Situation Comedy
| Author | : Dominic Molon |
| Publisher | : |
| Total Pages | : 80 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : |
Essays by Dominic Molon and Michael Rooks. Excerpt by David Sedaris. Foreward by Judith Richards.
Humor In Art
Download Humor In Art full books in PDF, epub, and Kindle. Read online free Humor In Art ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Humor in Art
| Author | : Nicholas Roukes |
| Publisher | : Davis |
| Total Pages | : 184 |
| Release | : 1997 |
| Genre | : Caricatures and cartoons |
| ISBN | : |
Humor is a far more powerful spark to creativity than is generally realized. For the first time, a collection of hundreds of great works that employ humor proves the point. Portraits of the powerful subtly poke fun at their subjects' pomposity; passionate drawings use satire to skewer a political point of view; whimsical fantasy creates a world where anything is possible; exaggerations needle people who take their attitudes too seriously.
Playing It Straight
| Author | : Jennifer A. Greenhill |
| Publisher | : Univ of California Press |
| Total Pages | : 254 |
| Release | : 2012-08-01 |
| Genre | : Art |
| ISBN | : 0520272455 |
Outgrowth of the author's thesis (Yale University, 2007) under the title: The plague of jocularity: contesting humor in American art and culture, 1863-1893.
Permission to Laugh
| Author | : Gregory H. Williams |
| Publisher | : University of Chicago Press |
| Total Pages | : 256 |
| Release | : 2012-06-12 |
| Genre | : Art |
| ISBN | : 0226898954 |
Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany. Situating these artists between the politically motivated art of 1960s West Germany and the trends that followed German unification in 1990, Williams describes how they no longer heeded calls for a brighter future, turning to jokes, anecdotes, and linguistic play in their work instead of overt political messages. He reveals that behind these practices is a profound loss of faith in the belief that art has the force to promulgate political change, and humor enabled artists to register this changed perspective while still supporting isolated instances of critical social commentary. Providing a much-needed examination of the development of postmodernism in Germany, Permission to Laugh will appeal to scholars, curators, and critics invested in modern and contemporary German art, as well as fans of these internationally renowned artists.
Funny How?
| Author | : Alex Clayton |
| Publisher | : State University of New York Press |
| Total Pages | : 162 |
| Release | : 2020-05-01 |
| Genre | : Performing Arts |
| ISBN | : 1438478305 |
What makes something funny? This book shows how humor can be analyzed without killing the joke. Alex Clayton argues that the brevity of a sketch or skit and its typical rejection of narrative development make it comedy-concentrate, providing a rich field for exploring how humor works. Focusing on a dozen or so skits and scenes, Clayton shows precisely how sketch comedy appeals to the funny bone and engages our philosophical imagination. He suggests that since humor is about persuading an audience to laugh, it can be understood as a form of rhetoric. Through vivid, highly readable analyses of individual sketches, Clayton illustrates that Aristotle's three forms of appeal—logos, the appeal to reason; ethos, the appeal to communality; and pathos, the appeal to emotion—can form the basis for illuminating the inner workings of humor. Drawing on both popular and lesser-known examples from the United States, United Kingdom, and elsewhere—Monty Python's Flying Circus, Key and Peele, Saturday Night Live, Airplane!, and Smack the Pony—Clayton reveals the techniques and resonances of humor.
Humor in Global Contemporary Art
| Author | : Mette Gieskes |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 369 |
| Release | : 2024-05-30 |
| Genre | : Art |
| ISBN | : 1350415839 |
Pursuing a new and timely line of research in world art studies, Humor in Global Contemporary Art is the first edited collection to examine the role of culturally specific humor in contemporary art from a global perspective. Since the 1960s, increasing numbers of artists from around the world have applied humor as a tool for observation, critique, transformation, and debate. Exploring how humorous art produced over the past six decades is anchored in local sociopolitical contexts and translated or misconstrued when exhibited abroad, this book opens new conversations regarding the functioning of humor and the ways in which art travels across the globe. With contributions by an impressive array of internationally based scholars covering six major continental regions, the book is organized into four distinct geographical sections: Africa and the Middle East, Asia and Oceania, South and North America, and Europe. This structure highlights the cultural specificity of each region while the book as a whole offers a critical perspective on the postcolonial, globalized art network. Reflecting on present-day processes of globalization and biennialization, which confront viewers with humorous art from a variety of cultures and countries, this book will provide readers with a culturally sensitive understanding of how humor has become vital to many contemporary artists working in an unprecedentedly interconnected world.
