How East Asian Films Are Reshaping National Identities
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| Author | : Andrew David Jackson |
| Publisher | : |
| Total Pages | : 314 |
| Release | : 2006 |
| Genre | : Performing Arts |
| ISBN | : |
This collection of essays explores the mosaic of East Asian cinema by focusing on issues of identity, history and trans-regional cultural flow within this dynamic region. The argument of the editors is firstly, cinematic cross-pollination within East Asian film has been a constant since 1945, and second, any discussion of the complex identity of East Asia and its national cinemas must consider regional historical issues. These arguments run counter to recent literature published in the field of East Asian cinema that claim responses to Western globalization and modernization are the shaping forces for Asian cultural identity.
| Author | : Hector Kim |
| Publisher | : Hector Kim |
| Total Pages | : 53 |
| Release | : 2010-07-19 |
| Genre | : Performing Arts |
| ISBN | : 1453715967 |
In attempts to identify the integral elements contributory to the recent success of South Korean films in East Asia, most existing researches maintain their wide focal length on either: underlying political conditions like South Korea's media liberalization, or the continually rising demand for non-Hollywood films in the region. This text, however, takes a different approach and looks more closely to the question of "South Korean cinema's place in (re)construction of East Asian identity" as it was found a significant yet underexplored area of research. The questioning is attempted by testing the hypothesis that the merit of South Korean films relies more on the cultural "similarity / proximity" based on "common experience of absorption of Western modern civilization" than the cultural "otherness / distance" based on "different experience of consumption of modern culture". The mode of production and the relationship between the global and South Korean film industry are contextually examined in order to identify and understand the invisible underpinnings, which otherwise would go unnoticed while spectators watch films. In doing so, the text analyzes the unique conditions that the South Korean film industry grew out of, and the effects such underlying conditions had on the contemporary "genre-bending" films, for which South Korean cinema is best known and favored nowadays. Furthermore, by placing hanryu (Korean Wave) phenomenon within the context of globalization discourse, the three main strands of globalization discourse - 1. Cultural imperialism, 2. Modernity project, 3. Hybridization of identity - are applied to the questioning of South Korean cinema's place in East Asia amid the changing trend of cultural flows in times of globalization.
| Author | : Martha P. Nochimson |
| Publisher | : John Wiley & Sons |
| Total Pages | : 644 |
| Release | : 2016-01-26 |
| Genre | : Performing Arts |
| ISBN | : 1118424247 |
With 25 essays that embrace a wide spectrum of topics and perspectives including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong’s highly original portrayal of violence, A Companion to Wong Kar-Wai is a singular examination of the prestigious filmmaker known around the world for the innovation, beauty, and passion he brings to filmmaking. Brings together the most cutting edge, in-depth, and interesting scholarship on arguably the greatest living Asian filmmaker, from a multinational group of established and rising film scholars and critics Covers a huge breadth of topics such as the tradition of the jianghu in Wong's films; queering Wong's films not in terms of gender but through the artist's liminality; the phenomenological Wong; Wong's intertextuality; America through Wong's eyes; the optics of intensities, thresholds, and transfers of energy in Wong's cinema; and the diasporic presence of some ladies from Shanghai in Wong's Hong Kong Examines the political, historical, and sociological influence of Wong and his work, and discusses his work from a variety of perspectives including modern, post-modern, postcolonial, and queer theory Includes two appendices which examine Wong’s work in Hong Kong television and commercials
| Author | : Philippa Gates |
| Publisher | : Routledge |
| Total Pages | : 261 |
| Release | : 2012-03-12 |
| Genre | : Social Science |
| ISBN | : 1136591567 |
This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, "marked transnationality," and on the other, the polysemic nature of transnational film texts by examining the release and reception of these films. The topics explored in this collection include the innovation of Hollywood generic formulas into 1950's and 1960's Hong Kong and Japanese films; the examination of Thai and Japanese raced and gendered identity in Asian and American films; the reception of Hollywood films in pre-1949 China and millennial Japan; the production and performance of Asian adoptee identity and subjectivity; the political implications and interpretations of migrating Chinese female stars; and the production and reception of pan-Pacific co-productions. .
| Author | : Yau Shuk-ting, Kinnia |
| Publisher | : Routledge |
| Total Pages | : 283 |
| Release | : 2009-09-11 |
| Genre | : Business & Economics |
| ISBN | : 1135219478 |
Focuses on the cooperation between Hong Kong and Japanese cinema from the Sino-Japanese War, which broke out in the 1930s, up until the early 1970s, to re-evaluate the significance of this event in the context of Asian film history.
