How The World Became A Stage
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| Author | : William Egginton |
| Publisher | : State University of New York Press |
| Total Pages | : 217 |
| Release | : 2012-02-01 |
| Genre | : Philosophy |
| ISBN | : 0791487717 |
What is special, distinct, modern about modernity? In How the World Became a Stage, William Egginton argues that the experience of modernity is fundamentally spatial rather than subjective and proposes replacing the vocabulary of subjectivity with the concepts of presence and theatricality. Following a Heideggerian injunctive to search for the roots of epochal change not in philosophies so much as in basic skills and practices, he describes the spatiality of modernity on the basis of a close historical analysis of the practices of spectacle from the late Middle Ages to the early modern period, paying particular attention to stage practices in France and Spain. He recounts how the space in which the world is disclosed changed from the full, magically charged space of presence to the empty, fungible, and theatrical space of the stage.
| Author | : Bill Bryson |
| Publisher | : HarperCollins |
| Total Pages | : 141 |
| Release | : 2016-04-26 |
| Genre | : Biography & Autobiography |
| ISBN | : 0062565168 |
Bill Bryson’s bestselling biography of William Shakespeare takes the reader on an enthralling tour through Elizabethan England and the eccentricities of Shakespearean scholarship—updated with a new introduction by the author to commemorate the 400th anniversary of Shakespeare’s death William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself. His Shakespeare is like no one else's—the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivaled in our time.
| Author | : Booth Moore |
| Publisher | : Abrams |
| Total Pages | : 252 |
| Release | : 2018-02-06 |
| Genre | : Design |
| ISBN | : 1683350987 |
New York Fashion Week has served many purposes throughout its long history, but it has always remained at the center of the American fashion world. During World War II, Fashion Week challenged the dominance of French couture; in the 1970s and 1980s, it was a showcase for American sportswear stars who became household names; in the 2000s, it was the stage for celebrity designers using the runway as a vehicle for entertainment; and now, it is the place to see and be seen by contemporary reality TV and social media stars. Now, this illustrious history is told as it’s never been told before, in a book packed with designer interviews, backstage ephemera, and exclusive photographs culled from all 75 years of New York Fashion Week. Part historical overview, part scrapbook, and part fashion-industry field guide, American Runway will bring to life the people, places, and over-the-top runway productions of New York Fashion Week—and will sate the appetites of die-hard fashion fans and casual fashionistas alike.
| Author | : Daniel Ingram-Brown |
| Publisher | : John Hunt Publishing |
| Total Pages | : 213 |
| Release | : 2012-11-30 |
| Genre | : Fiction |
| ISBN | : 1780996934 |
In this fantasy adventure, Fletcher and Scoop are Apprentice Adventurers from the ancient establishment of Blotting's Academy on Fullstop Island. This is the place where all story characters are trained. The trouble is, they can't remember how they got there. It's the first day of term, but the two apprentices soon realise something is wrong. Things are going missing, including their own memories, and Scoop has the unsettling feeling that something is creeping in the shadows. As the children search for answers, they become entangled with the life of the Storyteller, the islands creator and king. They journey to his wedding banquet and find themselves uncovering a hidden past. What is their connection to this mysterious man? And is there more to him than meets the eye? ,
| Author | : Rasmus Grønfeldt Winther |
| Publisher | : University of Chicago Press |
| Total Pages | : 349 |
| Release | : 2020-06-29 |
| Genre | : Science |
| ISBN | : 022667486X |
Map making and, ultimately, map thinking is ubiquitous across literature, cosmology, mathematics, psychology, and genetics. We partition, summarize, organize, and clarify our world via spatialized representations. Our maps and, more generally, our representations seduce and persuade; they build and destroy. They are the ultimate record of empires and of our evolving comprehension of our world. This book is about the promises and perils of map thinking. Maps are purpose-driven abstractions, discarding detail to highlight only particular features of a territory. By preserving certain features at the expense of others, they can be used to reinforce a privileged position. When Maps Become the World shows us how the scientific theories, models, and concepts we use to intervene in the world function as maps, and explores the consequences of this, both good and bad. We increasingly understand the world around us in terms of models, to the extent that we often take the models for reality. Winther explains how in time, our historical representations in science, in cartography, and in our stories about ourselves replace individual memories and become dominant social narratives—they become reality, and they can remake the world.
| Author | : Miklós Rónaszegi |
| Publisher | : Judit Ronaszegi |
| Total Pages | : 238 |
| Release | : 2023-09-04 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
The familiar figure of Shakespeare, the world’s greatest dramatist, belongs to universal culture. Little is known of his life, more of his plays, yet countless analyses and explanations of them have been written by distinguished experts on literature and aesthetics. Rónaszegi has no wish to join the ranks of these scholars and has instead chosen an unusual format. In his own words, he has written ‘a sketch novel’, albeit one that is filled with erudition, perceptiveness, appraisal, and fascinating information. Every one of Shakespeare’s plays contains a reference to the theatre and acting, the most famous being the lines from As You Like It: ‘All the world’s a stage.’ But it was not acting itself that inspired the playwright, nor was he absorbed in the minutiae of everyday theatrical life – Shakespeare’s great insight is that the whole of human life is nothing more than endless posturing and posing. One moment we are masking our personalities and concealing our intentions, while the next we are acting in character or responding to the expectations of those around us. We perform not to an audience but to ourselves and to one another. This, then, is the real secret that Rónaszegi uncovers, while modestly acknowledging in the course of his brilliant narrative that no one will ever be able to unravel the mystery of Shakespeare’s genius. 1
| Author | : |
| Publisher | : |
| Total Pages | : 540 |
| Release | : 1923 |
| Genre | : Philosophy |
| ISBN | : |
Issues for 1896-1900 contain papers of the Aristotelian Society.
| Author | : Dr Wesley Vander Lugt |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 257 |
| Release | : 2014-04-28 |
| Genre | : Religion |
| ISBN | : 147241943X |
A fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.
| Author | : Nadia Anwar |
| Publisher | : Columbia University Press |
| Total Pages | : 398 |
| Release | : 2016-07-05 |
| Genre | : Literary Criticism |
| ISBN | : 3838268423 |
Nadia Anwar analyzes selected post-independence Nigerian dramas using the conceptual framework of metatheatre, a theatrical strategy that foregrounds the process of play-making by breaking the dramatic illusion. She argues that distancing, as a function of metatheatre, creates a balanced theatrical experience and environment in terms of the emotive and cognitive levels of reception of a particular performance. Anwar's book is the first in-depth study to apply the concept of metatheatre to Nigerian drama. She brings the perspectives of Bertolt Brecht, Thomas J. Scheff, and other theoreticians of dramatic distancing to the analysis of plays by authors such as Wole Soyinka, Ola Rotimi, Femi Osofisan, Esiaba Irobi, and Stella ‘Dia Oyedepo.
| Author | : Oliver M. Sayler |
| Publisher | : |
| Total Pages | : 384 |
| Release | : 1924 |
| Genre | : Theater |
| ISBN | : |
