Hüsker Dü

Hüsker Dü
Author: Andrew Earles
Publisher: Quarto Publishing Group USA
Total Pages: 302
Release: 2010-11-15
Genre: Music
ISBN: 1616739797

Bob Mould, Grant Hart, and Greg Norton formed Hüsker Dü in 1979 as a wildly cathartic outfit fueled by a cocktail of anger, volume, and velocity. Here's the first book to dissect the trio that countless critics and musicians have cited as one of the most influential bands of the 1980s. Author Andrew Earles examines how Hüsker Dü became the first hardcore band to marry pop melodies with psychedelic influences and ear-shattering volume. Readers witness the band create the untouchable noise-pop of LPs like New Day Rising, Flip Your Wig, and Candy Apple Grey, not to mention the sprawling double-length Zen Arcade. Few bands from the original American indie movement did more to inform the alternative rock styles that breached the mainstream in the 1990s. Hüsker Dü truly were visionaries.

Our Band Could Be Your Life

Our Band Could Be Your Life
Author: Michael Azerrad
Publisher: Little, Brown
Total Pages: 464
Release: 2012-12-01
Genre: Music
ISBN: 0316247189

The definitive chronicle of underground music in the 1980s tells the stories of Black Flag, Sonic Youth, The Replacements, and other seminal bands whose DIY revolution changed American music forever. Our Band Could Be Your Life is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties -- when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives re-energized American rock with punk's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith is an indie rock classic in its own right. The bands profiled include: Sonic Youth Black Flag The Replacements Minutemen Husker Du Minor Threat Mission of Burma Butthole Surfers Big Black Fugazi Mudhoney Beat Happening Dinosaur Jr.

SPIN

SPIN
Author:
Publisher:
Total Pages: 80
Release: 1985-12
Genre:
ISBN:

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

SPIN

SPIN
Author:
Publisher:
Total Pages: 140
Release: 1994-10
Genre:
ISBN:

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

SPIN

SPIN
Author:
Publisher:
Total Pages: 78
Release: 1989-02
Genre:
ISBN:

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Green Day - American Idiots & The New Punk Explosion

Green Day - American Idiots & The New Punk Explosion
Author: Ben Myers
Publisher: Bonnier Zaffre
Total Pages: 243
Release: 2015-05-26
Genre: Biography & Autobiography
ISBN: 178418943X

The Green Day story is very blunt: three school friends grow up together in a cluster of small blue-collar Californian towns, form a band ... and sell more than fifty million albums. Except it wasn't that simple. Self-confessed latch-key children, theirs is far from an easy ride. Inspired by both the energy of British punk bands like the Sex Pistols and Buzzcocks and cult American bands such as Dead Kennedys and Operation Ivy, Green Day formed in 1989 when all three members were still at school. Against a backdrop of dodgy glam rock revivalists and mainstream rock-pop, the trio were quickly selling out every underground club that booked them. They toured - constantly. Word spread, fast.Their 1994 major label debut Dookie was a 10-million-selling worldwide smash hit that seized the zeitgest at a time when American rock music was still reeling from the death of Nirvana's frontman Kurt Cobain. With the arrival of Green Day, suddenly music was dumb, fun, upbeat and colourful again. Many now credit Green Day with saving rock from the hands of a hundred grunge-lite bands. Punk was back on the agenda.In 2004 Green Day reached a career pinnacle with the concept album American Idiot, a sophisticated commentary on modern life - not least dissatisfaction with their president and America's continued cultural and economical imperialism. With American Idiot, Green Day boldly went where few others have dared and as such have extended their fanbase even further - from pre-teen kids to previously sceptical critics. This book is the world's first full biography on Green Day. An authority on punk and hardcore, author Ben Myers charts the band members' difficult childhoods, the context of the band within the US and world punk scene and their glittering rise to success. The author has also interviewed the band for various magazines at different stages of their career, including in the midst of a riot in Los Angeles during the making of 2000's Warning album.Green Day is the biggest punk band in the world.This is how it happened...Unofficial and unauthorised

World Enough

World Enough
Author: Clea Simon
Publisher: Severn House Publishers Ltd
Total Pages: 238
Release: 2017-11-01
Genre: Fiction
ISBN: 1780109091

A Boston music journalist-turned-corporate writer investigates the suspicious death of a friend from her punk past in this noir mystery. The Boston club scene may be home to a cast of outsiders and misfits, but it’s where Tara Winton belongs—the world she’s been part of for the past twenty years. Now, one of the old gang is dead, having fallen down the basement stairs at his home. With her journalist’s instincts, Tara senses there’s something not quite right about Frank’s supposedly accidental death. When she asks questions, she begins to uncover some disturbing truths about the club scene in its heyday. Beneath the heady, sexually charged atmosphere lurked something darker. Twenty years ago, there was another death. Could there be a connection? Is there a killer still at large…and could Tara herself be at risk? “[A] a fascinating reminiscence of sex, drugs, and rock and roll.”—Kirkus Reviews “Simon writes with authority and affection about a lost world. Highly recommended”—Catriona McPherson, award-winning author of Strangers at the Gate “World Enough, is steeped in the 1980s Boston rock scene, with its sticky-floored clubs, radio stations dusted in coke, stars and hangers-on, seedy barbacks, and all the attendant sin and debauch that emerges after midnight when you can still hear the show ringing in your ears.”—Boston Globe “Simon's dark story shimmers with brilliance—and stands as her finest.”—Richmond Times-Dispatch

Dissonant Identities

Dissonant Identities
Author: Barry Shank
Publisher: Wesleyan University Press
Total Pages: 315
Release: 2012-01-01
Genre: Music
ISBN: 0819572675

Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice capable of transforming identities. While his focus is primarily on progressive country and rock, Shank also writes about traditional country, blues, rock, disco, ethnic, and folk musics. Using empirical detail and an expansive theoretical framework, he shows how Austin became the site for "a productive contestation between two forces: the fierce desire to remake oneself through musical practice, and the equally powerful struggle to affirm the value of that practice in the complexly structured late-capitalist marketplace."