Images At War
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Author | : Serge Gruzinski |
Publisher | : Duke University Press |
Total Pages | : 300 |
Release | : 2001-06-08 |
Genre | : Art |
ISBN | : 9780822326434 |
DIVExplores Mexico and its romance with the image as well as othe issues of Spanish colonialism./div
Author | : Anne Tucker |
Publisher | : Museum of Fine Arts (Houston) |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Photography, Artistic |
ISBN | : 9780300177381 |
Contains primary source material.
Author | : Marja Vuorinen |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 170 |
Release | : 2012-01-17 |
Genre | : Political Science |
ISBN | : 1443837024 |
In the post 9/11 world, the emotionally charged concepts of identity and ideology, enmity and political violence have once again become household words. Contrary to the serene assumptions of the early 1990s, history did not end. Civilisations are busy clashing against one another, and the self-proclaimed pacified humanity is once again showing its barbaric roots. Religion mixes with politics to produce governments that abuse even their own citizens, and victorious insurgents too often fail to carry out the promised reforms. Terrorists blow up unsuspecting pedestrians, and allegedly democratic nations threaten to bomb allegedly less democratic ones back to the Stone Age. Mass demonstrations materialise like flash mobs out of nowhere, prepared to hold their ground until the bitter end. Where does all this passionate intensity come from? To better understand how the ideological enmity of today is moulded, spread and managed, this book investigates the propaganda operations of the past. Its topics range from the ruthless portrayal of female enemy soldiers in an early-20th-century civil war setting to the multiple enemy images cherished by Adolf Hitler, and onwards, to the WWII Soviet Russians as a subtype of a more ancient notion of the Eastern Hordes. Of more recent events, the book covers the Rwandan genocide of 1994 and the still ongoing Israel-Palestine conflict. The closing chapter on cyber warfare introduces the reader to the invisible enemies of the future.
Author | : Andrew J. Huebner |
Publisher | : Univ of North Carolina Press |
Total Pages | : 384 |
Release | : 2011-12-01 |
Genre | : History |
ISBN | : 0807868213 |
Images of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon--the combat soldier. Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.
Author | : Sharon Macdonald |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 268 |
Release | : 1988 |
Genre | : History |
ISBN | : 9780299117641 |
As warriors, freedom fighters and victims, as mothers, wives and prostitutes, and as creators and members of peace movements, women are inevitably caught up in the net of war. Yet women's participation in warfare and peace campaigns has often been underestimated or ignored. Images of Women in Peace and War explores women's relationships to war, peace, and revolution, from the Amazons, Inka and Boadicea, to women soldiers in South Africa, Mau Mau freedom fighters and the protestors at Greenham Common. The contributors consider not only the reality of women's participation but also look at how their actions have been perceived and represented across cultures and through history. They examine how sexual imagery is constructed, how it is used to delineate women's relation to warfare and how these images have sometimes been subverted in order to challenge the status quo. The book raises important questions about whether women have a special prerogative to promote peace and considers whether the experience of motherhood leads to a distinctive women's position on war. The authors find that their analyses lead them to deal with arguments on the basic nature of the sexes and to reevaluate our concepts of "peace," "war," and "gender."
Author | : Uroš Cvoro |
Publisher | : Bloomsbury Publishing |
Total Pages | : 246 |
Release | : 2021-08-12 |
Genre | : Art |
ISBN | : 1350227358 |
In Images of War in Contemporary Art, Uroš Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow-art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art-offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojša Šeric Šoba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).
