Imagenes Y Santuarios Celebres De La Virgen Santisima En La America Espanola
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Early Modern Confraternities in Europe and the Americas
Author | : Christopher F. Black |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 314 |
Release | : 2006 |
Genre | : Religion |
ISBN | : 9780754651741 |
Scholars have long recognized the significant role that confraternities, or lay brotherhoods, played in the religious life of medieval and early modern Catholicism. Taking a broad chronological and geographical approach, this collection of essays addresses the varied and fluid nature of confraternities and their relationship to wider society.
Santuarios de la Virgen María en España y América
Author | : Domingo Manfredi Cano |
Publisher | : |
Total Pages | : 422 |
Release | : 1954 |
Genre | : Shrines |
ISBN | : |
Global Gothic
Author | : Barbara Borngässer |
Publisher | : Leuven University Press |
Total Pages | : 249 |
Release | : 2022-02-17 |
Genre | : Architecture |
ISBN | : 9462703043 |
Gothic style and contemporary architecture worldwide Although largely overlooked in studies of architectural history, church architecture in a Gothic idiom outlived its 19th century momentum to persist worldwide throughout the 20th century and into the new millennium. Global Gothic presents a first systematic worldwide understanding of "Gothic" in contemporary architecture, both as a distinct variation and as a competitor to recognized modern styles. The book’s chapters critically discuss Gothic’s various manifestations over the past century, describing and illustrating approaches from Gothic Revival living traditions in the former British Empire and original Gothic appropriation in Latin America to competitions of European builders in former Asian and African colonies. The focus is also on the special appropriations in North America, China and Japan, as well as contemporary solutions that tend to be transnational in style. With contributions from renowned architecture experts from around the world, Global Gothic provides an overview of this cultural phenomenon and presents a wealth of stunning material, much of it little known. Richly illustrated in full color, it offers an important contribution to colonial and postcolonial global art history and a seldom acknowledged perspective on art history in general. Contributors: Barbara Borngässer (Technische Universität Dresden), Martín M. Checa-Artasu (Metropolitan Autonomous University, Mexico City), Thomas Coomans (KU Leuven), Pedro Guedes (University of Queensland), Bruno Klein (Technische Universität Dresden), Bettina Marten (Technische Universität Dresden), Olimpia Niglio (Hosei University Tokyo), Peter Scriver (University of Adelaide), Amit Srivastava (University of Adelaide) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).