Identities In Irish Literature
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Author | : Raymond Hickey |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 215 |
Release | : 2020-01-20 |
Genre | : Language Arts & Disciplines |
ISBN | : 1501507664 |
This volume examines in-depth the many facets of language and identity in the complex linguistic landscape of Ireland. The role of the heritage language Irish is scrutinized as are the manifold varieties of English spoken in regions of the island determined by both geography and social contexts. Language as a vehicle of national and cultural identity is center-stage as is the representation of identity in various media types and text genres. In addition, the volume examines the self-image of the Irish as reflected in various self-portrayals and references, e.g. in humorous texts. Identity as an aspect of both public and private life in contemporary Ireland, and its role in the gender interface, is examined closely in several chapters. This collection is aimed at both scholars and students interested in langage and identity in the milti-layered situation of Ireland, both historically and at present. By addressing general issues surrounding the dynamic and vibrant research area of identity it reaches out to readers beyond Ireland who are concerned with the pivotal role this factor plays in present-day societies.
Author | : Máiréad Nic Craith |
Publisher | : Berghahn Books |
Total Pages | : 250 |
Release | : 2002 |
Genre | : Culture conflict |
ISBN | : 9781571813145 |
Northern Ireland is frequently characterised in terms of a two traditions paradigm, representing the conflict as being between two discrete cultures. Demonstrating the reductionist nature of this argument, this book highlights the complexity of reality.
Author | : Anne MacCarthy |
Publisher | : Netbiblo |
Total Pages | : 208 |
Release | : 2004 |
Genre | : English literature |
ISBN | : 9780972989213 |
The book provides a new perspective on the establishment of Irish literature in English. This emerged in the early nineteenth century in an effort to create an independent writing in Ireland. the author explores the activities of these early years to later investigate canon formation in the twentieth century as well as contemporary definitions of Irish writing in English. She finally proposes the existence of another literature in the early twentieth century in Ireland and proffers an explanation for its exclusion from the new canon.
Author | : Cian T. McMahon |
Publisher | : UNC Press Books |
Total Pages | : 255 |
Release | : 2015-04-13 |
Genre | : History |
ISBN | : 1469620111 |
Though Ireland is a relatively small island on the northeastern fringe of the Atlantic, 70 million people worldwide--including some 45 million in the United States--claim it as their ancestral home. In this wide-ranging, ambitious book, Cian T. McMahon explores the nineteenth-century roots of this transnational identity. Between 1840 and 1880, 4.5 million people left Ireland to start new lives abroad. Using primary sources from Ireland, Australia, and the United States, McMahon demonstrates how this exodus shaped a distinctive sense of nationalism. By doggedly remaining loyal to both their old and new homes, he argues, the Irish helped broaden the modern parameters of citizenship and identity. From insurrection in Ireland to exile in Australia to military service during the American Civil War, McMahon's narrative revolves around a group of rebels known as Young Ireland. They and their fellow Irish used weekly newspapers to construct and express an international identity tailored to the fluctuating world in which they found themselves. Understanding their experience sheds light on our contemporary debates over immigration, race, and globalization.
Author | : Christopher Dowd |
Publisher | : Routledge |
Total Pages | : 465 |
Release | : 2010-09-13 |
Genre | : Literary Criticism |
ISBN | : 1136902406 |
This book examines the development of literary constructions of Irish-American identity from the mid-nineteenth century arrival of the Famine generation through the Great Depression. It goes beyond an analysis of negative Irish stereotypes and shows how Irish characters became the site of intense cultural debate regarding American identity, with some writers imagining Irishness to be the antithesis of Americanness, but others suggesting Irishness to be a path to Americanization. This study emphasizes the importance of considering how a sense of Irishness was imagined by both Irish-American writers conscious of the process of self-definition as well as non-Irish writers responsive to shifting cultural concerns regarding ethnic others. It analyzes specific iconic Irish-American characters including Mark Twain’s Huck Finn and Margaret Mitchell’s Scarlet O’Hara, as well as lesser-known Irish monsters who lurked in the American imagination such as T.S. Eliot’s Sweeney and Frank Norris’ McTeague. As Dowd argues, in contemporary American society, Irishness has been largely absorbed into a homogenous white culture, and as a result, it has become a largely invisible ethnicity to many modern literary critics. Too often, they simply do not see Irishness or do not think it relevant, and as a result, many Irish-American characters have been de-ethnicized in the critical literature of the past century. This volume reestablishes the importance of Irish ethnicity to many characters that have come to be misread as generically white and shows how Irishness is integral to their stories.
