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| Author | : Frederick Lewis Blackwell II |
| Publisher | : Dorrance Publishing |
| Total Pages | : 64 |
| Release | : 2016-01-21 |
| Genre | : Poetry |
| ISBN | : 1480919489 |
Horrorcore by Frederick Lewis Blackwell II Based on major influences such as: The Insane Clown Posse, Esham, TECH N9NE, and Twiztid, Horrorcore is a collection of poetry for Juggalos, old school and new school alike. The wicked style and themes pop of the page and into readers’ minds, making them a feel like a certified Juggalo.
| Author | : Craven Rock |
| Publisher | : Microcosm Publishing |
| Total Pages | : 160 |
| Release | : 2019-08-14 |
| Genre | : Music |
| ISBN | : 1621060993 |
WHOOP! WHOOP! The Insane Clown Posse calls itself "the most hated band in the world," but with 11 million albums sold, the horrorcore hip hop duo from Detroit is a widespread music phenomenon with a cult following. This book is the story of Craven Rock's journey to their annual festival, the Gathering of the Juggalos, where legions of fans in clown makeup come together every year to attend this family-reunion-like event and enjoy musical celebrities, feats of wrestling, debauchery, and most of all, a supportive, tight-knit community.Juggalos gained the political spotlight in 2017, when thousands of fans marched on Washington, DC to protest their classification by the FBI as a violent gang. Dwarfing the pro-Trump rally at the same time and place, Juggalos proved themselves to be a growing voice of dissent for some of the most neglected parts of the United States. Rock's reporting casts a light on many contradictions and perils of Juggalodom, sensitively handling questions of gender, health, religion, and what it means to be part of something. Part festival-goer's journal, part music history, part investigative report, part social commentary, Juggalo Country takes us into the heart of a much-derided and controversial movement and shows us the redemptive power of family and community.
| Author | : Robin R. Means Coleman |
| Publisher | : Routledge |
| Total Pages | : 294 |
| Release | : 2013-03 |
| Genre | : History |
| ISBN | : 1136942947 |
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
| Author | : Nicolae Sfetcu |
| Publisher | : Nicolae Sfetcu |
| Total Pages | : 6042 |
| Release | : 2014-05-07 |
| Genre | : Music |
| ISBN | : |
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
| Author | : Melissa Ursula Dawn Goldsmith |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 933 |
| Release | : 2018-12-01 |
| Genre | : Social Science |
| ISBN | : |
This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.
| Author | : Frederick Blackwell |
| Publisher | : Page Publishing Inc |
| Total Pages | : 102 |
| Release | : 2019-04-25 |
| Genre | : Poetry |
| ISBN | : 164462740X |
Wicked Shit Boombox and Other Poems Related to the Underground and Mainstream Entertainment is a second poetry book by Frederick Blackwell. The poetical pieces of collective works are based on influences of Underground Rap and Heavy Metal, as well as Mainstream Entertainment Media. Based on influences such as Insane Clown Posse, Twiztid, Esham, and the Juggalo World; as well as former music video networks like The Cool TV and The Box Network. Wicked Shit Boombox is a poetic masterpiece to make your ears and eyes bleed.
| Author | : Brad Hunter |
| Publisher | : Ad Lib Publishers Ltd |
| Total Pages | : 204 |
| Release | : 2021-07-08 |
| Genre | : True Crime |
| ISBN | : 1913543137 |
Murder is the most vile crime known to man. It can be triggered by love or money or sex. Those are the three big ticket items for homicide. But people are strange. They will kill for the most obscure and ridiculous of reasons. In 30 years covering murder, I have discovered each one has its own flavour. Cops and friends can be stunned by the evil lurking within a seemingly ordinary man or woman. In this collection of some of the most memorable cases I've reported on, there are serial killers, rich kid monsters, football stars and wives in pursuit of hormone-charged hijinks... The very rich and the very poor. Successful lawyers and hotel executives. Southern belles who could melt butter with a come hither wink and a sexy drawl. Daddy’s girls with gleaming smiles, good marks and possessed by the devil. These are stories of American crimes and they stretch from coast to coast. You will find cheating husbands and wives so desperate for love that they’ll kill for it. When the mob kills, it’s never personal. It’s strictly business. With the murderers in Cold Blooded Murder, it’s ALWAYS personal.
| Author | : Roy Christopher |
| Publisher | : Watkins Media Limited |
| Total Pages | : 288 |
| Release | : 2019-03-19 |
| Genre | : Music |
| ISBN | : 1912248352 |
The story of how hip-hop created, and came to dominate, the twenty-first century. In Dead Precedents, Roy Christopher traces the story of how hip-hop invented the twenty-first century. Emerging alongside cyberpunk in the 1980s, the hallmarks of hip-hop - allusion, self-reference, the use of new technologies, sampling, the cutting and splicing of language and sound - would come to define the culture of the new millennium. Taking in the groundbreaking work of DJs and MCs, alongside writers like Dick and Gibson, as well as graffiti and DIY culture, Dead Precedents is a counter-culture history of the twentieth century, showcasing hip-hop's role in the creation of the world we now live in.
| Author | : Charles L. Hughes |
| Publisher | : University of Texas Press |
| Total Pages | : 209 |
| Release | : 2021-06-15 |
| Genre | : Music |
| ISBN | : 1477322310 |
In 1989 the Geto Boys released a blistering track, “Size Ain’t Shit,” that paid tribute to the group’s member Bushwick Bill. Born with dwarfism, Bill was one of the few visibly disabled musicians to achieve widespread fame and one of the even fewer to address disability in a direct, sustained manner. Initially hired as a dancer, Bill became central to the Geto Boys as the Houston crew became one of hip-hop’s most important groups. Why Bushwick Bill Matters chronicles this crucial artist and explores what he reveals about the relationships among race, sex, and disability in pop music. Charles L. Hughes examines Bill's recordings and videos (both with the Geto Boys and solo), from the horror-comic persona of “Chuckie” to vulnerable verses in songs such as “Mind Playing Tricks On Me,” to discuss his portrayals of dwarfism, addiction, and mental illness. Hughes also explores Bill’s importance to his era and to the longer history of disability in music. A complex figure, Bill exposed the truths of a racist and ableist society even as his violent and provocative lyrics put him in the middle of debates over censorship and misogyny. Confrontational and controversial, Bushwick Bill left a massive legacy as he rhymed and swaggered through an often-inaccessible world.
| Author | : Mark Duffett |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 256 |
| Release | : 2021-01-14 |
| Genre | : Music |
| ISBN | : 150131338X |
Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more 'monsters' than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, subjectivity, agency, and community. Attention to monstrosity evokes both the spectre of projection (which invokes familial trauma and psychoanalysis) and shared anxieties (that in turn reflect ideologies and beliefs). By pursuing a series of insightful case studies, Scary Monsters considers different aspects of the connection between music, gender and monstrosity. Its argument is that attention to monstrosity provides a unique perspective on the study of masculinity in popular music culture.
