Icons In The Western Church
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| Author | : Jeana Visel |
| Publisher | : Liturgical Press |
| Total Pages | : 192 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 0814646603 |
Within the Eastern tradition of Christianity, the eikon, or religious image, has long held a place of honor. In the greater part of Western Christianity, however, discomfort with images in worship, both statues and panel icons, has been a relatively common current, particularly since the Reformation. In the Roman Catholic Church, after years of using religious statues, the Second Vatican Council's call for "noble simplicity" in many cases led to a stripping of images that in some ways helped refocus attention on the eucharistic celebration itself but also led to a starkness that has left many Roman Catholics unsure of how to interact with the saints or with religious images at all. Today, Western interest in panel icons has been rising, yet we lack standards of quality or catechesis on what to do with them. This book makes the case that icons should have a role to play in the Western Church that goes beyond mere decoration. Citing theological and ecumenical reasons, Visel argues that, with regard to use of icons, the post-Vatican II Roman Catholic Church needs to give greater respect to the Eastern tradition. While Roman Catholics may never interact with icons in quite the same way that Eastern Christians do, we do need to come to terms with what icons are and how we should encounter them.
| Author | : Jeana Visel |
| Publisher | : Liturgical Press |
| Total Pages | : 192 |
| Release | : 2016-09-06 |
| Genre | : Religion |
| ISBN | : 0814646840 |
Within the Eastern tradition of Christianity, the eikon, or religious image, has long held a place of honor. In the greater part of Western Christianity, however, discomfort with images in worship, both statues and panel icons, has been a relatively common current, particularly since the Reformation. In the Roman Catholic Church, after years of using religious statues, the Second Vatican Council’s call for “noble simplicity” in many cases led to a stripping of images that in some ways helped refocus attention on the eucharistic celebration itself but also led to a starkness that has left many Roman Catholics unsure of how to interact with the saints or with religious images at all. Today, Western interest in panel icons has been rising, yet we lack standards of quality or catechesis on what to do with them. This book makes the case that icons should have a role to play in the Western Church that goes beyond mere decoration. Citing theological and ecumenical reasons, Visel argues that, with regard to use of icons, the post–Vatican II Roman Catholic Church needs to give greater respect to the Eastern tradition. While Roman Catholics may never interact with icons in quite the same way that Eastern Christians do, we do need to come to terms with what icons are and how we should encounter them.
| Author | : Alfredo Tradigo |
| Publisher | : Getty Publications |
| Total Pages | : 384 |
| Release | : 2006 |
| Genre | : Christian saints in art |
| ISBN | : 9780892368457 |
Catalogues the heritage of images according to type and subject, from the ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. This book includes chapters such as role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church.
| Author | : Elizabeth Zelensky |
| Publisher | : Brazos Press |
| Total Pages | : 144 |
| Release | : 2005-02 |
| Genre | : Art |
| ISBN | : 1587431092 |
In this useful guidebook, the authors debunk common misconceptions about Orthodox icons and explain how they might enrich the devotional lives of non-Orthodox Christians.
| Author | : Nicholas E. Denysenko |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : ART |
| ISBN | : 9780268101404 |
"Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute's symposium "Icons and Images," the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko's book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, and Chile, among other countries, to see how Christians of yesterday and today experience divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, Andriy Chirovsky"--
| Author | : Nicholas Denysenko |
| Publisher | : University of Notre Dame Pess |
| Total Pages | : 247 |
| Release | : 2017-11-15 |
| Genre | : Religion |
| ISBN | : 0268101418 |
Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute’s symposium “Icons and Images,” the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko’s book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, Chile, and to other parts of the world, to see how Christians of yesterday and today have experienced divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, and Andriy Chirovsky.
| Author | : Elizabeth Theokritoff |
| Publisher | : Cambridge University Press |
| Total Pages | : 348 |
| Release | : 2008-12-18 |
| Genre | : Religion |
| ISBN | : 1139827944 |
Orthodox Christian theology is often presented as the direct inheritor of the doctrine and tradition of the early Church. But continuity with the past is only part of the truth; it would be false to conclude that the eastern section of the Christian Church is in any way static. Orthodoxy, building on its patristic foundations, has blossomed in the modern period. This volume focuses on the way Orthodox theological tradition is understood and lived today. It explores the Orthodox understanding of what theology is: an expression of the Church's life of prayer, both corporate and personal, from which it can never be separated. Besides discussing aspects of doctrine, the book portrays the main figures, themes and developments that have shaped Orthodox thought. There is particular focus on the Russian and Greek traditions, as well as the dynamic but less well-known Antiochian tradition and the Orthodox presence in the West.
| Author | : Evelyn Underhill |
| Publisher | : Church Publishing, Inc. |
| Total Pages | : 131 |
| Release | : 1985-06-01 |
| Genre | : Religion |
| ISBN | : 0819224693 |
Originally part of a series of broadcasts made by the author prior to World War II, this small book was meant "to present some of the great truths concerning man’s spiritual life in simple language.” As one critic has noted, “Underhill has admirably and eloquently achieved her objective.” Evelyn Underhill was a prolific British writer on mysticism and spiritual growth. Her other books include The School of Charity and Abba.
| Author | : Jim Forest |
| Publisher | : Orbis Books |
| Total Pages | : 336 |
| Release | : |
| Genre | : Icons |
| ISBN | : 160833077X |
| Author | : Michel Quenot |
| Publisher | : S. Chand |
| Total Pages | : 178 |
| Release | : 1991 |
| Genre | : Art |
| ISBN | : 9780881410983 |
"In recent years there has been a sort of 'rediscovery' of icons by Western Christians. There is an increasing awareness that the icon is not merely a work of art, but is also an aspect of diving revelation and of our communing with God in the Church. Thus the icon cannot be separated from Orthodox belief, prayer or liturgical life. To fully understand the icon, one must comprehend its organic unity: artistic, spiritual, theological. Quenot's analysis of various icons and their theological elements enables the readers to appreciate the various aspects of the icon more fully. There are currently many books written about icons, discussing either their historical context, describing their spiritual attraction, or simply showing their aesthetic beauty. The Icon is, however, an exceptional book in many ways. Michel Quenot has sketched a brief yet highly descriptive history of iconography together with a discussion of the canons and laws which govern this ancient art form. Such "ground rules" guarantee a spiritual continuity and doctrinal unity that are valid beyond all national and cultural boundaries. Translated from the French and already published in eight languages, The Icon: Window on the Kingdom includes 33 color photos and 34 black and white illustrations. Among its many illustrations are included examples of works by modern iconographers, which show the icon to be a living and vital art form, bit outmoded or stagnant. The book also covers historical sources, theological and biblical foundations, iconographic themes, and the icon's role in the life of believers. It includes discussion of current discoveries and recent scholarship from catacomb art through Egyptian, Byzantine, Balkan, Russian and contemporary iconography."--
