Il museo racconta - The museum narrates

Il museo racconta - The museum narrates
Author: AA. VV.
Publisher: Gangemi Editore spa
Total Pages: 160
Release: 2018-01-15T00:00:00+01:00
Genre: History
ISBN: 8849249268

Attraverso le immagini e i documenti esposti nelle sale del Museo storico della Liberazione si segue il racconto delle vicende drammatiche vissute dalla popolazione di Roma tra il settembre 1943 e il giugno 1944 sotto l'occupazione nazista. Sottoposta a ben 53 bombardamenti alleati e minacciata da repressione, torture, rastrellamenti, deportazioni e uccisioni, essa reagì con coraggio e forza, nonostante la fame, il freddo, l'insicurezza e la paura. Partiti e movimenti politici, da parte loro, con la Resistenza armata e non armata fecero sentire agli occupanti la ferma decisione di non subire il loro prepotere e la loro oppressione. Through images and documentation exposed in the rooms of the Historical Museum of the Liberation we can live through the dramatic stories that the Roman population underwent between September 1943 and June 1944 during the Nazi Occupation. Although Rome was subject to 53 allied bombings, threaten with repression, torture, round-ups, deportation and killings, it reacted with courage and strength even through hunger, cold and fear. Parties and political movements, on their part, with armed or non-armed Resistance, made the occupants feel their steady decision to not be affected by their prevarication and oppression. Antonio Parisella (Roma, 25 aprile 1945), già professore ordinario di Storia contemporanea. Si è formato nella Facoltà di Scienze politiche dell'Università La Sapienza di Roma, dove ha lavorato come ricercatore fino al 1992. Vincitore di concorso nazionale, ha poi insegnato Storia contemporanea nella Facoltà di Lettere e Filosofia dell'Università di Parma, dove ha diretto anche il Dipartimento di studi politici e sociali. Dal 1979 al 1997 è stato segretario generale, vicepresidente e presidente dell'Istituto romano per la storia d'Italia dal fascismo alla Resistenza (IRSIFAR). Dal 2001 è presidente, designato dal Ministro per i beni e le attività culturali (MIBACT), del Museo storico della Liberazione in Roma. Presso Gangemi editore ha pubblicato Sopravvivere liberi. Storiografia e Resistenza a cinquant'anni dalla Liberazione (1997), Cattolici e Democrazia cristiana in Italia. Analisi di un consenso politico (2000). Inoltre, è autore di Cultura cattolica e Resistenza nell'Italia repubblicana (Ave, Roma 2005) ed ha curato (con Sandro Portelli) Ribelle e mai domata. Canti e racconti di antifascismo e resistenza (Squi/libri, Roma 2016). Antonio Parisella (Rome, 25th April 1945), is a University Professor of contemporary history. He has completed his studies at the University La Sapienza in Rome in the Political Sciences Faculty, where he worked as a researcher until 1992. After winning the national exam to become a Professor, he then taught contemporary history in the Literature and History Faculty at the University of Parma, where he was also head of the Department of Political and Social Studies. From 1979 to 1997 he was the general secretary, vice president and president of the Roman Institute of Italian history from the fascist period until the Resistance (IRSIFAR). He has been the president, assigned by the Ministry of Cultural Heritage and Activities and Tourism (MIBACT), of the Historical Museum of the Liberation in Rome since 2001. Gangemi publisher has released the following titles by Antonio Parisella: Sopravvivere liberi. Storiografia e Resistenza a cinquant'anni dalla Liberazione (1997), Cattolici e Democrazia cristiana in Italia. Analisi di un consenso politico (2000). He is also the author of Cultura cattolica e Resistenza nell'Italia repubblicana (Ave, Rome 2005) and the co-author of (together with Sandro Portelli) Ribelle e mai domata. Canti e racconti di antifascismo e resistenza (Squi/libri, Rome 2016).

Chasing Aphrodite

Chasing Aphrodite
Author: Jason Felch
Publisher: HMH
Total Pages: 397
Release: 2011-05-24
Genre: Art
ISBN: 0547538022

A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller. “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting

The Museum of Broken Promises

The Museum of Broken Promises
Author: Elizabeth Buchan
Publisher:
Total Pages: 468
Release: 2020
Genre: Large type books
ISBN: 9781444844771

Paris, today: The Museum of Broken Promises is a place of hope and loss. Every object in the museum has been donated - a cake tin, a wedding veil, a baby's shoe. And each represents a moment of grief or terrible betrayal. Laure, the owner and curator, has also hidden artefacts from her own painful youth amongst the objects on display. 1985: Recovering from the sudden death of her father, Laure flees to Prague. But she cannot begin to comprehend the dark political currents in this communist city - until she meets a young dissident musician. Her love for him, however, will have terrible and unforeseen consequences. It is only years later, having created the museum, that Laure can finally face up to her past and celebrate the passionate love which has directed her life.

The Museum of Unconditional Surrender

The Museum of Unconditional Surrender
Author: Dubravka Ugrešić
Publisher: I.B. Tauris
Total Pages: 256
Release: 2001-09
Genre: Fiction
ISBN: 9780811214933

Critically acclaimed experimental, literary fiction by the famous Croatian exile author.

Titian Remade

Titian Remade
Author: Maria H. Loh
Publisher: Getty Publications
Total Pages: 218
Release: 2007
Genre: Imitation in art
ISBN: 089236873X

This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.

