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Movie-Made Jews
Author | : Helene Meyers |
Publisher | : Rutgers University Press |
Total Pages | : 237 |
Release | : 2021-09-17 |
Genre | : Performing Arts |
ISBN | : 1978821883 |
Movie-Made Jews focuses on American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation, and through unapologetic assertion of Jewishness, queerness, and alliances across race and religion. While it's a truism that Jews make movies, this book demonstrates how movies make Jews.
陳弈英文筆記
Author | : 陳弈 |
Publisher | : 秀威出版 |
Total Pages | : 285 |
Release | : 2008-12-01 |
Genre | : Foreign Language Study |
ISBN | : 9862211253 |
本書主要針對各種留學考(托福、GMAT、GRE)以及英語證照考試(全民英檢、多益)準備編寫而成。作者根據多年補教留學、證照輔考經驗,將繁複的考試內容去蕪存菁,以深入淺出的方式引導讀者。此書依次分為三大篇章──「語法翻譯篇」、「閱讀篇」與「寫作篇」,適合有志投考國內外研究所、托福、多益、英檢或是GMAT、GRE的考生研讀。【秀威資訊科技股份有限公司製作】
Straight Skin, Gay Masks and Pretending to be Gay on Screen
Author | : Gilad Padva |
Publisher | : Routledge |
Total Pages | : 153 |
Release | : 2020-05-11 |
Genre | : Fiction |
ISBN | : 1000057674 |
Straight Skin, Gay Masks and Pretending to Be Gay on Screen examines cinematic depictions of pretending-to-be-gay, assessing performances that not only reflect heteronormative and explicitly homophobic attitudes, but also offer depictions of gay selfhood with more nuanced multidirectional identifications. The case of straight protagonists pretending to be gay on screen is the ideal context in which to study unanticipated progressivity and dissidence in regard to cultural construction of human sexualities in the face of theatricalized epistemological collapse. Teasing apart the dynamics of depictions of both sexual stability and fluidity in cinematic images of men pretending to be gay offers new insights into such salient issues as sexual vulnerability and dynamics and long-term queer visibility in a politically complicated mass culture which is mostly produced in a heteronormative and even hostile cultural environment. Additionally, this book initially examines queer uses of sexuality masquerade in Alternate Gay World Cinema that allegorically features a world pretending to be gay, in which straights are harassed and persecuted, in order to expose the tragic consequences of sexual intolerance. Films and TV series examined as part of the analysis include The Gay Deceivers, Victor/Victoria, Happy Texas, William Friedkin’s Cruising and many other straight and gay screens. This is a fascinating and important study relevant to students and researchers in Film Studies, Media Studies, Gender Studies, Queer Studies, Sexuality Studies, Communication Studies and Cultural Studies.
Screen Media
Author | : Jane Stadler |
Publisher | : Routledge |
Total Pages | : 359 |
Release | : 2020-07-24 |
Genre | : Performing Arts |
ISBN | : 1000247252 |
Screen Media offers screen enthusiasts the analytical and theoretical vocabulary required to articulate responses to film and television. The authors emphasise the importance of 'thinking on both sides of the screen'. They show how to develop the skills to understand and analyse how and why a screen text was shot, scored, and edited in a particular way, and then to consider what impact those production choices might have on the audience. Stadler and McWilliam set production techniques and approaches to screen analysis in historical context. They demystify technological developments and explain the implications of increasing convergence of film and television technologies. They also discuss aesthetics, narrative, realism, genre, celebrity, cult media and global screen culture. Throughout they highlight the links between screen theory and creative practice. With extensive international examples, Screen Media is an ideal introduction to critical engagement with film and television. 'Screen Media offers a systematic approach to film and television analysis. The examples chosen by the authors are both appropriate and timely, and are presented in a very lively and readable form that will appeal to an international readership.' - Rebecca L. Abbott, Professor of Film, Video + Interactive Media, Quinnipiac University, USA
Domestic Partner Benefits for Federal Employees
Author | : United States. Congress. Senate. Committee on Homeland Security and Governmental Affairs |
Publisher | : |
Total Pages | : 236 |
Release | : 2009 |
Genre | : Domestic partner benefits |
ISBN | : |
Fifty Filmmakers
Author | : Andrew J. Rausch |
Publisher | : McFarland |
Total Pages | : 301 |
Release | : 2015-03-21 |
Genre | : Performing Arts |
ISBN | : 0786484098 |
This book is an extensive collection of original interviews with 50 noted filmmakers. Conducted over a seven-year period expressly for this project, the interviews cover various aspects of film production, biographical information, and the interviewees' favorite or most influential films. Filmmakers interviewed include highly respected auteurs (Richard Linklater, Wim Wenders), B-movie greats (Roger Corman, Lloyd Kaufman), and well-renowned documentary directors (D.A. Pennebaker, Albert Maysles). Each entry includes a brief biography and filmography, while dozens of personal photographs, promotional materials, and film stills appear throughout the work.
The Palgrave Handbook of Music in Comedy Cinema
Author | : Emilio Audissino |
Publisher | : Springer Nature |
Total Pages | : 792 |
Release | : 2023-11-28 |
Genre | : Music |
ISBN | : 3031334221 |
This handbook tackles the understudied relationship between music and comedy cinema by analysing the nature, perception, and function of music from fresh perspectives. Its approach is not only multidisciplinary, but also interdisciplinary in its close examination of how music and other cinematic devices interact in the creation of comedy. The volume addresses gender representation, national identities, stylistic strategies, and employs inputs from cultural studies, musicology, music theory, psychology, cognitivism, semiotics, formal and stylistic film analysis, and psychoanalysis. It is organised in four sections: general introductions, theoretical investigations, music and comedy within national cinemas, and exemplary case studies of films or authors.
The New Biographical Dictionary of Film
Author | : David Thomson |
Publisher | : Knopf |
Total Pages | : 1169 |
Release | : 2014-05-06 |
Genre | : Performing Arts |
ISBN | : 1101874708 |
For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”