Humor, Seriously
| Author | : Jennifer Aaker |
| Publisher | : Crown Currency |
| Total Pages | : 274 |
| Release | : 2021-02-02 |
| Genre | : Business & Economics |
| ISBN | : 0593135296 |
WALL STREET JOURNAL, LOS ANGELES TIMES, AND USA TODAY BESTSELLER • Anyone—even you!—can learn how to harness the power of humor in business (and life), based on the popular class at Stanford’s Graduate School of Business. Don’t miss the authors’ TED Talk, “Why great leaders take humor seriously,” online now. “The ultimate guide to using the magical power of funny as a tool for leadership and a force for good.”—Daniel H. Pink, #1 New York Times bestselling author of When and Drive We are living through a period of unprecedented uncertainty and upheaval in both our personal and professional lives. So it should come as a surprise to exactly no one that trust, human connection, and mental well-being are all on the decline. This may seem like no laughing matter. Yet, the research shows that humor and laughter are among the most valuable tools we have at our disposal for strengthening bonds and relationships, diffusing stress and tension, boosting resilience, and performing when the stakes are high. That’s why Jennifer Aaker and Naomi Bagdonas teach the popular course Humor: Serious Business at the Stanford Graduate School of Business, where they help some of the world’s most hard-driving, blazer-wearing business minds infuse more humor and levity into their work and lives. In Humor, Seriously, they draw on findings by behavioral scientists, world-class comedians, and inspiring business leaders to reveal how humor works and—more important—how you can use more of it, better. Aaker and Bagdonas unpack the theory and application of humor: what makes something funny, how to mine your life for material, and simple ways to identify and leverage your unique humor style. They show how to use humor to rebuild vital connections; appear more confident, competent, and authentic at work; and foster cultures where levity and creativity can thrive. President Dwight David Eisenhower once said, “A sense of humor is part of the art of leadership, of getting along with people, of getting things done.” If Dwight David Eisenhower, the second least naturally funny president (after Franklin Pierce), thought humor was necessary to win wars, build highways, and warn against the military-industrial complex, then you might consider learning it too.
Humor in Craft
| Author | : Brigitte Martin |
| Publisher | : Schiffer Craft |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Crafts & Hobbies |
| ISBN | : 9780764340598 |
'What happens when professional craft artists are allowed to let loose-when they get to explore their mischievous and irreverent sides? Find out in this groundbreaking book, which, for the very first time, reveals an entirely different side of "serious" craft. Hundreds of images and essays from all over the world allow you to gain insight into the creative minds of contemporary artists like never before. A variety of traditional craft media are shown, such as furniture, ceramics, glass, fiber, jewelry, and metal, as well as a number of unique, nontraditional techniques. Even a bus shelter in London gets a creative make-over that's sure to make you smile! The topics range from the playful to the serious, but the message is always most enjoyable. Humor in craft is a treasure trove for craft aficionados and humor enthusiast alike.'
Michelangelo
| Author | : George Bull |
| Publisher | : Macmillan |
| Total Pages | : 564 |
| Release | : 1998-07-15 |
| Genre | : Art |
| ISBN | : 9780312187460 |
Much has been written about the paintings and sculptures of Michelangelo, arguably the greatest artist of the Renaissance. But what about the man? In this revealing look at the Florentine genius, acclaimed author George Bull traces the life and spiritual quest of Michelangelo, drawing a fuller portrait of the man himself. In all his work, Michelangelo impressed his contemporaries as a forceful personality, a divine genius endowed with terrabilita, or intense emotional power. Often portrayed as a solitary and austere figure, he in fact enjoyed a wide range of friendships. And it is those whom he loved and hated, served or resisted, who are presented here-- from his family and fellow artists to the popes, nobles, and rulers of Europe. George Bull presents the life of Michelangelo in the round, bringing before the reader a towering genius whose versatility and originality are constantly being rediscovered.
The Art of Comedy Writing
| Author | : Arthur Asa Berger |
| Publisher | : Transaction Publishers |
| Total Pages | : 139 |
| Release | : 2011-12-31 |
| Genre | : Literary Criticism |
| ISBN | : 1412835933 |
Just as a distinctive literary voice or style is marked by the ease with which it can be parodied, so too can specific aspects of humor be unique. Playwrights, television writers, novelists, cartoonists, and film scriptwriters use many special technical devices to create humor. Just as dramatic writers and novelists use specific devices to craft their work, creators of humorous materials—from the ancient Greeks to today’s stand-up comics—have continued to use certain techniques in order to generate humor. In The Art of Comedy Writing, Arthur Asa Berger argues that there are a relatively limited number of techniques—forty-five in all—that humorists employ. Elaborating upon his prior, in-depth study of humor, An Anatomy of Humor, in which Berger provides a content analysis of humor in all forms—joke books, plays, comic books, novels, short stories, comic verse, and essays—The Art of Comedy Writing goes further. Berger groups each technique into four basic categories: humor involving identity such as burlesque, caricature, mimicry, and stereotype; humor involving logic such as analogy, comparison, and reversal; humor involving language such as puns, wordplay, sarcasm, and satire; and finally, chase, slapstick, and speed, or humor involving action. Berger claims that if you want to know how writers or comedians create humor study and analysis of their humorous works can be immensely insightful. This book is a unique analytical offering for those interested in humor. It provides writers and critics with a sizable repertoire of techniques for use in their own future comic creations. As such, this book will be of interest to people inspired by humor and the creative process—professionals in the comedy field and students of creative writing, comedy, literary humor, communications, broadcast/media, and the humanities.
