I Cease Not To Yowl
Download I Cease Not To Yowl full books in PDF, epub, and Kindle. Read online free I Cease Not To Yowl ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Ezra Pound |
| Publisher | : University of Illinois Press |
| Total Pages | : 376 |
| Release | : 1998 |
| Genre | : Poets, American |
| ISBN | : 9780252024108 |
This collection of never-before-published correspondence between Pound and Agresti, begun in 1937 and continuing through Pound's incarceration at St. Elizabeth's Hospital in Washington, D.C.--where he was found mentally unfit to stand trial for treason--reveals the depth and breadth of his many virulent views against the politics of the Second World War. Photos.
| Author | : Matthew Taunton |
| Publisher | : Oxford University Press |
| Total Pages | : 356 |
| Release | : 2019-04-04 |
| Genre | : Literary Criticism |
| ISBN | : 0192549936 |
Red Britain sets out a provocative rethinking of the cultural politics of mid-century Britain by drawing attention to the extent, diversity, and longevity of the cultural effects of the Russian Revolution. Drawing on new archival research and historical scholarship, this book explores the conceptual, discursive, and formal reverberations of the Bolshevik Revolution in British literature and culture. It provides new insight into canonical writers including Doris Lessing, George Orwell, Dorothy Richardson, H.G Wells, and Raymond Williams, as well bringing to attention a cast of less-studied writers, intellectuals, journalists, and visitors to the Soviet Union. Red Britain shows that the cultural resonances of the Russian Revolution are more far-reaching and various than has previously been acknowledged. Each of the five chapters takes as its subject one particular problem or debate, and investigates the ways in which it was politicised as a result of the Russian Revolution and the subsequent development of the Soviet state. The chapters focus on the idea of the future; numbers and arithmetic; law and justice; debates around agriculture and landowning; and finally orality, literacy, and religion. In all of these spheres, Red Britain shows how the medievalist, romantic, oral, pastoral, anarchic, and ethical emphases of English socialism clashed with, and were sometimes overwritten by, futurist, utilitarian, literate, urban, statist, and economistic ideas associated with the Bolshevik Revolution.
| Author | : P. Jackson |
| Publisher | : Springer |
| Total Pages | : 168 |
| Release | : 2014-10-17 |
| Genre | : Political Science |
| ISBN | : 1137396210 |
Since 1945 neo-Nazi and far right extremists on both sides of the Atlantic have developed rich cultures which regularly exchange ideas. Leading activists such as Colin Jordan and George Lincoln Rockwell have helped to establish what has become a complex web of marginalised extremism. This book examines the history of this milieu to the present day.
| Author | : Alexander Howard |
| Publisher | : Glossator |
| Total Pages | : 394 |
| Release | : 2018-04-27 |
| Genre | : Literary Criticism |
| ISBN | : 171754018X |
GLOSSATOR 10 (2018) Astern in the Dinghy: Commentaries on Ezra’s Pound’s Thrones de los Cantares 96-109 Edited by Alexander Howard You in the dinghy (piccioletta) astern there! (CIX/788) Mr. Pound Goes to Washington Alexander Howard (University of Sydney) Some Contexts for Canto XCVI Richard Parker (University of Surrey) Gold and/or Humaneness: Pound’s Vision of Civilization in Canto XCVII Roxana Preda (University of Edinburgh) Hilarious Commentary: Ezra Pound’s Canto XCVIII Peter Nicholls (New York University) “Tinkle, tinkle, two tongues”: Sound, Sign, Canto XCIX Michael Kindellan (University of Sheffield) “In the intellect possible”: Revisionism and Aesopian Language in Canto C Alex Pestell (Independent Scholar) Deep Rustication in Canto CI Mark Byron (University of Sydney) Shipwrecks and Mountaintops: Notes on Canto CII Mark Steven (University of Exeter) Revised Intentions: James Buchanan and the Antebellum White House in Canto CIII James Dowthwaite (University of Göttingen) Exploring Permanent Values: Canto CIV Archie Henderson (Independent Scholar) Canto CV: A Divagation? Alec Marsh (Muhlenberg College) So Slow: Canto CVI Sean Pryor (University of New South Wales) ‘The clearest mind ever in England’: Pound’s Late Paradisal in Canto CVII Miranda Hickman (McGill University) Three Ways of Looking at a Canto: Navigating Canto CVIII Kristin Grogan (Exeter College, University of Oxford) ‘To the king onely to put value’: Monarchy and Commons in Pound’s Canto CIX Alex Niven (University of Newcastle)
| Author | : Sean Pryor |
| Publisher | : Routledge |
| Total Pages | : 241 |
| Release | : 2016-02-24 |
| Genre | : Literary Criticism |
| ISBN | : 1317000765 |
Emphasizing the interplay of aesthetic forms and religious modes, Sean Pryor's ambitious study takes up the endlessly reiterated longing for paradise that features throughout the works of W. B. Yeats and Ezra Pound. Yeats and Pound define poetry in terms of paradise and paradise in terms of poetry, Pryor suggests, and these complex interconnections fundamentally shape the development of their art. Even as he maps the shared influences and intellectual interests of Yeats and Pound, and highlights those moments when their poetic theories converge, Pryor's discussion of their poems' profound formal and conceptual differences uncovers the distinctive ways each writer imagines the divine, the good, the beautiful, or the satisfaction of desire. Throughout his study, Pryor argues that Yeats and Pound reconceive the quest for paradise as a quest for a new kind of poetry, a journey that Pryor traces by analysing unpublished manuscript drafts and newly published drafts that have received little attention. For Yeats and Pound, the journey towards a paradisal poetic becomes a never-ending quest, at once self-defeating and self-fulfilling - a formulation that has implications not only for the work of these two poets but for the study of modernist literature.
