How To Write For Television
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| Author | : Madeline Dimaggio |
| Publisher | : Simon and Schuster |
| Total Pages | : 338 |
| Release | : 1990-02-10 |
| Genre | : Performing Arts |
| ISBN | : 1416570721 |
This readable, reliable book has been a trusted reference for nearly two decades and is now revised to include the most up-to-date information from today's television climate. TV Writing the Right Way! In this guide for every student of the small screen and every scriptwriter dreaming of breaking into the business, writer-producer Madeline DiMaggio hands you the tools of the trade. With dozens of examples from today's hit shows, as well as perennial classics, DiMaggio walks readers through the scriptwriting process, from learning how to watch TV like a writer to developing your script, pitching it, and eventually sealing the deal. DiMaggio answers the questions on every aspiring television writer's mind, with chapters on: The tools of scriptwriting Hooks that sell Creating the pilot Developing the episode, step by step How to create riveting characters Writing long form and cable movies Adaptations and collaborations Marketing your script DiMaggio combines her own experience with advice to writers from others in the trade, including agents, producers, animators, and more. This readable, reliable book has been a trusted reference for nearly two decades and is now revised to include the most up-to-date information from today's television climate, from writing for cable, reality, and TV-movie formats to the ever-evolving face of the sitcom. A must-read for anyone aiming to write for TV, How to Write for Television will continue to help budding writers reach their small-screen goals and will prepare them for working in the rapidly changing world of TV.
| Author | : Martie Cook |
| Publisher | : CRC Press |
| Total Pages | : 402 |
| Release | : 2014-04-24 |
| Genre | : Performing Arts |
| ISBN | : 1134648294 |
Learn to craft smart, original stories and scripts for a variety of television formats and genres, including comedy, drama, pilots, animation, made-for-TV movies, late night, and reality television. Hear directly from studio and network executives, agents, and managers on what they’re looking for in new writers and how to avoid common pitfalls. Gain access to sample outlines, script pages, checklists, and countless other invaluable resources that will help you break into the industry and put you on the path to immediate success. In Write to TV, Second Edition industry veteran Martie Cook offers practical advice on writing innovative television scripts that will allow you to finally get that big idea out of your head and onto the screen. This new edition has been updated to include: Tips and techniques from industry vets Jay Leno, Norman Lear, Paul Haggis, David Magee, Susan Rovner, Tal Rabinowitz, Jonathan Littman, Peter Jankowski, Steve Stark, and Doug Herzog that you can immediately apply to your own projects Expanded coverage of writing pilots, pitching, writing webisodes, writing for tweens, writing for late night, and rewriting Useful advice for navigating the confusing television hierarchy, including how to network, get an agent, land that first writing job, and even "do lunch" 25 new interviews with writers and producers of hit shows such as New Girl, Parks and Recreation, The Blacklist, Curb Your Enthusiasm, CSI, The Tonight Show Starring Jimmy Fallon, and many more An all new companion website (www.writetotv.com) featuring blog updates, industry trends, a Q&A discussion forum with the author, and many other resources
| Author | : Greg Cope White |
| Publisher | : Aboutface Books |
| Total Pages | : 266 |
| Release | : 2016-02-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780997285727 |
The Pink Marine is the story-full of hilarity and heartbreak-of how a teenage boy who struggles with self-acceptance and doesn't fit the traditional definition of masculinity finds acceptance and self-worth in Marine Corps boot camp. When Greg Cope White's best friend tells him he's spending his summer in Marine Corps boot camp at Parris Island, South Carolina, all Greg hears is 'summer' and 'camp'. Despite dire warnings from his friend, Greg vows to join him in recruit training. He's eighteen, underweight, he's never run a mile-and he's gay. Greg's sheltered life hadn't prepared him for military service. A prince out of water, he packed five suitcases since he'd never been away from home for thirteen weeks. The U.S. Marines stripped him from all of that, shaved his head and put a rifle in his hands. At first he struggles to keep up, and afraid his secret will be discovered. But midway through, the desire to survive and become a Marine trumps fear. He learns that everyone, just like in the real world, comes into the service feeling 'different'; possibly prejudged for the color of their skin, their weight, their poverty--some have even chosen boot camp over jail. Can a flighty, 112-pound, unmanly Texan transform into one of the few, the proud, the Marines? Will Greg even survive?
