I Am From Uzbekistan
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| Author | : Tom Fleming |
| Publisher | : |
| Total Pages | : 343 |
| Release | : 2007 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780595429974 |
This is a police state This is a democracy This is rot-gut vodka This is $2 prostitutes This is Peace Corps This is good intentions This is Ramadan This is loyalty This is power outages This is corruption This is the Silk Route This is the former USSR This is Uzbekistan Tom Fleming went to Uzbekistan as a forty year old Peace Corps volunteer. He was a fish out of water, an infidel in a Muslim land, teaching AIDS prevention and sex education in the most conservative region of Central Asia. With humor and poignancy "Taxi to Tashkent" portrays a land little known in the West. Instead of a nation rife with Islamic extremists as portrayed in the Western media, Fleming discovers a land of Korean discos, where blue eyed Muslims listen to Shania Twain, and where shop owners break into applause at the mention of America. Fleming travels throughout Uzbekistan, from the ecological disaster site of the Aral Sea, to the ancient Silk Route cities of Bukhara and Samarkand. "Taxi to Tashkent" describes a little-known corner of the world where nothing appears as it seems.
| Author | : Lola Karimova-Tillyaeva |
| Publisher | : Pen and Sword |
| Total Pages | : 181 |
| Release | : 2019-02-28 |
| Genre | : Games & Activities |
| ISBN | : 1526750201 |
Follow the Silk Road—and color! “A joy . . . a beautiful book about the arts, craft, and architecture of Uzbekistan.” —Olga Núñez Miret, author of the Angelic Business series Like the fascinating culture that comes to life between its pages, Uzbekistan: An Experience of Cultural Treasures to Color will take you on a journey of discovery from the blue and gold splendors of Samarkand to the intricacy of sacred mosaics. It’s the perfect way for you and your children to explore Uzbekistan’s rich cultural heritage, taking us along the Silk Road from fifth century architecture to modern-day artists. As we turn the pages, exquisite full-color photographs transport us to some of the world’s most magnificent architectural monuments. From palaces through mosques, madrasahs and mausoleums, we wend our way amongst masterpieces of Islamic architecture, marveling at the captivating mosaics with their complex geometric patterns or motifs inspired by the world of plants and mythological beasts. Fascinating and vibrant, they testify to the skill and craftsmanship of historic Uzbek masters. As a tribute to this rich heritage, Uzbekistan: An Experience of Cultural Treasures to Color is a celebration of the arts and pictorial traditions of this fascinating land. Photographs of architectural monuments, murals, ceramics, tapestries and ornamented textiles highlight the country’s cultural treasures. Short accompanying texts explain their historical significance. On the right-hand page, the reader is given the opportunity to color in drawings based on the beautiful photographs provided. “A gorgeous book for grownups who want to get their coloring on.” —Cayocosta 72
| Author | : Chris Aslan |
| Publisher | : Icon Books Ltd |
| Total Pages | : 333 |
| Release | : 2010-07-01 |
| Genre | : Travel |
| ISBN | : 1848312717 |
The Silk Road conjures images of the exotic and the unknown. Most travellers simply pass along it. Brit Chris Alexander chose to live there. Ostensibly writing a guidebook, Alexander found life at the heart of the glittering madrassahs, mosques and minarets of the walled city of Khiva - a remote desert oasis in Uzbekistan - immensely alluring, and stayed. Immersing himself in the language and rich cultural traditions Alexander discovers a world torn between Marx and Mohammed - a place where veils and vodka, pork and polygamy freely mingle - against a backdrop of forgotten carpet designs, crumbling but magnificent Islamic architecture and scenes drawn straight from "The Arabian Nights". Accompanied by a large green parrot, a ginger cat and his adoptive Uzbek family, Alexander recounts his efforts to rediscover the lost art of traditional weaving and dyeing, and the process establishing a self-sufficient carpet workshop, employing local women and disabled people to train as apprentices. A Carpet Ride to Khiva sees Alexander being stripped naked at a former Soviet youth camp, crawling through silkworm droppings in an attempt to record their life-cycle, holed up in the British Museum discovering carpet designs dormant for half a millennia, tackling a carpet-thieving mayor, distinguishing natural dyes from sacks of opium in Northern Afghanistan, bluffing his way through an impromptu version of "My Heart Will Go On" for national Uzbek TV and seeking sanctuary as an anti-Western riot consumed the Kabul carpet bazaar. It is an unforgettable true travel story of a journey to the heart of the unknown and the unexpected friendship one man found there.
