, occasionally the tsar figured into the imagery; but by the beginning of the 20th century, ethnic identity had replaced dynastic representations of Russian nationhood. After the Revolutions of 1917, Bolshevik and Soviet leaders appropriated the traditional elements of the wartime lubok to promote their vision of the new socialist state. The political power of lubok imagery did not end with the Bolsheviks' adaptations. During World War II, political posters similar to those of the tsarist era reemerged to express and to reinforce Russia's culture of patriotism and strength. Amply illustrated, A War of Images is the first comprehensive study of how popular prints helped to construct national identity in Russia over a period of more than a century. Readers interested in Russian art, history, and culture will find its insights intriguing.