Human Traces
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Author | : Sebastian Faulks |
Publisher | : Random House |
Total Pages | : 669 |
Release | : 2006-09-12 |
Genre | : Fiction |
ISBN | : 1588365689 |
Sixteen-year-old Jacques Rebière is living a humble life in rural France, studying butterflies and frogs by candlelight in his bedroom. Across the Channel, in England, the playful Thomas Midwinter, also sixteen, is enjoying a life of ease-and is resigned to follow his father's wishes and pursue a career in medicine. A fateful seaside meeting four years later sets the two young men on a profound course of friendship and discovery; they will become pioneers in the burgeoning field of psychiatry. But when a female patient at the doctors' Austrian sanatorium becomes dangerously ill, the two men's conflicting diagnosis threatens to divide them--and to undermine all their professional achievements. From the bestselling author of Birdsong comes this masterful novel that ventures to answer challenging questions of consciousness and science, and what it means to be human.
Author | : Sebastian Faulks |
Publisher | : Random House |
Total Pages | : 804 |
Release | : 2011-01-31 |
Genre | : Fiction |
ISBN | : 1446412946 |
'An extraordinary novel of magnificent scope' Evening Standard As young boys both Jacques Rebière and Thomas Midwinter become fascinated with trying to understand the human mind. As psychiatrists, their quest takes them from the squalor of the Victorian lunatic asylum to the crowded lecture halls of the renowned Professor Charcot in Paris; from the heights of the Sierra Madre in California to the plains of unexplored Africa. As the concerns of the old century fade and the First World War divides Europe, the two men's volatile relationship develops and changes, but is always tempered by one exceptional woman; Thomas's sister Sonia. Moving and challenging in equal measure, Human Traces explores the question of what kind of beings men and women really are. 'Shocking and enlightening...touching and affecting' Daily Mail
Author | : Sebastian Faulks |
Publisher | : Random House |
Total Pages | : 325 |
Release | : 2024-06-13 |
Genre | : Fiction |
ISBN | : 1804944335 |
THE SUNDAY TIMES BESTSELLER 'Faulks's most poignant love story yet' ANTONY BEEVOR 1914: Aspiring journalist Anton arrives in Vienna where he meets Delphine, a woman of deep secrets. Anton is entranced by the light of first love, until his country declares war on hers. 1927: For Lena, life in a small town has been harsh and cold. When her love affair with a young lawyer crumbles, she leaves to take a post at a remote snow-capped sanatorium. 1933: Anton is sent to write about the same clinic, the mysterious Schloss Seeblick. In this place, on the banks of a silvery lake where the roots of human suffering are laid bare, two people will see each other as if for the first time. ‘A magnificent, moving novel’ INDEPENDENT ‘Faulks on his best form’ TELEGRAPH
Author | : Simone Tosoni |
Publisher | : MIT Press |
Total Pages | : 217 |
Release | : 2016-11-11 |
Genre | : Technology & Engineering |
ISBN | : 0262035278 |
Conversations with a founder of the influential Social Construction of Technology (SCOT) approach in science and technology studies offer an introduction to the field. Science and technology studies (STS) is a relatively young but influential field. Scholars from disciplines as diverse as urban studies, mobility studies, media studies, and body culture studies are engaging in a systematic dialogue with STS, seeking to enrich their own investigations. Within STS, the Social Construction of Technology (SCOT) theory has proved to be one of the most influential in its neighboring fields. Yet the literature has grown so large so quickly, it is difficult to get an overview of SCOT. In this book, conversations with Trevor Pinch, a founder of SCOT, offer an introduction and genealogy for the field. Pinch was there at the creation—as coauthor of the groundbreaking 1984 article that launched SCOT—and has remained active through subsequent developments. Engaging and conversational, Pinch charts SCOT's important milestones. The book describes how Pinch and Wiebe Bijker adapted the “empirical program of relativism,” developed by the Bath School to study the social construction of scientific facts, to apply to the social construction of artifacts. Entanglements addresses five issues in depth: relevant social groups, and SCOT's focus on groups of users; the intertwining of social representation and practices; the importance of tacit knowledge in SCOT's approach to the nonrepresentational; the controversy over nonhuman agency; and the political implications of SCOT.
Author | : Paul Shepard |
Publisher | : Island Press |
Total Pages | : 256 |
Release | : 2006-03 |
Genre | : Nature |
ISBN | : 1597261106 |
Paul Shepard is one of the most profound and original thinkers of our time. He has helped define the field of human ecology, and has played a vital role in the development of what have come to be known as environmental philosophy, ecophilosophy, and deep ecology -- new ways of thinking about human-environment interactions that ultimately hold great promise for healing the bonds between humans and the natural world. Traces of an Omnivore presents a readable and accessible introduction to this seminal thinker and writer. Throughout his long and distinguished career, Paul Shepard has addressed the most fundamental question of life: Who are we? An oft-repeated theme of his writing is what he sees as the central fact of our existence: that our genetic heritage, formed by three million years of hunting and gathering remains essentially unchanged. Shepard argues that this, "our wild Pleistocene genome," influences everything from human neurology and ontogeny to our pathologies, social structure, myths, and cosmology. While Shepard's writings travel widely across the intellectual landscape, exploring topics as diverse as aesthetics, the bear, hunting, perception, agriculture, human ontogeny, history, animal rights, domestication, post-modern deconstruction, tourism, vegetarianism, the iconography of animals, the Hudson River school of painters, human ecology, theoretical psychology, and metaphysics, the fundamental importance of our genetic makeup is the predominant theme of this collection. As Jack Turner states in an eloquent and enlightening introduction, the essays gathered here "address controversy with an intellectual courage uncommon in an age that exults the relativist, the skeptic, and the cynic. Perused with care they will reward the reader with a deepened appreciation of what we so casually denigrate as primitive life -- the only life we have in the only world we will ever know."
