Horror Comics #28

Horror Comics #28
Author: Various Authors
Publisher: Antarctic Press
Total Pages: 44
Release:
Genre: Comics & Graphic Novels
ISBN:

Four Color Fear

Four Color Fear
Author: Greg Sadowski
Publisher: Fantagraphics Books
Total Pages: 321
Release: 2010-10-18
Genre: Comics & Graphic Novels
ISBN: 1606993437

A massive collection of never-before-collected pre-Comics Code horror comics of the 1950s. Of the myriad genres comic books ventured into during its golden age, none was as controversial as or came at a greater cost than horror; the public outrage it incited almost destroyed the entire industry. Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951–54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust volume.

The History of EC Comics

The History of EC Comics
Author: Grant Geissman
Publisher: Taschen
Total Pages: 592
Release: 2020-06-15
Genre:
ISBN: 9783836549769

In 1947, Bill Gaines inherited his legendary father's fledgling publishing company, EC Comics. Over the next eight years, he and a "who's who" of the era including Al Feldstein, Harvey Kurtzman, and Wally Wood would reinvent the very notion of the comic book with titles like Tales from the Crypt, Weird Science, and MAD. With more than 1,000...

Creepy Archives Volume 1

Creepy Archives Volume 1
Author: Various
Publisher: Dark Horse Comics
Total Pages: 256
Release: 2008
Genre: Comics & Graphic Novels
ISBN: 1593079737

Gather up your wooden stakes, your blood-covered hatchets, and all the skeletons in the darkest depths of your closet, and prepare for a horrifying adventure into the darkest corners of comics history. Dark Horse Comics further corners the market on high quality horror storytelling with one of the most anticipated releases of the decade, a hardcover archive collection of legendary Creepy Magazine. This groundbreaking material turned the world of graphic storytelling on its head in the early 1960s, as phenomenal young artists like Bernie Wrightson and Neal Adams reached new artistic heights with their fascinating explorations of classic and modern horror stories. *Brilliant, classic Creepy stories from 1964-1966 raised from the dead after twenty-five years. *Featuring work by such comics luminaries as Joe Orlando, Al Williamson, Alex Toth, and Frank Frazetta. * Archive editions of Creepy will be the cornerstone of any comic-book library. *Volume One reprints the first five terrifying issues of the magazine’s original run, reprinted in the original magazine size!

Planet Comics #28

Planet Comics #28
Author: Various Authors
Publisher: Antarctic Press
Total Pages: 36
Release:
Genre: Comics & Graphic Novels
ISBN:

Horror Comics #27

Horror Comics #27
Author: Various Authors
Publisher: Antarctic Press
Total Pages: 32
Release:
Genre: Comics & Graphic Novels
ISBN:

Printing terror

Printing terror
Author: Michael Goodrum
Publisher: Manchester University Press
Total Pages: 474
Release: 2021-01-12
Genre: Literary Criticism
ISBN: 1526135949

Printing Terror places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America’s changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s up to 1954, and the post-CCA era to 1975. The book examines each of these periods through the lenses of war, gender, and race, demonstrating that horror comics at this time were centered on white male victimhood and the monstrosity of the gendered and/or racialised other. It is of interest to scholars of horror, comics studies, and American history.

Beyond the Living Dead

Beyond the Living Dead
Author: Bruce Peabody
Publisher: McFarland
Total Pages: 222
Release: 2021-09-13
Genre: Performing Arts
ISBN: 1476642621

In 1968, George Romero's film Night of the Living Dead premiered, launching a growing preoccupation with zombies within mass and literary fiction, film, television, and video games. Romero's creativity and enduring influence make him a worthy object of inquiry in his own right, and his long career helps us take stock of the shifting interest in zombies since the 1960s. Examining his work promotes a better understanding of the current state of the zombie and where it is going amidst the political and social turmoil of the twenty-first century. These new essays document, interpret, and explain the meaning of the still-budding Romero legacy, drawing cross-disciplinary perspectives from such fields as literature, political science, philosophy, and comparative film studies. Essays consider some of the sources of Romero's inspiration (including comics, science fiction, and Westerns), chart his influence as a storyteller and a social critic, and consider the legacy he leaves for viewers, artists, and those studying the living dead.

Pulp Empire

Pulp Empire
Author: Paul S. Hirsch
Publisher: University of Chicago Press
Total Pages: 346
Release: 2024-06-05
Genre: Comics & Graphic Novels
ISBN: 0226829464

Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.

The Horror Comic Never Dies

The Horror Comic Never Dies
Author: Michael Walton
Publisher: McFarland
Total Pages: 179
Release: 2019-02-14
Genre: Law
ISBN: 1476675368

Horror comics were among the first comic books published--ghastly tales that soon developed an avid young readership, along with a bad reputation. Parent groups, psychologists, even the United States government joined in a crusade to wipe out the horror comics industry--and they almost succeeded. Yet the genre survived and flourished, from the 1950s to today. This history covers the tribulations endured by horror comics creators and the broader impact on the comics industry. The genre's ultimate success helped launch the careers of many of the biggest names in comics. Their stories and the stories of other key players are included, along with a few surprises.