Photographs Objects Histories

Photographs Objects Histories
Author: Elizabeth Edwards
Publisher: Routledge
Total Pages: 251
Release: 2004-06
Genre: Art
ISBN: 1134523572

This innovative volume explores the idea that while photographs are images, they are also objects, and this materiality is integral to their meaning and use. The case studies presented focus on photographs active in different institutional, political, religious and domestic spheres, where physical properties, the nature of their use and the cultural formations in which they function make their 'objectness' central to how we should understand them. The book's contributions are drawn from disciplines including the history of photography, visual anthropology and art history, with case studies from a range of countries such as the Netherlands, North America, Australia, Japan, Romania and Tibet. Each shows the methodological strategies they have developed in order to fully exploit the idea of the materiality of photographic images.

Annuario della Scuola Archeologica di Atene e delle Missioni Italiane in Oriente, Volume 99, 2021 – Tomo I

Annuario della Scuola Archeologica di Atene e delle Missioni Italiane in Oriente, Volume 99, 2021 – Tomo I
Author:
Publisher: All'Insegna del Giglio
Total Pages: 626
Release: 2021-12-30
Genre: Religion
ISBN:

L’Annuario della Scuola Archeologica di Atene e delle Missioni Italiane in Oriente è pubblicato dal 1914. Presenta articoli originali e di sintesi sull’arte, l’archeologia, l’architettura, la topografia, la storia, le religioni, l’antropologia del mondo antico, l’epigrafia e il diritto. L’interesse è rivolto alla Grecia e alle aree della grecità attraverso il tempo, dalla preistoria all’età bizantina e oltre, nonché alle interazioni con l’Oriente, l’Africa e l’Europa continentale. L’Annuario è composto da tre sezioni: Saggi, Scavi e Ricerche e Atti della Scuola 2021, a cura di Emanuele Papi. Gli articoli vengono approvati dal Comitato Editoriale e da due valutatori anonimi. I contributi sono pubblicati in una delle seguenti lingue: italiano, greco, inglese, francese, con riassunti in italiano, greco e inglese.

The Memory Monster

The Memory Monster
Author: Yishai Sarid
Publisher: Restless Books
Total Pages: 150
Release: 2020-09-08
Genre: Fiction
ISBN: 1632062720

The controversial English-language debut of celebrated Israeli novelist Yishai Sarid is a harrowing, ironic parable of how we reckon with human horror, in which a young, present-day historian becomes consumed by the memory of the Holocaust. Written as a report to the chairman of Yad Vashem, Israel’s memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it? Praise for The Memory Monster: “Award-winning Israeli novelist Sarid’s latest work is a slim but powerful novel, rendered beautifully in English by translator Greenspan…. Propelled by the narrator’s distinctive voice, the novel is an original variation on one of the most essential themes of post-Holocaust literature: While countless writers have asked the question of where, or if, humanity can be found within the profoundly inhumane, Sarid incisively shows how preoccupation and obsession with the inhumane can take a toll on one’s own humanity…. it is, if not an indictment of Holocaust memorialization, a nuanced and trenchant consideration of its layered politics. Ultimately, Sarid both refuses to apologize for Jewish rage and condemns the nefarious forms it sometimes takes. A bold, masterful exploration of the banality of evil and the nature of revenge, controversial no matter how it is read.” —Kirkus Reviews, Starred Review “[A] record of a breakdown, an impassioned consideration of memory and its risks, and a critique of Israel’s use of the Holocaust to shape national identity…. Sarid’s unrelenting examination of how narratives of the Holocaust are shaped makes for much more than the average confessional tale.” —Publishers Weekly “Reading The Memory Monster, which is written as a report to the director of Yad Vashem, felt like both an extremely intimate experience and an eerily clinical Holocaust history lesson. Perfectly treading the fine line between these two approaches, Sarid creates a haunting exploration of collective memory and an important commentary on humanity. How do we remember the Holocaust? What tolls do we pay to carry on memory? This book hit me viscerally, emotionally, and personally. The Memory Monster is brief, but in its short account Sarid manages to lay bare the tensions between memory and morals, history and nationalism, humanity and victimhood. An absolute must-read.” —Julia DeVarti, Literati Bookstore (Ann Arbor, MI) “In Yishai Sarid’s dark, thoughtful novel The Memory Monster, a Holocaust historian struggles with the weight of his profession…. The Memory Monster is a novel that pulls no punches in its exploration of the responsibility—and the cost—of holding vigil over the past.” —Eileen Gonzalez, Foreword Reviews

The Renewal of Pagan Antiquity

The Renewal of Pagan Antiquity
Author: Aby Warburg
Publisher: Getty Publications
Total Pages: 872
Release: 1999
Genre: Art
ISBN: 9780892365371

A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.

Religious Narratives in Italian Literature after the Second Vatican Council

Religious Narratives in Italian Literature after the Second Vatican Council
Author: Jenny Ponzo
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 372
Release: 2019-03-18
Genre: Religion
ISBN: 311049602X

This book presents a semiotic study of the re-elaboration of Christian narratives and values in a corpus of Italian novels published after the Second Vatican Council (1960s). It tackles the complex set of ideas expressed by Italian writers about the biblical narration of human origins and traditional religious language and ritual, the perceived clash between the immanent and transcendent nature and role of the Church, and the problematic notion of sanctity emerging from contemporary narrative.