Horace And His Lyric Poetry
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| Author | : L. P. Wilkinson |
| Publisher | : CUP Archive |
| Total Pages | : 196 |
| Release | : 1968-10 |
| Genre | : History |
| ISBN | : 9780521095532 |
In this volume, first published in 1945, Mr Wilkinson writes primarily for students of the classics who are not Horatian specialists. His book falls easily within the scope of those who can read any Latin at all - and even of those who cannot, for most passages quoted are also translated. Horace - for Mr Wilkinson - is the poet of the Odes and the Epodes - the incomparable genius of the lyric form, and a sympathetic and engaging character into the bargain. He is especially concerned with Horace as the poetic craftsman. Like most Roman poets, Horace was not inventive in subject-matter: he generally wrote about what we now recognize as the eternal platitudes. But Mr Wilkinson focuses on the mastery of form, rhythm and cadence that have charmed readers for centuries.
| Author | : Abigail Graham |
| Publisher | : Routledge |
| Total Pages | : 314 |
| Release | : 2014-10-30 |
| Genre | : History |
| ISBN | : 1317578449 |
The Romans: An Introduction, 3rd edition engages students in the study of ancient Rome by exploring specific historical events and examining the evidence. This focus enables students not only to learn history and culture but also to understand how we recreate this picture of Roman life. The thematic threads of individuals and events (political, social, legal, military conflicts) are considered and reconsidered in each chapter, providing continuity and illustrating how political, social, and legal norms change over time. This new edition contains extensive updated and revised material designed to evoke the themes and debates which resonate in both the ancient and modern worlds: class struggles, imperialism, constitutional power (checks & balances), the role of the family, slavery, urbanisation, and religious tolerance. Robust case studies with modern parallels push students to interpret and analyze historical events and serve as jumping off points for multifaceted discussion. New features include: Increased emphasis on developing skills in interpretation and analysis which can be used across all disciplines. Expanded historical coverage of Republican history and the Legacy of Rome. An expanded introduction to the ancient source materials, as well as a more focused and analytical approach to the evidence, which are designed to engage the reader further in his/her interaction and interpretation of the material. A dedicated focus on specific events in history that are revisited throughout the book that fosters a richer, more in-depth understanding of key events. New maps and a greater variety of illustrations have been added, as well as updated reading lists. A further appendix on Roman nomenclature and brief descriptions of Roman authors has also been provided. The book’s successful website has been updated with additional resources and images, including on-site videos from ancient sites and case studies which provide closer "tutorial" style treatment of specific topics and types of evidence. Those with an interest in classical language and literature, ancient history, Roman art, political and economic systems, or the concept of civilization as a whole, will gain a greater understanding of both the Romans and the model of a civilization that has shaped so many cultures.
| Author | : Francis Cairns |
| Publisher | : Walter de Gruyter |
| Total Pages | : 537 |
| Release | : 2012-01-27 |
| Genre | : Literary Criticism |
| ISBN | : 3110267225 |
Francis Cairns has made well-known contributions to the study of Roman Epic and Elegy. Papers on Catullus and Horace assembles his substantial body of work on Roman Lyric - about 30 papers published between 1969 and 2010 in many European and American periodicals, themed volumes and Festschriften, along with some new papers. Many aspects of the lyric poetry of Catullus and Horace are treated in this collection. Particular emphasis is given to the political and religious interests of both poets, to their interactions with their contemporaries, to the ‛learning’ which informs their poetry, and to their generic practices. Philological problems of text and interpretation are treated pari passu, as are relevant aesthetic questions. The volume is fully indexed and contains a composite bibliography and addenda and corrigenda. Papers on Catullus and Horace will make access to this body of important scholarly material easier and more convenient for scholars and students of Latin poetry.
| Author | : Horace |
| Publisher | : |
| Total Pages | : 90 |
| Release | : 1874 |
| Genre | : Latin poetry |
| ISBN | : |
| Author | : Michael Paschalis |
| Publisher | : Michael Paschalis |
| Total Pages | : 210 |
| Release | : 2002 |
| Genre | : Comparative literature |
| ISBN | : 9607143183 |
| Author | : Ellen Oliensis |
| Publisher | : Cambridge University Press |
| Total Pages | : 255 |
| Release | : 1998-05-28 |
| Genre | : Foreign Language Study |
| ISBN | : 0521573157 |
This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career.