| Author | : Peter C. Pugsley |
| Publisher | : Routledge |
| Total Pages | : 176 |
| Release | : 2016-02-24 |
| Genre | : Social Science |
| ISBN | : 1317008472 |
From the critically acclaimed Malaysian film Sepet to the on-going box office successes of the films created by Hong Kong director Wong Kar Wai, cinematic texts from the nations of Asia are increasingly capturing audiences beyond their national boundaries. Tradition, Culture and Aesthetics in Contemporary Asian Cinema explores the rise of popular Asian cinema and provides an understanding of the aesthetic elements that mark these films as 'Asian cinema'. Incorporating examples of contemporary films from China, Japan, Hong Kong, Korea, Singapore, Malaysia and India, Peter C. Pugsley gives readers a fresh insight into the rapidly developing discourse on popular Asian media. The book's chapters focus on the aesthetic features of national cinemas and the intersections of local/global encountered in the production, distribution and consumption of contemporary Asian films. By tracking across some of the most influential countries in Asia the book is able to offer new perspectives into the visual and aural features that create greater understanding between East and West. As distribution and technological advances make Asian films more readily available, an understanding of the different aesthetics at play will enable readers of this book to recognise key cultural motifs found in cinematic texts from Asia.
| Author | : King Man Eric Chong |
| Publisher | : Routledge |
| Total Pages | : 218 |
| Release | : 2017-06-14 |
| Genre | : Education |
| ISBN | : 1317229746 |
This book makes a timely contribution to understanding perceptions on national identity and National Education, with both of them have become controversial topics in Hong Kong Special Administrative Region (SAR) of China. In a so-called globalization era, national identity and National Education, with the latter having an aim of fostering a Chinese national identity in education, have been significantly pushed ahead by the Hong Kong SAR government since the early 2000s as a response to the return of sovereignty to China in 1997. Teacher perception matters to what they select and how they teach in the schools. By incorporating fieldworks of teacher interviews, observation and documentary analysis, this book argues for a multi-layered conception of identity, different aims, contents and diversified methods of National Education should be recognized. This book is likely to become a useful account of teacher perception on national identity and National Education in citizenship education literature, and it will be relevant to policymakers, teachers, trainers and researchers. Chapters include, 1. Different meanings of national identity of teachers and aims, contents and methods of National Education 2. From Citizenship Education to National Education in a Chinese society 3. Implications for understanding National Education in a globalization era: mixed identification, multi-layered identities, knowledge transmission, and ‘global identity’
| Author | : G. Andrew Stuckey |
| Publisher | : Hong Kong University Press |
| Total Pages | : 161 |
| Release | : 2018-08-17 |
| Genre | : Performing Arts |
| ISBN | : 9888390813 |
Depictions within a movie of either filmmaking or film watching are hardly novel, but the dramatic expansion of the reach of the metacinematic into contemporary Chinese cinemas is nothing short of remarkable. To G. Andrew Stuckey, the prevalence of metacinematic features forms the basis of a discourse on film arising from the films themselves. Such a discourse, in turn, outlines the boundaries of the possible for film in China as aesthetic or sociopolitical practice. Metacinema also draws our attention to the presence of the audience, people actively responding to a film. In elucidating the affective responses elicited by the metacinematic mode in the viewers, Stuckey argues that metacinema reflects ways of being in the world that audiences may take up for themselves. The films studied in this book are drawn across the full spectrum of Chinese films made in mainland China, Hong Kong, and Taiwan during the 1990s and 2000s, from award-winning conceptual art films to popular crowd pleasers, blockbusters to low-budget productions, and documentary-style social realist exposé projects to studio assembly-line investments. The recurrence of the metacinematic across this broad range of works is indicative of its relevance to Chinese films today, and the analysis of these diverse examples allows us to gauge the cultural, social, and aesthetic implications of Chinese cinemas as a whole. “Stuckey surveys a broad swath of contemporary Chinese cinema, from popular blockbusters to elite art films, around the theme of metacinema, yielding new insights into both previously neglected films and those already acknowledged as contemporary classics. The result is a fascinating dive into the growing and diversifying cinema culture of China today.” —Jason McGrath, University of Minnesota “Stuckey’s brilliant work, Metacinema in Contemporary Chinese Film, offers insightful close analyses of films by key directors from the PRC (Jiang Wen, Lou Ye, Jia Zhangke, and Li Yu), Hong Kong (Peter Chan), and Taiwan (Tsai Ming-liang). This clearly written book is essential reading for scholars and students of Chinese cinemas. Stuckey’s study of genre and metacinema makes it a must-read for anyone interested in cinema.” —Michelle Bloom, University of California, Riverside
| Author | : Kwai-Cheung Lo |
| Publisher | : State University of New York Press |
| Total Pages | : 259 |
| Release | : 2010-08-04 |
| Genre | : Social Science |
| ISBN | : 1438432100 |
Innovative analysis of the relationship of gender to East Asian economic development.
| Author | : Hyon Joo Yoo |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 409 |
| Release | : 2021-01-01 |
| Genre | : Motion pictures |
| ISBN | : 1501322583 |
South Korean Film: Critical and Primary Sources is an essential three-volume reference collection representing three distinct phases in the development of South Korean national cinema, foregrounding how epochal characteristics inform the way in which the national cinema represents the penetrating thematic concern of auteur-ship, genre, spectatorship, gender, and nation, as well as the way in which these themes find expression in distinct visual styles and forms.
