Hospital Series Vol 19 New Directions Poetry Pamphlets
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Author | : Amelia Rosselli |
Publisher | : New Directions Publishing |
Total Pages | : 102 |
Release | : 2015-04-07 |
Genre | : Poetry |
ISBN | : 0811224899 |
A poem cycle about hospital life and illness by revered, twentieth-century Italian avant-gardist. Hospital Series, a bruisingly intimate colloquy with an elusive lover, is Italian poet Amelia Rosselli’s virtuoso, subversive, neo-Petrarchan sequence of poems. Rosselli wrote much of the series in the mid 1960s after being hospitalized for a mental illness she suffered from for most of her life, and whose pain shapes her language and difficult vision. These explosive poems, a furious cacophonic crescendo of semantic and syntactic accumulations deeply admired by Pier Paolo Pasolini, place Rosselli among the greatest writers of her generation.
Author | : Ferreira Gullar |
Publisher | : New Directions Publishing |
Total Pages | : 78 |
Release | : 2015-04-07 |
Genre | : Poetry |
ISBN | : 0811224783 |
Considered the greatest long poem in 20th century Brazilian poetry, Ferreira's Gullar's Dirty Poem was written as a response to the Brazilian dictatorship that put him in exile and murdered thousands. Written in 1975 in Buenos Aires when Ferreira Gullar was in political exile from the Brazilian dictatorship, Dirty Poem is an epic poem that amid life events traces the author’s political and artistic evolution and is by most accounts the most important long poem of contemporary Brazilian literature. Scholar and critic Otto Maria Carpeaux wrote: “Dirty Poem deserves to be called ‘National Poem’ because it embodies all of the experiences, victories, defeats, and hopes in the life of the Brazilian citizen.” It is a hypnotic work that draws on the poet’s memory of adolescence in the seaside city of Sao Luís do Maranhao during World War II and deals openly with the “dirty” shamefulness of a socio-economic system that abuses its citizens with poverty, sexism, greed, and fear.
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 878 |
Release | : 1973 |
Genre | : American literature |
ISBN | : |
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 596 |
Release | : 1979 |
Genre | : Library catalogs |
ISBN | : |
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 1626 |
Release | : 1971 |
Genre | : Copyright |
ISBN | : |
Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : 1230 |
Release | : 1967 |
Genre | : English imprints |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1858 |
Release | : 1985 |
Genre | : Monographic series |
ISBN | : |
Vols. for 1980- issued in three parts: Series, Authors, and Titles.
Author | : |
Publisher | : |
Total Pages | : 396 |
Release | : 1970 |
Genre | : Periodicals |
ISBN | : |
Author | : Stefansson Collection |
Publisher | : |
Total Pages | : 682 |
Release | : 1967 |
Genre | : Polar regions |
ISBN | : |
Author | : Viorica Patea |
Publisher | : Liverpool University Press |
Total Pages | : 315 |
Release | : 2024-04-26 |
Genre | : Literary Criticism |
ISBN | : 1835539661 |
This collection offers for the first time criticism, biographical essays, analysis, translation studies, and reminiscences of Ezra Pound’s extensive interaction with Spain and Spanish culture, from his earliest visits to Spain in 1902 and 1906 and his study of significant Spanish writers to the dedication of the first monument erected anywhere to Pound in the small Spanish village of Medinaceli in 1973. Divided into two sections, Part One: “ON EZRA POUND AND THE SPANISH WORLD” includes a general introduction on Pound’s lifelong involvement with Spain, together with chapters on Pound’s study of classical Spanish literature, the Spanish dimension in The Cantos, Pound’s contemporary Spanish connections, and his legacy in contemporary Spanish letters. Part Two: “EZRA POUND AND THE SPANISH WORLD: A READER,” then gathers for the first time Pound’s own writings (postcards, letters, and essays) concerning Spain and Spanish writers, as well as his correspondence with Spanish poets Miguel de Unamuno and Juan Ramón Jiménez and with José Vázquez Amaral, the first Spanish translator of The Cantos in its entirety. The volume includes reminiscences by Spanish Novísimos poets, Antonio Colinas and Jaime Siles, written explicitly for this collection. Besides providing a thorough exploration into Pound’s engagement with Spain, this volume pays homage to Pound’s considerable influence on Spanish culture.