| Author | : Michael C.J. Putnam |
| Publisher | : Princeton University Press |
| Total Pages | : 185 |
| Release | : 2009-04-11 |
| Genre | : Literary Criticism |
| ISBN | : 1400827426 |
The lives of Catullus and Horace overlap by a dozen years in the first century BC. Yet, though they are the undisputed masters of the lyric voice in Roman poetry, Horace directly mentions his great predecessor, Catullus, only once, and this reference has often been taken as mocking. In fact, Horace's allusion, far from disparaging Catullus, pays him a discreet compliment by suggesting the challenge that his accomplishment presented to his successors, including Horace himself. In Poetic Interplay, the first book-length study of Catullus's influence on Horace, Michael Putnam shows that the earlier poet was probably the single most important source of inspiration for Horace's Odes, the later author's magnum opus. Except in some half-dozen poems, Catullus is not, technically, writing lyric because his favored meters do not fall into that category. Nonetheless, however disparate their preferred genres and their stylistic usage, Horace found in the poetry of Catullus, whatever its mode of presentation, a constant stimulus for his imagination. And, despite the differences between the two poets, Putnam's close readings reveal that many of Horace's poems echo Catullus verbally, thematically, or both. By illustrating how Horace often found his own voice even as he acknowledged Catullus's genius, Putnam guides us to a deeper appreciation of the earlier poet as well.
| Author | : Michèle Lowrie |
| Publisher | : Oxford University Press |
| Total Pages | : 402 |
| Release | : 1997 |
| Genre | : Literary Criticism |
| ISBN | : 9780198150534 |
Narrative has not traditionally been a subject in the analysis of lyric poetry. This book deconstructs the polarity that divides and binds lyric and narrative means of representation in Horace's Odes. While myth is a canonical feature of Pindaric epinician, Horace cannot adopt the Pindaricmode for aesthetic and political reasons. Roman Callimacheanism's privileging of the small and elegant offers a pretext for Horace to shrink from the difficulty of writing praise poetry in the wake of civil war. But Horace by no means excludes story-telling from his enacted lyric. On the formallevel, numerous odes contain narration. Together they constitute a larger narrative told over the course of Horace's two lyric collections. Horace tells the story of his development as a lyricist and of the competing aesthetic and political demands on his lyric poetry. At issue is whether he canever truly become a poet of praise.
| Author | : Horace |
| Publisher | : Princeton University Press |
| Total Pages | : 387 |
| Release | : 2016-06-30 |
| Genre | : Poetry |
| ISBN | : 140088411X |
Horace has long been revered as the supreme lyric poet of the Augustan Age. In his perceptive introduction to this translation of Horace's Odes and Satires, Sidney Alexander engagingly spells out how the poet expresses values and traditions that remain unchanged in the deepest strata of Italian character two thousand years later. Horace shares with Italians of today a distinctive delight in the senses, a fundamental irony, a passion for seizing the moment, and a view of religion as aesthetic experience rather than mystical exaltation--in many ways, as Alexander puts it, Horace is the quintessential Italian. The voice we hear in this graceful and carefully annotated translation is thus one that emerges with clarity and dignity from the heart of an unchanging Latin culture. Alexander is an accomplished poet, novelist, biographer, and translator who has lived in Italy for more than thirty years. Translating a poet of such variety and vitality as Horace calls on all his literary abilities. Horace (Quintus Horatius Flaccus, 65-8 bce), was born the son of a freed slave in southern rural Italy and rose to become one of the most celebrated poets in Rome and a confidante of the most powerful figures of the age, including Augustus Caesar. His poetry ranges over politics, the arts, religion, nature, philosophy, and love, reflecting both his intimacy with the high affairs of the Roman Empire and his love of a simple life in the Italian countryside. Alexander translates the diverse poems of the youthful Satires and the more mature Odes with freshness, accuracy, and charm, avoiding affectations of archaism or modernism. He responds to the challenge of rendering the complexities of Latin verse in English with literary sensitivity and a fine ear for the subtleties of poetic rhythm in both languages. This is a major translation of one of the greatest of classical poets by an acknowledged master of his craft.
| Author | : Harry Eyres |
| Publisher | : A&C Black |
| Total Pages | : 255 |
| Release | : 2013-07-04 |
| Genre | : Biography & Autobiography |
| ISBN | : 1408818248 |
A deeply personal story of one man's life-long obsession with an ancient poet, and an exploration of what Horace's thoughts on life, leisure and love can teach us today 'A moving memoir that shakes the dust off Horace – and restores him to his rightful berth among the immortals' Harry Mount, author of Amo, Amas, Amat... 'Delightful ... Its seductive interweaving of a modern life and an ancient one will encourage a wider readership of this most appealing of Latin writers, even if only in translation' Economist Horace lived at a pivotal moment. Rome was facing a profound crisis: though it ruled the world, the values which had made it great were disintegrating. As efficiency and pragmatism became watchwords, Horace championed the 'supremely useless' endeavour of poetry, and glorified friendship and wine. Horace and Me charts Harry Eyres' evolving relationship with the Latin poet to show how, in an era of affluence and excess which seems to be hurtling out of control, Horace can help us navigate our way in uncertain times.