| Author | : Ezra Pound |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 404 |
| Release | : 2024-02-22 |
| Genre | : Literary Criticism |
| ISBN | : 1472508483 |
Collecting in full for the first time the correspondence between Ezra Pound and members of Leo Frobenius' Forschungsinstitut für Kulturmorphologie in Frankfurt across a 30 year period, this book sheds new light on an important but previously unexplored influence on Pound's controversial intellectual development in the Fascist era. Ezra Pound's long-term interest in anthropology and ethnography exerted a profound influence on early 20th century literary Modernism. These letters reveal the extent of the influence of Frobenius' concept of 'Paideuma' on Pound's poetic and political writings during this period and his growing engagement with the culture of Nazi Germany. Annotated throughout, the letters are supported by contextualising essays by leading Modernist scholars as well as relevant contemporary published articles by Pound himself and his leading correspondent at the Institute, the American Douglas C. Fox.
| Author | : Ezra Pound |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 464 |
| Release | : 2011 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 077353816X |
Ezra Pound (1885-1972) is widely remembered not only as one of the most influential voices in twentieth-century literary modernism, but also for his notorious anti-Semitic writings and radio broadcasts that supported Mussolini's Italian Fascist regime. His ideological turn from poetics and aestheticism to extremist economics and politics has long been an area of controversy within literary studies.One Must Not Go Altogether with the Tidecollects the letters between Pound and London publisher Stanley Nott (1887-1978) to open a door to Pound's thinking and publications during the 1930s. Nott, who publishedJefferson and/or Mussolini(1935), was an interested and encouraging interlocutor for a poet seeking re-invention as an economist and political commentator - someone who sustained Pound as he swam against the tide. Pound's close involvement with his publisher illuminates an important episode in literary modernism as well as For The study of print culture in the interwar period. This edition of the letters retains Pound's idiosyncratic epistolary idiom and analyzes letter-writing as a genre critical to Pound's intellectual and cultural project, capturing Pound as a collaborator at work.
| Author | : Alec Marsh |
| Publisher | : Reaktion Books |
| Total Pages | : 249 |
| Release | : 2013-06-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1861899688 |
Genius, Confucian, fascist, traitor, peace activist—Ezra Pound—love him or hate him, he is impossible to ignore as one of the most influential modernists and controversial poets of the twentieth century. His life, as Alec Marsh makes clear in this biography, raises vital questions for anyone interested in politics, art, and poetry. No writer of his stature promoted so many acquaintances who would go on to become such distinguished names in their own right—James Joyce, T. S. Eliot, and Ford Madox Ford were among the many who benefited from Pound’s enthusiasm and editorial suggestions. And without Pound’s generosity to his fellow writers, literary modernism might not have happened, or have been the significant, influential movement that it became. Yet by 1925, Pound himself was living in obscurity in Italy, having trouble publishing his own work. There he became a Mussolini enthusiast and was eventually indicted for treason by the United States before being judged mentally incompetent to stand trial. Marsh takes us inside these years in an attempt to uncover what happened. How did such a great modern artist succomb to such views? Was he a traitor? And was he, in fact, insane? Analyzing Pound’s prose and poetry as well as his magnum opus, The Cantos, Marsh provides clear insights into Pound’s work as well as a coherent account of his troubled life that will be essential reading for students and fans of modernist literature.
| Author | : Michael Kindellan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 205 |
| Release | : 2017-10-19 |
| Genre | : Literary Criticism |
| ISBN | : 1474258751 |
Drawing extensively on archival research, The Late Cantos of Ezra Pound critically explores the textual history of Pound's late verse, namely Section: Rock-Drill (1955) and Thrones (1959). Examining unpublished letters, draft manuscripts and other prepublication material, this book addresses the composition, revision and dissemination of these difficult texts in order to shed new light on their significance to Pound's wider project, his methods and techniques, and the structures of authority-literary and political-that govern the meaning of his poetry. Illustrated by reproductions of archival documents, The Late Cantos of Ezra Pound is an innovative new study of one of the most important poets of the 20th century.
| Author | : Timothy C. Campbell |
| Publisher | : U of Minnesota Press |
| Total Pages | : 252 |
| Release | : 2006-01-01 |
| Genre | : Technology & Engineering |
| ISBN | : 9780816644421 |
Wireless technology has become deeply embedded in everyday life, but its impact cannot be fully understood without probing the contributions of the Italian inventor Guglielmo Marconi (1874-1937), who ushered in the beginning of wireless communication. Marconi produced and detected sound waves over long distances, using the curvature of the earth for direction, and laid the foundations for what we know as radio—the original mobile, voice-activated, and electronic media community. Timothy C. Campbell demonstrates that Marconi’s invention of the wireless telegraph was not simply a technological act but also had an impact on poetry and aesthetics and linked the written word to the rise of mass politics. Reading influential works such as F. T. Marinetti’s futurist manifestos, Rudolf Arnheim’s 1936 study Radio, writings by Gabriele D’Annunzio, and Ezra Pound’s Cantos, Campbell reveals how the newness of wireless technology was inscribed in the ways modernist authors engaged with typographical experimentation, apocalyptic tones, and newly minted models for registering voices. Wireless Writing in the Age of Marconi presents an alternative history of modernism that listens as well as looks and bears in mind the altered media environment brought about by the emergence of the wireless. Timothy C. Campbell is associate professor of Italian at Cornell University.
