Illustrated Catalogue Of The Important Collection Of Antique Chinese Porcelains Sung And Ming Potteries Ancient Stone Sculptures
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Library Catalog of the Metropolitan Museum of Art, New York
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 728 |
Release | : 1980 |
Genre | : Art |
ISBN | : |
Library Catalog
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1062 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Illustrated Catalogue of Rare and Beautiful Old Chinese Porcelains
Author | : Yamanaka & Company |
Publisher | : |
Total Pages | : 250 |
Release | : 1911 |
Genre | : Art objects |
ISBN | : |
Dictionary Catalog of the Library of the Freer Gallery of Art. Smithonsonian Institution, Washington
Author | : Freer Gallery of Art. Library |
Publisher | : |
Total Pages | : 824 |
Release | : 1967 |
Genre | : Art |
ISBN | : |
The National Union Catalog, Pre-1956 Imprints
Author | : Library of Congress |
Publisher | : |
Total Pages | : 760 |
Release | : 1969 |
Genre | : Catalogs, Union |
ISBN | : |
Eastern Art ...
Author | : |
Publisher | : |
Total Pages | : 238 |
Release | : 1928 |
Genre | : Art, Asian |
ISBN | : |
Vol. 1 includes sections "Book reviews" and "Oriental abstracts."
Encyclopaedia of Books on China
Author | : Arthur Probsthain |
Publisher | : |
Total Pages | : 320 |
Release | : 1927 |
Genre | : Art, Chinese |
ISBN | : |
Dictionary Catalog of the Art and Architecture Division
Author | : New York Public Library. Art and Architecture Division |
Publisher | : |
Total Pages | : 726 |
Release | : 1975 |
Genre | : Architecture |
ISBN | : |
Chinese Art
Author | : Roger Fry |
Publisher | : |
Total Pages | : 312 |
Release | : 1925 |
Genre | : Art, Chinese |
ISBN | : |
Our object in producing this book is to supply information about Chinese art that is at once authoritative and introductory. To many it may seem curious that no previous volume of the kind exists ; but to those who know the extreme difficulty of a detailed study of even one part of Chinese art, with its enormous periods and its close relationship to Eastern ideas, it may rather seem curious that anyone should attempt such a summary. We should not have given way to the desire to make such a book had we not known how valuable it would be if properly produced, and had we not felt that we had hit upon the right plan. -- Preface.