I Pastor Hip Hop
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Author | : Stacey Jones |
Publisher | : |
Total Pages | : 252 |
Release | : 2018-07-15 |
Genre | : |
ISBN | : 9781723182259 |
My dichotomy between Hip-Hop and the Church has appeared a conflict to many, but to me, it never has been. At the same time that I was falling in love with Hip-Hop, I was immersed and in love with the church. My introduction into Christianity is from the Black Pentecostal Tradition (Church of God in Christ). My life was quite busy as a young person; I played drums, sang lead in the junior choir, and attended Sunday school and Young People Willing Workers (YPWW). I had a strong love for both cultures, but I was told by the church that one could not mesh or intertwine Hip-Hop and the church, and so the lifelong conflict begins! Like many of our religious forefathers on western soil, we continue to shut out different forms of expression due to the fear of becoming "too worldly". Have we ever stopped to think that the issue is even deeper? Some of us want to control the move of God because it doesn't fit into our structure or programmed liturgy! However, during the early inception of Hip-Hop culture, people thought it was absurd and sacrilegious if Hip-Hop shared the stage and the microphone with the Church. Due to the church's rejection of Hip-Hop, the younger people from my generation started to develop a contempt towards people within the Christian Faith community. This contempt brought an even stronger divide, and it seemed as though this separation continued to perpetuate. Part of it has to do with the generational divide and the methodology.
Author | : Efrem Smith |
Publisher | : InterVarsity Press |
Total Pages | : 228 |
Release | : 2012-04-08 |
Genre | : Religion |
ISBN | : 0830869727 |
Hip-hop is here. The beats ring out in our cities. Hip-hop culture is all around us: in the clothes youth wear, in the music they listen to, in the ways they express themselves. It is the language they speak, the rhythm they move to. It is a culture familiar with the hard realities of our broken world; the generation raised with rap knows about the pain. They need to know about the hope. Enter the hip-hop church. Like the culture it rises from, the hip-hop church is relevant and bold. And it speaks to the heart. In this book, pastors Efrem Smith and Phil Jackson show the urgency of connecting hip-hop culture and church to reach a generation with the gospel of Jesus Christ. They give practical ideas from their urban churches and other hip-hop churches about how to engage and incorporate rap, break dancing, poetry and deejays to worship Jesus and preach his Word. Hip-hop culture is shaping the next generation. Ignoring it will not reduce its influence; it will only separate us from the youth moving to its rhythm. How will they hear Christ's message of truth and hope if we don't speak their language? And how can we speak their language if we don't understand and embrace their culture? Hear the beat. Join the beat. Become the beat that brings truth and hope to a hungry, hurting generation.
Author | : Ralph Basui Watkins |
Publisher | : Baker Academic |
Total Pages | : 176 |
Release | : 2011-10 |
Genre | : Music |
ISBN | : 080103311X |
A sociologist and pop-culture expert offers a balanced engagement of hip-hop and rap music, showing God's presence in the music and the message.
Author | : Christina Zanfagna |
Publisher | : Univ of California Press |
Total Pages | : 218 |
Release | : 2017-08-29 |
Genre | : Music |
ISBN | : 0520296206 |
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to open-air churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences.
Author | : Emmett G. Price |
Publisher | : Scarecrow Press |
Total Pages | : 230 |
Release | : 2011-11-10 |
Genre | : Music |
ISBN | : 081088237X |
Throughout the 1950s and 1960s, the Black Church stood as the stronghold of the Black Community, fighting for equality and economic self-sufficiency and challenging its body to be self-determined and self-aware. Hip Hop Culture grew from disenfranchised urban youth who felt that they had no support system or resources. Impassioned with the same urgent desires for survival and hope that their parents and grandparents had carried, these youth forged their way from the bottom of America’s belly one rhyme at a time. For many young people, Hip Hop Culture is a supplement, or even an alternative, to the weekly dose of Sunday-morning faith. In this collection of provocative essays, leading thinkers, preachers, and scholars from around the country confront both the Black Church and the Hip Hop Generation to realize their shared responsibilities to one another and the greater society. Arranged into three sections, this volume addresses key issues in the debate between two of the most significant institutions of Black Culture. The first part, “From Civil Rights to Hip Hop,” explores the transition from one generation to another through the transmission—or lack thereof—of legacy and heritage. Part II, “Hip Hop Culture and the Black Church in Dialogue,” explores the numerous ways in which the conversation is already occurring—from sermons to theoretical examinations and spiritual ponderings. Part III, “Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix,” clarifies the perspectives and insights of practitioners, scholars, and activists who explore various expressions of faith and the diversity of locations where these expressions take place. In The Black Church and Hip Hop Culture, pastors, ministers, theologians, educators, and laypersons wrestle with the duties of providing timely commentary, critical analysis, and in some cases practical strategies toward forgiveness, healing, restoration, and reconciliation. With inspiring reflections and empowering discourse, this collection demonstrates why and how the Black Church must re-engage in the lives of those who comprise the Hip Hop Generation.
Author | : Alex Gee |
Publisher | : InterVarsity Press |
Total Pages | : 124 |
Release | : 2003-01-01 |
Genre | : Religion |
ISBN | : 9780830832347 |
John Teter and Alex Gee invite you to explore the world of Lauryn Hill, Tupac Shakur and the "hip-hop prophets"--following their lyrical messages to ultimate fulfillment at the feet of the Prophet-King Jesus.
Author | : |
Publisher | : Xulon Press |
Total Pages | : 238 |
Release | : |
Genre | : |
ISBN | : 1613797729 |
Author | : Jackie Hill Perry |
Publisher | : B&H Publishing Group |
Total Pages | : 140 |
Release | : 2018-09-03 |
Genre | : Religion |
ISBN | : 1462751237 |
“I used to be a lesbian.” In Gay Girl, Good God, author Jackie Hill Perry shares her own story, offering practical tools that helped her in the process of finding wholeness. Jackie grew up fatherless and experienced gender confusion. She embraced masculinity and homosexuality with every fiber of her being. She knew that Christians had a lot to say about all of the above. But was she supposed to change herself? How was she supposed to stop loving women, when homosexuality felt more natural to her than heterosexuality ever could? At age nineteen, Jackie came face-to-face with what it meant to be made new. And not in a church, or through contact with Christians. God broke in and turned her heart toward Him right in her own bedroom in light of His gospel. Read in order to understand. Read in order to hope. Or read in order, like Jackie, to be made new.
Author | : Stacey B. Jones |
Publisher | : |
Total Pages | : 190 |
Release | : 2020 |
Genre | : African Americans |
ISBN | : 9781735007502 |
Author | : Christian Scharen |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 130 |
Release | : 2021-11-08 |
Genre | : Music |
ISBN | : 1532612176 |
Welcome to this exploration of the Roots of hip-hop. The roots of hip-hop, as in: the Roots—a story of one of the most enduring, multi-talented, and successful groups of the past thirty years in any genre—and the story of the roots of hip-hop, that is, the story of hip-hop, a musical culture born in New York’s South Bronx during the 1970s. Alongside the two hip-hop stories I tell here, I also tell the story about what God has to do with the Roots of hip-hop—a theological story, if you will. I describe how, in the process of becoming one of the most creative faith-rooted voices in music today, the Roots’ developed a calling as artists. And I do this, in part, to say that you, too, can discover and live your prophetic calling. You can’t help but be inspired by the Roots. Yet the best result of that is that you become inspired to be your most playful, passionate, purposeful, prophetic self in the world around you.