How To Play A Poem
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Author | : Don Bialostosky |
Publisher | : University of Pittsburgh Press |
Total Pages | : 328 |
Release | : 2017-07-17 |
Genre | : Literary Criticism |
ISBN | : 0822982358 |
Approaching poems as utterances designed and packaged for pleasurable reanimation, How to Play a Poem leads readers through a course that uses our common experience of language to bring poems to life. It mobilizes the speech genres we acquire in our everyday exchanges to identify "signs of life" in poetic texts that can guide our co-creation of tone. How to Play a Poem draws on ideas from the Bakhtin School, usually associated with fiction rather than poetry, to construct a user-friendly practice of close reading as an alternative to the New Critical formalism that still shapes much of teaching and alienates many readers. It sets aside stock questions about connotation and symbolism to guide the playing out of dynamic relations among the human parties to poetic utterances, as we would play a dramatic script or musical score. How to Play a Poem addresses critics ready to abandon New Criticism, teachers eager to rethink poetry, readers eager to enjoy it, and students willing to give it a chance, inviting them to discover a lively and enlivening way to animate familiar and unfamiliar poems.
Author | : Irene Latham |
Publisher | : Lerner Digital ™ |
Total Pages | : 44 |
Release | : 2020-01-01 |
Genre | : Juvenile Nonfiction |
ISBN | : 1541589491 |
Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Two poets, one white and one black, explore race and childhood in this must-have collection tailored to provoke thought and conversation. How can Irene and Charles work together on their fifth grade poetry project? They don't know each other . . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is Black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko (of The Case for Loving: The Fight for Interracial Marriage), this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.
Author | : Simon Mole |
Publisher | : Frances Lincoln Limited |
Total Pages | : 34 |
Release | : 2024-05-07 |
Genre | : Juvenile Nonfiction |
ISBN | : 0711256225 |
I Love My Bike tells the story of a girl's first experience with her bike, and is filled with beautiful illustrations and a heartwarming message of perseverance. There's a flame on the frame and I love how it feels from my head to my heels when my feet push the pedals and the pedals turn the wheels. I love my bike. I Love My Bike is a picture book about a daughter learning to ride a bike with the help of her father. It's also about that exhilarating feeling you get when you succeed at something for the first time as a child. And, most importantly, it's about learning that when you fall off, the best thing to do is get back on again! The story is told through wonderful watercolours from critically acclaimed artist Sam Usher, with words from children's poet Simon Mole. Celebrating both family relationships and being outdoors, this is the perfect read for families everywhere.
Author | : Douglas Kearney |
Publisher | : Wave Books |
Total Pages | : 90 |
Release | : 2022-01-18 |
Genre | : Poetry |
ISBN | : 1950268624 |
2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
Author | : Monica Brown |
Publisher | : Macmillan |
Total Pages | : 45 |
Release | : 2011-03-29 |
Genre | : Juvenile Nonfiction |
ISBN | : 080509198X |
Describes the life and times of the Nobel Prize-winning Chilean poet.
Author | : David Budbill |
Publisher | : Exterminating Angel Press |
Total Pages | : 114 |
Release | : 2012-09-04 |
Genre | : Poetry |
ISBN | : 1935259164 |
?One of the most readable American poets ever” (Booklist) amplifies the voices of an unsung community.
Author | : Simon Mole |
Publisher | : |
Total Pages | : 41 |
Release | : 2019 |
Genre | : Juvenile Nonfiction |
ISBN | : 1786035561 |
The day that David moved to Fivehills, The first thing he noticed was the kites. Little kites, big kites Eagle kites, pig kites Golden Frog kites with car headlights for eyes Mirror kites singing the sky back at itself... David knows that to fit in at Fivehills, he needs a kite. But when he makes one, the other kids of the town aren't too impressed. They say it needs this, then it needs that, then it needs something else... soon David's kite doesn't feel like his any more. But David remembers what his Grandpa said - "Let's see what we've already got. More often than not, we'll find the answer inside" and learns that when you're happy with yourself, friends will follow.
Author | : Michael Rosen |
Publisher | : Penguin UK |
Total Pages | : 36 |
Release | : 2017-08-24 |
Genre | : Juvenile Fiction |
ISBN | : 0141386258 |
When I was a boy, I had a favourite treat. It was when my mum made . . . CHOCOLATE CAKE! Ohhh! I LOVED chocolate cake. Fantastically funny and full of silly noises, this is Michael Rosen's love letter to every child's favourite treat, chocolate cake. Brought to life as a picture book for the first time with brilliant and characterful illustrations by Kevin Waldron.
Author | : Amy Ludwig VanDerwater |
Publisher | : Heinemann Educational Books |
Total Pages | : 246 |
Release | : 2017-10-06 |
Genre | : Education |
ISBN | : 9780325096537 |
Children's writer and poet Amy Ludwig VanDerwater leads us on an adventure through poetry, pointing out craft elements along the way that students can use to improve all their writing, from idea finding to language play. "Poems wake us up, keep us company, and remind us that our world is big and small," Amy explains. "And, too, poems teach us how to write. Anything." This is a practical book designed for every classroom teacher. Each lesson exploration includes three poems, one by a contemporary adult poet and two by students in grades 2 through 8, which serve as models to illustrate how poetry teaches writers to: find ideas, choose perspective and point of view, structure texts, play with language, craft beginnings and endings, choose titles. Students will learn how to replicate the craft techniques found in poetry to strengthen all writing, from fiction to opinion, from personal narrative to information. "Poets arrange words and phrases just as prose writers do, simply in tighter spaces," Amy argues. "In the tight space of poetry, readers can identify writing techniques after reading one page, not thirty pages."
Author | : Edward Hirsch |
Publisher | : HarperCollins |
Total Pages | : 375 |
Release | : 1999-03-22 |
Genre | : Literary Criticism |
ISBN | : 0547543727 |
From the National Book Critics Circle Award–winning poet and critic: “A lovely book, full of joy and wisdom.” —The Baltimore Sun How to Read a Poem is an unprecedented exploration of poetry, feeling, and human nature. In language at once acute and emotional, Edward Hirsch describes why poetry matters and how we can open up our imaginations so that its message can make a difference. In a marvelous reading of verse from around the world, including work by Pablo Neruda, Elizabeth Bishop, Wallace Stevens, and Sylvia Plath, among many others, Hirsch discovers the true meaning of their words and ideas and brings their sublime message home into our hearts. “Hirsch has gathered an eclectic group of poems from many times and places, with selections as varied as postwar Polish poetry, works by Keats and Christopher Smart, and lyrics from African American work songs . . . Hirsch suggests helpful strategies for understanding and appreciating each poem. The book is scholarly but very readable and incorporates interesting anecdotes from the lives of the poets.” —Library Journal “The answer Hirsch gives to the question of how to read a poem is: Ecstatically.” —Boston Book Review “Hirsch’s magnificent text is supported by an extensive glossary and superb international reading list.” —Booklist “If you are pretty sure you don’t like poetry, this is the book that’s bound to change your mind.” —Charles Simic, Pulitzer Prize–winning author of The World Doesn’t End