I Trip Over My Wiener Composition Notebook
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Author | : Hans-Günter Heumann |
Publisher | : Schott Music |
Total Pages | : 97 |
Release | : 2019-03-08 |
Genre | : Music |
ISBN | : 3795715881 |
This exciting new teaching method, by the renowned piano pedagogue Hans-Günter Heumann is ideal for adults and young people looking to learn the piano from scratch, or for those returning to the piano after a break from playing. Using classical music as a basis for learning, this method introduces interesting, varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps, beginning with simple fingering patterns and exercises, onto some of the most beautiful melodies and pieces from the baroque, classical and romantic eras, such as the Ode to Joy, Für Elise and the Blue Danube Waltz. Leading the student through a range of exercises, repertoire pieces, theory checks, tips on practicing, playing and technique, and composer biographies, the process of learning is made interesting, informed and fun. The four supplementary volumes present further material to help learning at each stage of the students' development, as well as offering up a wider range of beautiful pieces, for the solo pianist, or piano duet.
Author | : Joshua Weiner |
Publisher | : University of Chicago Press |
Total Pages | : 345 |
Release | : 2009-08-01 |
Genre | : Literary Criticism |
ISBN | : 0226890376 |
Maverick gay poetic icon Thom Gunn (1929–2004) and his body of work have long dared the British and American poetry establishments either to claim or disavow him. To critics in the UK and US alike, Gunn demonstrated that formal poetry could successfully include new speech rhythms and open forms and that experimental styles could still maintain technical and intellectual rigor. Along the way, Gunn’s verse captured the social upheavals of the 1960s, the existential possibilities of the late twentieth century, and the tumult of post-Stonewall gay culture. The first book-length study of this major poet, At the Barriers surveys Gunn’s career from his youth in 1930s Britain to his final years in California, from his earliest publications to his later unpublished notebooks, bringing together some of the most important poet-critics from both sides of the Atlantic to assess his oeuvre. This landmark volume traces how Gunn, in both his life and his writings, pushed at boundaries of different kinds, be they geographic, sexual, or poetic. At the Barriers will solidify Gunn’s rightful place in the pantheon of Anglo-American letters.
Author | : Adalaide Kirby Morris |
Publisher | : University of Illinois Press |
Total Pages | : 352 |
Release | : 2003 |
Genre | : Conduct of life in literature |
ISBN | : 9780252027963 |
Adalaide Morris removes the work of the iconic writer H.D. from the various compartments into which it has traditionally been placed, and examines what she terms the 'ongoingness' of her writing, showing her to be a playful linguistic innovator whose writings are relevant to many fields of human activity.
Author | : |
Publisher | : Wayne State University Press |
Total Pages | : 400 |
Release | : |
Genre | : |
ISBN | : |
Author | : George Grove |
Publisher | : |
Total Pages | : 784 |
Release | : 1883 |
Genre | : Music |
ISBN | : |
Author | : Kevin Bazzana |
Publisher | : Da Capo Press |
Total Pages | : 380 |
Release | : 2009-03-17 |
Genre | : Music |
ISBN | : 0786731621 |
Born in Budapest in 1903, Ervin Nyiregyhá (nyeer-edge-hah-zee) was composing at two, giving his first public recital at six, and performing all over Europe by eight. He was soon recognized as one of the most remarkable child prodigies in history and became the subject of a four-year study by a psychologist. By twenty-five, he had all but disappeared. Mismanaged, exploited, and insistent on an intensely Romantic style, his career foundered in adulthood and he was reduced to penury. In 1928, he settled in Los Angeles, where he performed sporadically and worked in Hollywood. Psychologically, he remained a child, and found the ordinary demands of daily life onerous -- he struggled even to dress himself. He drank heavily, was insatiable sexually (he married ten times), and lived in abject poverty, yet such was his talent and charisma that he numbered among his friends and champions Rudolph Valentino, Harry Houdini, Theodore Dreiser, Bela Lugosi, and Gloria Swanson. Rediscovered in the 1970s, he enjoyed a sensational and controversial renaissance. Kevin Bazzana explores the brilliant but troubled mind of a geniune Romantic adrift in the modern age. The story he tells is one of the most fascinating - and bizarre -- in the history of music.
Author | : Christopher Hager |
Publisher | : Harvard University Press |
Total Pages | : 324 |
Release | : 2013-02-11 |
Genre | : Literary Criticism |
ISBN | : 0674067487 |
One of the cruelest abuses of slavery in America was that slaves were forbidden to read and write. Consigned to illiteracy, they left no records of their thoughts and feelings apart from the few exceptional narratives of Frederick Douglass and others who escaped to the North—or so we have long believed. But as Christopher Hager reveals, a few enslaved African Americans managed to become literate in spite of all prohibitions, and during the halting years of emancipation thousands more seized the chance to learn. The letters and diaries of these novice writers, unpolished and hesitant yet rich with voice, show ordinary black men and women across the South using pen and paper to make sense of their experiences. Through an unprecedented gathering of these forgotten writings—from letters by individuals sold away from their families, to petitions from freedmen in the army to their new leaders, to a New Orleans man’s transcription of the Constitution—Word by Word rewrites the history of emancipation. The idiosyncrasies of these untutored authors, Hager argues, reveal the enormous difficulty of straddling the border between slave and free. These unusual texts, composed by people with a unique perspective on the written word, force us to rethink the relationship between literacy and freedom. For African Americans at the end of slavery, learning to write could be liberating and empowering, but putting their hard-won skill to use often proved arduous and daunting—a portent of the tenuousness of the freedom to come.
Author | : |
Publisher | : |
Total Pages | : 1268 |
Release | : 1910 |
Genre | : Periodicals |
ISBN | : |
Author | : Spink & Son |
Publisher | : |
Total Pages | : 268 |
Release | : 1897 |
Genre | : |
ISBN | : |
Author | : Daniel Morris |
Publisher | : Anthem Press |
Total Pages | : 192 |
Release | : 2024-09-10 |
Genre | : Literary Criticism |
ISBN | : 1839992255 |
In sixteen chapters devoted to avant-garde contemporary American poets, including Kenneth Goldsmith, Adeena Karasick, Tyrone Williams, Hannah Weiner, and Barrett Watten, prolific scholar and Purdue University professor Daniel Morris engages in a form of cultural repurposing by “learning twice” about how to attend to writers whose aesthetic contributions were not part of his education as a student in Boston and Chicago in the 1980s and 1990s when new formalism and post-confessional modes reigned supreme. Morris’s study demonstrates his interest in moving beyond formalism to offer what Stephen Fredman calls “a wider cultural interpretation of literature that emphasizes the ‘new historicist’ concerns with hybridity, ethnicity, power relations, material culture, politics, and religion.” Essays address from multiple perspectives—prophetic, diasporic, ethical—the vexing problems and sublime potential of disseminating lyrics—the ancient form of transmission and preservation of the singular, private human voice across time and space—to an individual reader, in an environment in which e-poetry and digitalized poetics pose a crisis (understood as both opportunity and threat) to traditional page poetry.