| Author | : Jamie Nash |
| Publisher | : |
| Total Pages | : |
| Release | : 2021-03-25 |
| Genre | : |
| ISBN | : 9780984157693 |
Blake Snyder's Save the Cat!®, the world's top-selling story method for filmmakers and novelists, introduces The Last Book on Creating Binge-Worthy Content You'll Ever Need. Screenwriter Jamie Nash takes up Snyder's torch to lay out a step-by-step approach using Blake's principles so that both new and experienced writers can learn how to: -Use all the nuances, tricks, and techniques of pilot-writing (The Opening Pitch, The Guided Tour, The Whiff of Change) with examples from today's hottest series -Discover the Super-Secret Keep It On The Downlow TV Pitch Template that combines all the critical points of your amazing TV series into one easy-to-read-over-lunch high-level document -Define the 9 TV Franchise Types -Crack your story using the Save the Cat! beat sheet -Devise high-level series concepts with multi-season potential -Map out and organize TV pilots and multi-season shows -Break down the best and most diverse TV series using examples from Atlanta, Barry, Ozark, The Marvelous Mrs. Maisel, What We Do in the Shadows, Black-ish, The Mandalorian, Law and Order: SVU and more -Create layered characters who are driven by complex internal struggles It's time for Save the Cat! Writes for TV to help you create your binge-worthy TV series!
| Author | : William Smethurst |
| Publisher | : Robinson |
| Total Pages | : 162 |
| Release | : 2016-02-18 |
| Genre | : Performing Arts |
| ISBN | : 1472135741 |
This book provides professional tips and techniques for those wishing to break into writing for TV whether it's a soap, series drama, or situation comedy. It covers all aspects of script writing such as structure, plotting, characterization and dialogue and is packed with advice on presenting and selling scripts. It also includes a chapter specifically on writing for radio.
| Author | : Alan C. Hueth |
| Publisher | : Routledge |
| Total Pages | : 503 |
| Release | : 2019-02-18 |
| Genre | : Performing Arts |
| ISBN | : 0429866488 |
What are the foundations of scriptwriting? Why do some scripts gain more prestige than others? How do you write a script and get it noticed? Scriptwriting for Film, Television and New Media answers these questions and more, offering a comprehensive introduction to writing scripts for film, television, the Internet, and interactive multimedia. Author Alan C. Hueth explains not just how to write, but how to think and apply the fundamental principles of screenwriting to multiple platforms and genres. This includes chapters on numerous script formats, including drama and comedy in film and TV, short films, commercials and PSAs, news and sports, interview shows, documentaries, reality shows, and corporate and educational media, including interactive multimedia. This book also addresses legal and ethical issues, how to become a professional scriptwriter, and a section on production language that provides helpful explanations of how camera, locations, visual and audio effects combine on screen to engage and sustain viewer attention, and, consequently, how to improve scriptwriting technique. The book features numerous case studies and detailed examples, including chapter by chapter exercises, plot diagrams, quick-look and learn tables that assist readers to quickly understand genre related script elements, and in-depth script close-ups to examine precisely how writers utilize the principles and elements of drama to create a successful script. It is also supported by a comprehensive companion website with further case studies, assignments, video clips, and examples of films and programs discussed in the book. Scriptwriting for Film, Television, and New Media is ideal for aspiring scriptwriters and anyone wanting to broaden their understanding of how successful scripts are created.
| Author | : Pamela Douglas |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2007 |
| Genre | : Television authorship |
| ISBN | : 9781932907346 |
Some of todays top television writers and producers share their insight and explain the unique craft of writing a drama series for television and how the industry really works.
| Author | : Jill Chamberlain |
| Publisher | : University of Texas Press |
| Total Pages | : 220 |
| Release | : 2016-03-01 |
| Genre | : Performing Arts |
| ISBN | : 1477303731 |
Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.
| Author | : Brett Martin |
| Publisher | : Penguin |
| Total Pages | : 337 |
| Release | : 2014-07-29 |
| Genre | : Performing Arts |
| ISBN | : 0143125699 |
The 10th anniversary edition, now with a new preface by the author "A wonderfully smart, lively, and culturally astute survey." - The New York Times Book Review "Grand entertainment...fascinating for anyone curious about the perplexing miracles of how great television comes to be." - The Wall Street Journal "I love this book...It's the kind of thing I wish I'd been able to read in film school, back before such books existed." - Vince Gilligan, creator of Breaking Bad and co-creator of Better Call Saul In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television’s narrative inventiveness, emotional resonance, and creative ambition. Combining deep reportage with critical analysis and historical context, Brett Martin recounts the rise and inner workings of this artistic watershed - a golden age of TV that continues to transform America's cultural landscape. Difficult Men features extensive interviews with all the major players - including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), David Milch (NYPD Blue, Deadwood), Alan Ball (Six Feet Under), and Vince Gilligan (Breaking Bad, Better Call Saul) - and reveals how television became a truly significant and influential part of our culture.
| Author | : Cynthia Whitcomb |
| Publisher | : Watson-Guptill Publications |
| Total Pages | : 0 |
| Release | : 2002 |
| Genre | : Motion picture authorship |
| ISBN | : 9780871161918 |
In this essential writer's guide, a professional screen-writer shares her know-how on the elements of writing for the screen, from the basics of character development and creating the structure to resolving problems and revising in only three drafts.
