Horror Film Directors 1931 1990
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Author | : Dennis Fischer |
Publisher | : McFarland |
Total Pages | : 903 |
Release | : 2024-10-17 |
Genre | : Performing Arts |
ISBN | : 1476607958 |
This is an exhaustive study of the major directors of horror films in the six decade period. For each director there is a complete filmography including television work, a career summary, critical assessment, and behind-the-scenes production information. Fifty directors are covered in depth, but there is an additional section on the hopeless, the obscure, the promising, and the up-and-coming.
Author | : Dennis Fischer |
Publisher | : |
Total Pages | : 912 |
Release | : 1991 |
Genre | : Performing Arts |
ISBN | : |
Exhaustive study of the major directors of horror films in the six decade period. For each director there is a complete filmography including television work, a career summary, critical assessment, and behind-the-scenes production information. Fifty directors are covered in depth, but there is an additional section on the hopeless, the obscure, the promising, and the up-and-coming. (EDITOR).
Author | : Dennis Fischer |
Publisher | : McFarland |
Total Pages | : 768 |
Release | : 2011-07-01 |
Genre | : Performing Arts |
ISBN | : 0786460911 |
This enormous and exhaustive reference book has entries on every major and minor director of science fiction films from the inception of cinema (circa 1895) through 1998. For each director there is a complete filmography including television work, a career summary, a critical assessment, and behind-the-scenes production information. Seventy-nine directors are covered in especially lengthy entries and a short history of the science fiction film genre is also included.
Author | : Barry Keith Grant |
Publisher | : University of Texas Press |
Total Pages | : 785 |
Release | : 2012-12-01 |
Genre | : Performing Arts |
ISBN | : 0292745745 |
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
Author | : American Film Institute |
Publisher | : Univ of California Press |
Total Pages | : 1198 |
Release | : 1993 |
Genre | : Performing Arts |
ISBN | : 9780520079083 |
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
Author | : Barry Keith Grant |
Publisher | : Bloomsbury Publishing |
Total Pages | : 225 |
Release | : 2022-03-24 |
Genre | : Performing Arts |
ISBN | : 1839021446 |
"[A] well-plotted survey." Total Film In 100 American Horror Films, Barry Keith Grant presents entries on 100 films from one of American cinema's longest-standing, most diverse and most popular genres, representing its rich history from the silent era - D.W. Griffith's The Avenging Conscience of 1915 - to contemporary productions - Jordan Peele's 2017 Get Out. In his introduction, Grant provides an overview of the genre's history, a context for the films addressed in the individual entries, and discusses the specific relations between American culture and horror. All of the entries are informed by the question of what makes the specific film being discussed a horror film, the importance of its place within the history of the genre, and, where relevant, the film is also contextualized within specifically American culture and history. Each entry also considers the film's most salient textual features, provides important insight into its production, and offers both established and original critical insight and interpretation. The 100 films selected for inclusion represent the broadest historical range, and are drawn from every decade of American film-making, movies from major and minor studios, examples of the different types or subgenres of horror, such as psychological thriller, monster terror, gothic horror, home invasion, torture porn, and parody, as well as the different types of horror monsters, including werewolves, vampires, zombies, mummies, mutants, ghosts, and serial killers.
Author | : Paul Kane |
Publisher | : McFarland |
Total Pages | : 257 |
Release | : 2015-05-07 |
Genre | : Performing Arts |
ISBN | : 1476600694 |
Best-selling horror novelist Clive Barker's 1987 film Hellraiser has become an undisputed horror classic, spawning a movie franchise that to date includes eight films. Exploring not only the cinematic interpretations of the Hellraiser mythos but also its intrusion into other artistic and cultural forms, this volume begins by identifying the unconventional sources of Barker's inspiration and following Barker from his pre-Hellraiser cinematic experience through the filming of the horror classic. It examines various themes (such as the undermining of the traditional family unit and the malleability of the flesh) found throughout the film series and the ways in which the representation of these themes changes from film to film. The religious aspects of the films are also discussed. Characters central to the franchise--and the mythos--are examined in detail.
Author | : Robert Murphy |
Publisher | : Bloomsbury Publishing |
Total Pages | : 1560 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838715320 |
A guide to directors who have worked in the British and Irish film industries between 1895 and 2005. Each of its 980 entries on individuals directors gives a resume of the director's career, evaluates their achievements and provides a complete filmography. It is useful for those interested in film-making in Britain and Ireland.
Author | : Peter Dendle |
Publisher | : McFarland |
Total Pages | : 259 |
Release | : 2011-01-12 |
Genre | : Performing Arts |
ISBN | : 0786463678 |
Zombies are cautionary forms of humankind's most universally cherished ideal--life after death. Ragged, ill-spoken, rotting zombies (or the post-dead) seem socially awkward beside the more popular and aristocratic undead, like Count Dracula. The humble zombie remains, for the most part, unappreciated and unacknowledged--until now. The first exhaustive historical overview of zombie films, this book's lengthy entries evaluate more than 200 movies from 16 countries over a 65-year period from the early 1930s to the late 1990s. It covers everything from large studio films to backyard videography, and touches on memorable television episodes and miscellaneous shorts. An introduction traces the evolution of the genre and interprets the broader significance of the zombie in contemporary Western mythology.
Author | : Tony Williams |
Publisher | : Columbia University Press |
Total Pages | : 321 |
Release | : 2015-04-14 |
Genre | : Performing Arts |
ISBN | : 0231850751 |
In this comprehensive portrait of horror's definitive director, Tony Williams ties George A. Romero's films to the development of literary naturalism and American culture, expanding the artist's creative footprint beyond his mastery of the "splatter movie" genre. Williams locates Romero's influences in the work of Emile Zola, the Entertainment Comics of the 1950s, and the novels of Stephen King, revealing the interdisciplinary depth of his seminal films Night of the Living Dead (1968), Creepshow (1982), Monkey Shines (1988), and The Dark Half (1992). For this second edition, Williams reads Romero's Bruiser (2000) against his more recent Land of the Dead (2005) and takes a fresh look at Diary of the Dead (2007) and Survival of the Dead (2009), two overlooked films that feature Romero's greatest achievements yet.