Author | : George Watson |
Publisher | : Taylor & Francis |
Total Pages | : 287 |
Release | : 2023-02-28 |
Genre | : Literary Criticism |
ISBN | : 1000884775 |
First published in 1979, Irish Identity and the Literary Revival, through the works of W.B. Yeats, James Joyce, J. M. Synge, and Sean O’Casey, documents the complex spectrum of political, social and other pressures that helped fashion modern Ireland. At least three sets of cultural assumptions coexisted in Ireland during the years between 1890 and 1930, -- English, Irish and Anglo-Irish, each united by a common language but divided by considerable tensions and strain. The question of Irish identity forms the central theme of the study, and illustrates how it was a major, even obsessive concern for these writers. Subsidiary and interwoven themes constantly recur. Themes such as the concepts of the peasant and the hero, political nationalism, the meaning of Ireland’s history and the validity of her cultural traditions. Rather than use the literature concerned as merely endorsing evidence for a sociological or political thesis, this study allows its major themes and issues to emerge and develop from direct and close study of the work of the writers. This book will be of interest to students of literature and history.
Author | : David A. Valone |
Publisher | : Associated University Presse |
Total Pages | : 300 |
Release | : 2008 |
Genre | : History |
ISBN | : 9780838757130 |
This book presents a series of essays that examine the ideological, personal, and political difficulties faced by the group variously termed the Anglo-Irish, the Protestant Ascendancy, or the English in Ireland, a group that existed in a world of contested ideological, political, and cultural identities. At the root of this conflicted sense of self was an acute awareness among the Anglo-Irish of their liminal position as colonial dominators in Ireland who were viewed as other both by the Catholic natives of Ireland and by their English kinsmen. The work in this volume is highly interdisciplinary, bringing to bear examination of issues that are historical, literary, economic, and sociological. Contributors investigate how individuals experienced the ambiguities and conflicts of identity formation in a colonial society, how writers fought the economic and ideological superiority of the English, how the cooption of Gaelic history and culture was a political strategy for the Anglo-Irish, and how literary texts contributed to the emergence of national consciousness. In seeking to understand and trace the complex process of identity formation in early modern Ireland the essays in this volume attest to its tenuous, dynamic, and necessarily incomplete nature. David A. Valone is an Assistant Professor of History at Quinnipiac University. Jill Marie Bradbury is an Assistant Professor of English at Gallaudet University.
Author | : Luz Mar González-Arias |
Publisher | : Springer |
Total Pages | : 256 |
Release | : 2017-01-20 |
Genre | : Literary Criticism |
ISBN | : 1137476303 |
This book is about the role that the imperfect, the disquieting and the dystopian are currently playing in the construction of Irish identities. All the essays assess identity issues that require urgent examination, problematize canonical definitions of Irishness and, above all, look at the ways in which the artistic output of the country has been altered by the Celtic Tiger phenomenon and its subsequent demise. Recent narrative from Ireland, principally published in the twenty-first century and/or at the end of the 1990s, is dealt with extensively. The authors examined include Eavan Boland, Mary Rose Callaghan, Peter Cunningham, Emma Donoghue, Anne Enright, Emer Martin, Lia Mills, Paul Muldoon, Eiléan Ní Chuilleanáin, Bernard O’Donoghue, Peter Sirr and David Wheatley.
Author | : Robert Tracy |
Publisher | : |
Total Pages | : 294 |
Release | : 1998 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Irish writers who were considered Irish by the English, and English by the Irish are discussed here - including Maria Edgeworth, W.B. Yeats, J.M. Synge, Sheridan le Fanu, Elizabeth Bowen and James Joyce.
Author | : Cassandra S. Tully de Lope |
Publisher | : Taylor & Francis |
Total Pages | : 184 |
Release | : 2024-03-25 |
Genre | : Literary Criticism |
ISBN | : 1003857426 |
This book addresses Irish identity in Irish literature, especially masculinity in some of its forms through an interdisciplinary methodology. The study of language performance through literary analysis and corpus studies will enable readers to approach literary texts from both quantitative and qualitative perspectives, to take advantage of the texts’ full potential as well as examining these same texts through the perspective of gender identity. This will be carried out through a specialised corpus composed of 18 novels written by twentieth- and twenty-first-century male Irish authors. Thus, the language and behaviour patterns of contemporary Irish masculinity can be found as part of these male characters’ performance of identity. This book is primarily aimed at undergraduate and graduate students who wish to introduce themselves in the study of gender and identity in an Irish context as well as researchers looking for interdisciplinary methodologies of study. What is more, it can present researchers with varied options of analysis that corpus studies have not yet touched upon so thoroughly such as masculinity and Irish literature. As a monograph meant to show analysts new fields of study in Irish literature, this book will sell to academic libraries and can be used in MA courses.