| Author | : United States. Congress. Commission on Security and Cooperation in Europe |
| Publisher | : |
| Total Pages | : 112 |
| Release | : 2006 |
| Genre | : Democratization |
| ISBN | : |
| Author | : |
| Publisher | : Jeffrey Frank Jones |
| Total Pages | : 528 |
| Release | : |
| Genre | : |
| ISBN | : |
Now included at the end of the book is a link for a web-based program, PDFs and MP3 sound files for each chapter. Well over 500 pages ... Developed by I Corps Foreign Language Training Center Fort Lewis, WA For the Special Operations Forces Language Office United States Special Operations Command LANGUAGE TRAINING The ability to speak a foreign language is a core unconventional warfare skill and is being incorporated throughout all phases of the qualification course. The students will receive their language assignment after the selection phase where they will receive a language starter kit that allows them to begin language training while waiting to return to Fort Bragg for Phase II. The 3rd Bn, 1st SWTG (A) is responsible for all language training at the USAJFKSWCS. The Special Operations Language Training (SOLT) is primarily a performance-oriented language course. Students are trained in one of ten core languages with enduring regional application and must show proficiency in speaking, listening and reading. A student receives language training throughout the Pipeline. In Phase IV, students attend an 8 or 14 week language blitz depending upon the language they are slotted in. The general purpose of the course is to provide each student with the ability to communicate in a foreign language. For successful completion of the course, the student must achieve at least a 1/1/1 or higher on the Defense Language Proficiency Test in two of the three graded areas; speaking, listening and reading. Table of Contents Introduction Introduction Lesson 1 People and Geography Lesson 2 Living and Working Lesson 3 Numbers, Dates, and Time Lesson 4 Daily Activities Lesson 5 Meeting the Family Lesson 6 Around Town Lesson 7 Shopping Lesson 8 Eating Out Lesson 9 Customs, and Courtesies in the Home Lesson 10 Around the House Lesson 11 Weather and Climate Lesson 12 Personal Appearance Lesson 13 Transportation Lesson 14 Travel Lesson 15 At School Lesson 16 Recreation and Leisure Lesson 17 Health and the Human Body Lesson 18 Political and International Topics in the News Lesson 19 The Military Lesson 20 Holidays and Traditions
| Author | : |
| Publisher | : Odyssey Publications |
| Total Pages | : 380 |
| Release | : 2008 |
| Genre | : History |
| ISBN | : |
| Author | : Erika Dailey |
| Publisher | : Human Rights Watch |
| Total Pages | : 72 |
| Release | : 1993 |
| Genre | : Political Science |
| ISBN | : 9781564320995 |
| Author | : Cloe Drieu |
| Publisher | : Indiana University Press |
| Total Pages | : 312 |
| Release | : 2019-01-01 |
| Genre | : History |
| ISBN | : 0253037859 |
Between the founding of Soviet Uzbekistan in 1924 and the Stalinist Terror of the late 1930s, a nationalist cinema emerged in Uzbekistan giving rise to the first wave of national film production and an Uzbek cinematographic elite. In Cinema, Nation, and Empire in Uzbekistan Cloé Drieu uses Uzbek films as a lens to explore the creation of the Soviet State in Central Asia, starting from the collapse of the Russian Empire up through the eve of WWII. Drieu argues that cinema provides a perfect angle for viewing the complex history of domination, nationalism, and empire (here used to denote the centralization of power) within the Soviet sphere. By exploring all of film's dimensions as a socio-political phenomenon—including film production, film reception, and filmic discourse—Drieu reveals how nation and empire were built up as institutional realities and as imaginary constructs. Based on archival research in the Uzbek and Russian State Archives and on in-depth analyses of 14 feature-length films, Drieu's work examines the lively debates within the totalitarian and so-called revisionist schools that invigorated Soviet historiography, positioning itself within contemporary discussions about the processes of state- and nation-building, and the emergence of nationalism more generally. Revised and expanded from the original French, Cinema, Nation, and Empire in Uzbekistan helps us to understand how Central Asia, formerly part of the Russian Empire, was decolonized, but later, in the run-up to the Stalinist period and repression of the late 1930s, suffered a new style of domination.
| Author | : Tanya Merchant |
| Publisher | : University of Illinois Press |
| Total Pages | : 225 |
| Release | : 2015-08-15 |
| Genre | : Music |
| ISBN | : 0252097637 |
Fascinated by women's distinct influence on Uzbekistan's music, Tanya Merchant ventures into Tashkent's post-Soviet music scene to place women musicians within the nation's evolving artistic and political arenas. Drawing on fieldwork and music study carried out between 2001 and 2014, Merchant challenges the Western idea of Central Asian women as sequestered and oppressed. Instead, she notes, Uzbekistan's women stand at the forefront of four prominent genres: maqom, folk music, Western art music, and popular music. Merchant's recounting of the women's experiences, stories, and memories underscores the complex role that these musicians and vocalists play in educational institutions and concert halls, street kiosks and the culturally essential sphere of wedding music. Throughout the book, Merchant ties nationalism and femininity to performances and reveals how the music of these women is linked to a burgeoning national identity. Important and revelatory, Women Musicians of Uzbekistan looks into music's part in constructing gendered national identity and the complicated role of femininity in a former Soviet republic's national project.
| Author | : United States. Congress. Senate. Committee on Foreign Relations |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 1993 |
| Genre | : Political Science |
| ISBN | : |
