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| Author | : Howard Arkley |
| Publisher | : Australia |
| Total Pages | : 56 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : |
This is the catalogue of an exhibition of Howard Arkley's paintings that will be showcased at the 1999 Venice Biennale. The body of work being exhibited transform the familiar and mundane of suburbia into the unique and the exotic at the hands of this unique artist who is one of Australia's leading contemporary painters
| Author | : Edwina Preston |
| Publisher | : Spotlight Poets |
| Total Pages | : 262 |
| Release | : 2002-01-01 |
| Genre | : Painters |
| ISBN | : 9781875989898 |
Howard Arkley's neon airbrush paintings of Australian suburban houses and their interiors represented this country at the 1999 Venice Biennale. Arkley's work has been compared to a visual equivalent of the monologues of Barry Humphries. Arkley was also a wild man. This concise account describes the artistic breakthroughs, his relationship with Nick Cave and the Birthday Party, and the heroin which killed him soon after his talent was recognised around the world. It is the fascinating story of a highly gifted artist who took suburbia seriously.
| Author | : Victoria Lynn |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015-12 |
| Genre | : Art, Australian |
| ISBN | : 9780994455208 |
| Author | : Ashley Crawford |
| Publisher | : Fine Art Publishing |
| Total Pages | : 162 |
| Release | : 2001 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
This revised and updated edition explores Howard Arkley's influences and the milieu which nurtered and inspired him - from punk music and feminism to the exuberant art scene of the 1980s. Spray examines his work from its early development through abstraction, the gradual move to figurative iconography, into figuration and landscape.
| Author | : John Gregory |
| Publisher | : |
| Total Pages | : 232 |
| Release | : 2006-11 |
| Genre | : Art |
| ISBN | : |
Carnival in Suburbia provides a thorough understanding of the work of one of Australia's best-known modern artists, Howard Arkley.
| Author | : Katrina Strickland |
| Publisher | : Melbourne Univ. Publishing |
| Total Pages | : 257 |
| Release | : 2013-05-01 |
| Genre | : Art |
| ISBN | : 0522864082 |
The reputations of artists are curious things, influenced by factors beyond the quality of the work. Affairs of the Art explores the role those left behind play in burnishing an artist's reputation after he or she dies. Through interviews with those handling the estates of artists including Fred Williams, Brett Whiteley, John Brack, Howard Arkley, Bronwyn Oliver, George Baldessin and Albert Tucker, as well as a raft of art dealers, academics, curators and auctioneers, Strickland traverses the strange alleyways of the art market, where power resides with those who hold the best stock, and highlights the sometimes heart-wrenching way emotion and duty intersect in the making of decisions by those left behind.
| Author | : Kerry Gardner |
| Publisher | : Miegunyah Press |
| Total Pages | : 240 |
| Release | : 2021-06 |
| Genre | : Art |
| ISBN | : 9780522877366 |
Before the winds of World War I blew Europe apart, a rowdy and radical group of Australian artists would gather in the salons of Paris and London to embrace new ways of painting and seeing the world. By 1914 twelve of them had shown their works at the Venice International Exhibition, now known as the Venice Biennale. Bundled in with the British, Tom Roberts, Arthur Streeton and Thea Proctor were represented alongside legendary artists Corot, Rodin, Klimt and Renoir. Four decades later Australia sent its first official delegation of artists: Sidney Nolan, Russell Drysdale and William Dobell; the works of Rover Thomas, Howard Arkley, Patricia Piccinini and Shaun Gladwell continued the story of bold Australian art in Venice. With the support of the Australian art community, the Venice Biennale today remains an aspiration and career highlight for contemporary artists and Australia's love affair with the exhibition thrives. Discover the untold stories of the world's most important art event through one hundred years of Australian modern art.
| Author | : Lee Emery |
| Publisher | : Common Ground |
| Total Pages | : 242 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 1863355014 |
Collection of essays by Australian and English art educators discussing the transition from modernist to postmodernist art education. Teachers reflect on changes in their own teaching, and discuss how they introduce students to contemporary art and plan a curriculum. Includes photos and references. Simultaneously published in PDF and paperback formats. Editor is Associate Professor in arts education at the University of Melbourne and is an honorary life member of the Australian Institute for Art Education.
| Author | : Wayne Tunnicliffe |
| Publisher | : |
| Total Pages | : 327 |
| Release | : 2014 |
| Genre | : Art, Modern |
| ISBN | : 9781741741094 |
From the emergence of pop art in the 1950s through to its reinvented forms in the 1980s, this book explores the dynamic engagement of art with popular culture. Drawn from major public and private collections around the world, this book includes over 180 works by 77 artists including pivotal works by artists such as Lichtenstein, Warhol, Richter and Hockney. Beginning with early pop art in the United Kingdom, Europe and America, it proceeds through the key years of high or classic pop in the 1960s and early 1970s including a substantial Australian component and finishes with a new generation of artists who began exhibiting in the late 1970s with works dating up to 1986.
| Author | : Michael Levitt |
| Publisher | : Fremantle Press |
| Total Pages | : 262 |
| Release | : 2022-02-01 |
| Genre | : Fiction |
| ISBN | : 1760991783 |
James Devlin is a celebrated artist whose past is as blank as an empty canvas. When Jan Bilowski brings a painting, which was a gift to her dead sister, into Mark Lewis's gallery, she tells him it was created by a seventeen-year-old boy called Charlie. Why then does the work look exactly like a James Devlin—painted a whole decade before the artist's career began on the other side of the country?
