How To Be A Record Producer In The Digital Era
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| Author | : Megan Perry |
| Publisher | : Billboard Books |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Music |
| ISBN | : 9780823098965 |
This book is the authoritative, up-to-the-minute guide to learning how to become a success in today s exciting, hyper-competitive music business. For musicians interested in hands-on record production, for aspiring professionals, for anyone with an interest in the business aspects of producing, author Megan Perry has the full inside story. This essential guide includes information on developing skills, building a clientele, and managing a business, plus interviews from industry insiders and tips on negotiating with record labels, artists managers, and artists themselves.
| Author | : Megan Perry |
| Publisher | : Billboard Books |
| Total Pages | : 383 |
| Release | : 2010-06-02 |
| Genre | : Music |
| ISBN | : 0307875253 |
The insider’s guide to becoming an insider. Want to become a record producer? Get this book. It’s the authoritative, up-to-the-minute guide to getting what it takes to become a success in today’s exciting, hyper-competitive music business. For musicians interested in hands-on record production, for aspiring pros, for anyone with an interest in the business aspects of producing, author Megan Perry has the full inside story. With full information on developing skills, building a clientele, and managing a business, plus interviews from industry insiders and tips on negotiating with record labels, artists’ managers, and artists themselves, How to Be a Record Producer in the Digital Era is the go-to guide for any aspiring music pro.
| Author | : Richard Weissman |
| Publisher | : Routledge |
| Total Pages | : 361 |
| Release | : 2015-09-30 |
| Genre | : Music |
| ISBN | : 1317342712 |
Understanding the Music Business offers students a current overview of the music business. Going beyond what most music business texts offer, Weismann delivers a contemporary approach that addresses the unanswered questions for today's music students, such as, "Is it really possible to make a living as musician?" Understanding the Music Business covers the basics in the first part of the text. This first section deals with the fundamentals of the industry, including recording, music publishing, agents, managers, radio and television, unions, the internet and new technology, and regional and international music markets. However, it is the second half of the text that breaks new ground by covering the career paths of new artists in the industry, the development and need for entrepreneurial skills, and the ways that individuals forge careers in the industry.
| Author | : Phil Harding |
| Publisher | : Taylor & Francis |
| Total Pages | : 211 |
| Release | : 2019-06-28 |
| Genre | : Technology & Engineering |
| ISBN | : 1351189786 |
Pop Music Production delves into academic depths around the culture, the business, the songwriting, and most importantly, the pop music production process. Phil Harding balances autobiographical discussion of events and relationships with academic analysis to offer poignant points on the value of pure popular music, particularly in relation to BoyBands and how creative pop production and songwriting teams function. Included here are practical resources, such as recording studio equipment lists, producer business deal examples and a 12-step mixing technique, where Harding expands upon previously released material to explain how ‘Stay Another Day’ by East 17 changed his approach to mixing forever. However, it is important to note that Harding almost downplays his involvement in his career. At no point is he center stage; he humbly discusses his position within the greater scheme of events. Pop Music Production offers cutting-edge analysis of a genre rarely afforded academic attention. This book is aimed at lecturers and students in the subject fields of Music Production, Audio Engineering, Music Technology, Popular Songwriting Studies and Popular Music Culture. It is suitable for all levels of study from FE students through to PhD researchers. Pop Music Production is also designed as a follow-up to Harding’s first book PWL from the Factory Floor (2010, Cherry Red Books), a memoir of his time working with 1980s pop production and songwriting powerhouse, Stock Aitken Waterman, at PWL Studios.
| Author | : Shelly Field |
| Publisher | : Infobase Publishing |
| Total Pages | : 393 |
| Release | : 2010 |
| Genre | : Music |
| ISBN | : 0816078017 |
Praise for the previous edition: ..".a practical and concise guide...a valuable resource...recommended."--American Reference Books Annual
| Author | : Robert Strachan |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 205 |
| Release | : 2017-01-12 |
| Genre | : Music |
| ISBN | : 150131064X |
Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations.
| Author | : Paul Thompson |
| Publisher | : Springer |
| Total Pages | : 290 |
| Release | : 2018-12-29 |
| Genre | : Sports & Recreation |
| ISBN | : 3030016501 |
Paul Thompson offers an alternative take on the romanticized and mythologized process of record-making. Side A illustrates how creativity arises out of a system in action, and introduces the history, culture, traditions and institutions that contribute to the process of commercial record production. Side B demonstrates this system in action during the central tasks of songwriting, performing, engineering and producing. Using examples from John Lennon, David Bowie, Tupac Shakur, Björk, Marta Salogni, Sylvia Massy and Rick Rubin, each chapter takes the reader inside a different part of the commercial record production process and uncovers the interactive and interrelated multitude of factors involved in each creative task.
| Author | : Richard James Burgess |
| Publisher | : Omnibus Press |
| Total Pages | : 250 |
| Release | : 1997 |
| Genre | : Music |
| ISBN | : |
What kind of producer do you want to be? - How do you get started? - What's the job description? - Will they still love you tomorrow - Producer managers - How do you deal with the artist, the record company and the artist's manager? - Lawyers - Difficulties and pitfalls - Success and money - What are the timeless ingredients in a hit record? - Frequently asked questions - Is classical, jazz and country production any different from rock, pop and R & B? - Technology rules - The final cut.
| Author | : Mark Mulligan |
| Publisher | : MIDiA Research |
| Total Pages | : 595 |
| Release | : 2015-04-16 |
| Genre | : Music |
| ISBN | : |
Awakening is the definitive account of the music industry in the digital era. It tells the inside story of how the music business grappled with the emergence of an entirely new digital economy with exclusive interviews with the people who shaped today’s industry. Mulligan’s gripping narrative switches between the seismic market trends to the highly personal accounts of artists and digital pioneers. It recounts the events that both spelt the end of the old industry and that are the foundation for the radical new successor that is about to emerge. Awakening is written by the leading music industry analyst Mark Mulligan and includes interviews with 60 of the music industry’s most important figures, including million selling artists and more than 20 CEOs. Alongside this unprecedented executive access, Awakening uses exclusive data presented across 60 charts and figures to chart the music industry’s digital journey and to lay out a vision of the future for the industry and artists alike. For anyone interested in the music industry and the lessons it provides for all businesses in the digital era, this is the only book you will ever need.
| Author | : Guy Morrow |
| Publisher | : Springer Nature |
| Total Pages | : 209 |
| Release | : 2020-06-10 |
| Genre | : Business & Economics |
| ISBN | : 303048114X |
This book addresses the neglect of visual creativities and content, and how these are commercialised in the music industries. While musical and visual creativities drive growth, there is a lack of literature relating to the visual side of the music business, which is significant given that the production of meaning and value within this business occurs across a number of textual sites. Popular music is a multimedia, discursive, fluid, and expansive cultural form that, in addition to the music itself, includes album covers; gig and tour posters; music videos; set, stage, and lighting designs; live concert footage; websites; virtual reality/augmented reality technologies; merchandise designs; and other forms of visual content. As a result, it has become impossible to understand the meaning and value of music without considering its relation to these visual components and to the interrelationships between them. Using design culture theory, participant observation, interviews, case studies, and a visual methodology to explore the topic, this research-based book is a valuable study aid for undergraduate and postgraduate students of subjects including the music business, design, arts management, creative and cultural industries studies, business and management studies, and media and communications.