Author | : Karen Bassi |
Publisher | : University of Michigan Press |
Total Pages | : 257 |
Release | : 2016-08-17 |
Genre | : History |
ISBN | : 0472119923 |
An innovative multidisciplinary study of the relationship between visual perception and temporal meaning in ancient Greek literature and history writing
Author | : Eliot Weinberger |
Publisher | : New Directions Publishing |
Total Pages | : 212 |
Release | : 2000 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780811214568 |
A collection of twenty-four essays by American author Eliot Weinberger, in which he discusses his personal travels around the world, and other topics.
Author | : Elenor Ling |
Publisher | : |
Total Pages | : 192 |
Release | : 2021-02-15 |
Genre | : |
ISBN | : 9781913645052 |
Touch is our first sense. Through touch we make art, stake a claim to what we own and those we love, express our faith, our belief, our anger. Touch is how we leave our mark and find our place in the world; touch is how we connect.0Drawing on works of art spanning four thousand years and from across the globe, this book explores the fundamental role of touch in human experience, and offers new ways of looking. In a series of lavishly illustrated essays, the authors explore anatomy and skin; the relationship between the brain, hand, and creativity; touch, desire and possession; ideological touch; reverence and iconoclasm. A final section collects a range of reflections, historic and contemporary, on touch.00Objects range from anonymous ancient Egyptian limestone sculpture, to medieval manuscripts and panel paintings, to devotional and spiritual objects from across the world, to love tokens and fede rings. Drawings, paintings, prints and sculpture by Raphael, Michelangelo, Rembrandt, Carracci, Hogarth, Turner, Rodin, Degas, and Kollwitz are explored, along with work by contemporary artists Judy Chicago, Frank Auerbach, Richard Long, the Chapman Brothers, and Richard Rawlins.0The events of 2020 have made us newly alive to the preciousness and the dangers of touch, making this exploration of our most fundamental sense particularly timely and resonant.0 0Exhibition: The Fitzwilliam Museum, Cambridge, UK (05.01.-03.05.2021).
Author | : Boreth Ly |
Publisher | : University of Hawaii Press |
Total Pages | : 209 |
Release | : 2019-11-30 |
Genre | : Political Science |
ISBN | : 0824856090 |
How do the people of a morally shattered culture and nation find ways to go on living? Cambodians confronted this challenge following the collective disasters of the American bombing, the civil war, and the Khmer Rouge genocide. The magnitude of violence and human loss, the execution of artists and intellectuals, the erasure of individual and institutional cultural memory all caused great damage to Cambodian arts, culture, and society. Author Boreth Ly explores the “traces” of this haunting past in order to understand how Cambodians at home and in the diasporas deal with trauma on such a vast scale. Ly maintains that the production of visual culture by contemporary Cambodian artists and writers—photographers, filmmakers, court dancers, and poets—embodies traces of trauma, scars leaving an indelible mark on the body and the psyche. Her book considers artists of different generations and family experiences: a Cambodian-American woman whose father sent her as a baby to the United States to be adopted; the Cambodian-French filmmaker, Rithy Panh, himself a survivor of the Khmer Rouge, whose film The Missing Picture was nominated for an Oscar in 2014; a young Cambodian artist born in 1988—part of the “post-memory” generation. The works discussed include a variety of materials and remnants from the historical past: the broken pieces of a shattered clay pot, the scarred landscape of bomb craters, the traditional symbolism of the checkered scarf called krama, as well as the absence of a visual archive. Boreth Ly’s poignant book explores obdurate traces that are fragmented and partial, like the acts of remembering and forgetting. Her interdisciplinary approach, combining art history, visual studies, psychoanalysis, cultural studies, religion, and philosophy, is particularly attuned to the diverse body of material discussed, including photographs, video installations, performance art, poetry, and mixed media. By analyzing these works through the lens of trauma, she shows how expressions of a national trauma can contribute to healing and the reclamation of national identity.
Author | : Andrew M. Stauffer |
Publisher | : University of Pennsylvania Press |
Total Pages | : 224 |
Release | : 2021-02-05 |
Genre | : Literary Criticism |
ISBN | : 0812252683 |
In most college and university libraries, materials published before 1800 have been moved into special collections, while the post-1923 books remain in general circulation. But books published between these dates are vulnerable to deaccessioning, as libraries increasingly reconfigure access to public-domain texts via digital repositories such as Google Books. Even libraries with strong commitments to their print collections are clearing out the duplicates, assuming that circulating copies of any given nineteenth-century edition are essentially identical to one another. When you look closely, however, you see that they are not. Many nineteenth-century books were donated by alumni or their families decades ago, and many of them bear traces left behind by the people who first owned and used them. In Book Traces, Andrew M. Stauffer adopts what he calls "guided serendipity" as a tactic in pursuit of two goals: first, to read nineteenth-century poetry through the clues and objects earlier readers left in their books and, second, to defend the value of keeping the physical volumes on the shelves. Finding in such books of poetry the inscriptions, annotations, and insertions made by their original owners, and using them as exemplary case studies, Stauffer shows how the physical, historical book enables a modern reader to encounter poetry through the eyes of someone for whom it was personal.