Author | : Stephen M. Norris |
Publisher | : |
Total Pages | : 308 |
Release | : 2006 |
Genre | : Antiques & Collectibles |
ISBN | : |
The lubok--a broadside or poster--played an important role in Russia's cultural history. Evolving as a medium for communication with a largely illiterate population, the popular prints were adapted to express political propaganda. Stephen Norris examines the use of such prints to stir patriotic fervor during times of war, from Napoleon's failed attempt at conquering Russia to Hitler's invasion. Norris shows how visual images of patriotism and expressions of the Russian spirit changed over time, yet remained similar. The lubok produced during Russia's modern wars consistently featured the same key elements: the Russian peasant, the Cossack, and a representation of "the Russian spirit." When Russia was victorious, occasionally the tsar figured into the imagery; but by the beginning of the 20th century, ethnic identity had replaced dynastic representations of Russian nationhood. After the Revolutions of 1917, Bolshevik and Soviet leaders appropriated the traditional elements of the wartime lubok to promote their vision of the new socialist state. The political power of lubok imagery did not end with the Bolsheviks' adaptations. During World War II, political posters similar to those of the tsarist era reemerged to express and to reinforce Russia's culture of patriotism and strength. Amply illustrated, A War of Images is the first comprehensive study of how popular prints helped to construct national identity in Russia over a period of more than a century. Readers interested in Russian art, history, and culture will find its insights intriguing.
Author | : Anthony Tucker-Jones |
Publisher | : Casemate Publishers |
Total Pages | : 255 |
Release | : 2014-01-19 |
Genre | : History |
ISBN | : 1783830468 |
This photographic history of the Soviet-Afghan War of 1979 to 1989 gives a fascinating insight into a grim conflict that prefigured the American-led campaign in that country. In an unequal struggle, the mujahedeen resisted for ten years, then triumphed over Moscow. For the Soviet Union, the futile intervention has been compared to the similar humiliation suffered by the United States in Vietnam. For the Afghans the victory was just one episode in the long history of their efforts to free their territory from the interference of foreign powers. By focusing on the Soviet use of heavy weaponry, Anthony Tucker-Jones shows the imbalance at the heart of a conflict in which the mechanized, industrial might of a super power was set against lightly armed partisans who became experts in infiltration tactics and ambushes. His work is a visual record of the tactics and the equipment the Soviets used to counter the resistance and protect vulnerable convoys.It also shows what this grueling conflict was like for the Soviet soldiers, the guerrilla fighters and the Afghan population, and it puts the present war in Afghanistan in a thought-provoking historical perspective.
Author | : David Shields |
Publisher | : Simon and Schuster |
Total Pages | : 121 |
Release | : 2019-06-11 |
Genre | : History |
ISBN | : 1576879496 |
Bestselling author David Shields analyzed over a decade's worth of front-page war photographs fromTheNew York Timesand came to a shocking conclusion: the photo-editing process ofthe "paper of record,"by way of pretty, heroic, and lavishly aesthetic image selection, pullsthe woolover the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.This powerful media mouthpiece, the mightyTimes, far from being a check on governmental power, is in reality a massive amplifier for its dark forces by virtue of the way it aestheticizeswarfare. Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals. Shields forces the reader to weigh the consequences of our own passivity in the face of these images' opiatic numbing. The photographs gathered inWar Is Beautiful, often beautiful and always artful, are filters of reality rather than the documentary journalism they purport to be.
Author | : Michèle Martin |
Publisher | : University of Toronto Press |
Total Pages | : 313 |
Release | : 2006-01-01 |
Genre | : Social Science |
ISBN | : 0802037577 |
Using the press coverage of the Franco-Prussian war as a starting point, Michèle Martin's Images at War examines nineteenth-century illustrated periodicals published in France, Germany, England, and Canada (with references also to Italy and the United States), and argues that periodicals during this period worked to reinforce particular national identities. Images in periodicals played an essential role in how the concept of nationalism was expressed and reproduced, usually by pitting cultures and countries against one another. These illustrated periodicals helped to shape nations where nations had not previously existed - such as with Germany, Italy, and Canada, which were only just coming into their own as states. In war, Martin observes, these documents also represented a non-verbal method of communicating emotionally trying, politically challenging, and oftentimes contradictory information to the public, literate and non-literate alike. The history of nineteenth-century illustrated papers underscores their legitimacy as a form of journalism. They were more than a commodity produced for profit; they offered serious reflection and commentary on the times designed by editors to have specific effects on the readers. Images at War is a much-needed study of this early news medium and its part in the construction of nationalism in the midst of war.