Hopis Tewas And The American Road
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Author | : Willard Walker |
Publisher | : |
Total Pages | : 204 |
Release | : 1986 |
Genre | : Social Science |
ISBN | : |
"The Melville Collection of Indian art, cataloged in this handsome book, was largely assembled in 1927 on the Hopis Mesas. The collection, which belongs to Wesleyan University, the original publisher of this book, also includes Plains, Pima, Pueblo, and Navajo items. The Hopi material comprises traditional pieces intended for local use, innovative items made for sale to tourists, and ceramics that illustrate the complex transition in Hopi pottery from folk craft to :Indian art." In addition to cataloging the collection, the book includes essays on the Tewas and the Hopis, on the Sityatki Revival potters and their wares, on the historical and political context of Indian affairs in the 1920s, on the business of buying and selling Indian art, and on the individuals who made this particular collection."
Author | : Willard Walker |
Publisher | : |
Total Pages | : 189 |
Release | : 1983 |
Genre | : Art |
ISBN | : 9780826309198 |
Author | : Matthew Sakiestewa Gilbert |
Publisher | : University Press of Kansas |
Total Pages | : 296 |
Release | : 2018-10-10 |
Genre | : Sports & Recreation |
ISBN | : 0700626980 |
In the summer of 1912 Hopi runner Louis Tewanima won silver in the 10,000-meter race at the Stockholm Olympics. In that same year Tewanima and another champion Hopi runner, Philip Zeyouma, were soundly defeated by two Hopi elders in a race hosted by members of the tribe. Long before Hopis won trophy cups or received acclaim in American newspapers, Hopi clan runners competed against each other on and below their mesas—and when they won footraces, they received rain. Hopi Runners provides a window into this venerable tradition at a time of great consequence for Hopi culture. The book places Hopi long-distance runners within the larger context of American sport and identity from the early 1880s to the 1930s, a time when Hopis competed simultaneously for their tribal communities, Indian schools, city athletic clubs, the nation, and themselves. Author Matthew Sakiestewa Gilbert brings a Hopi perspective to this history. His book calls attention to Hopi philosophies of running that connected the runners to their villages; at the same time it explores the internal and external forces that strengthened and strained these cultural ties when Hopis competed in US marathons. Between 1908 and 1936 Hopi marathon runners such as Tewanima, Zeyouma, Franklin Suhu, and Harry Chaca navigated among tribal dynamics, school loyalties, and a country that closely associated sport with US nationalism. The cultural identity of these runners, Sakiestewa Gilbert contends, challenged white American perceptions of modernity, and did so in a way that had national and international dimensions. This broad perspective linked Hopi runners to athletes from around the world—including runners from Japan, Ireland, and Mexico—and thus, Hopi Runners suggests, caused non-Natives to reevaluate their understandings of sport, nationhood, and the cultures of American Indian people.
Author | : Richard O. Clemmer |
Publisher | : Routledge |
Total Pages | : 327 |
Release | : 2018-02-12 |
Genre | : Social Science |
ISBN | : 0429977204 |
For the past 100 years, Hopis have had to deal with technological, economic and political changes originating from outside their society. The author documents the ways in which Hopis have used their culture and their socio-political structures to deal with change, focusing on major events in Hopi history. A study of "fourth worlders" coping with a dominant nation state, the book documents Hopi social organization, economy, religion and politics, as well as key events in the history of Hopi-US relations. Despite 100 years of contact with the dominant American culture, Hopi culture today maintains continuity with aboriginal roots while reflecting the impact of the 20th century.
Author | : Margaret D. Jacobs |
Publisher | : U of Nebraska Press |
Total Pages | : 304 |
Release | : 1999-01-01 |
Genre | : Social Science |
ISBN | : 9780803276093 |
In this interdisciplinary study of gender, cross-cultural encounters, and federal Indian policy, Margaret D. Jacobs explores the changing relationship between Anglo-American women and Pueblo Indians before and after the turn of the century. During the late nineteenth century, the Pueblos were often characterized by women reformers as barbaric and needing to be "uplifted" into civilization. By the 1920s, however, the Pueblos were widely admired by activist Anglo-American women, who challenged assimilation policies and worked hard to protect the Pueblos? "traditional" way of life. ø Deftly weaving together an analysis of changes in gender roles, attitudes toward sexuality, public conceptions of Native peoples, and federal Indian policy, Jacobs argues that the impetus for this transformation in perception rests less with a progressively tolerant view of Native peoples and more with fundamental shifts in the ways Anglo-American women saw their own sexuality and social responsibilities.
Author | : Barbara Kramer |
Publisher | : University of Arizona Press |
Total Pages | : 244 |
Release | : 2003-02-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780816523214 |
At the beginning of the twentieth century, Hopi-Tewa potter Nampeyo revitalized Hopi pottery by creating a contemporary style inspired by prehistoric ceramics. Nampeyo (ca. 1860-1942) made clay pots at a time when her people had begun using manufactured vessels, and her skill helped convert pottery-making from a utilitarian process to an art form. The only potter known by name from that era, her work was unsigned and widely collected. Travel brochures on the Southwest featured her work, and in 1905 and 1907 she was a potter in residence at Grand Canyon National Park's Hopi House. This first biography of the influential artist is a meticulously researched account of Nampeyo's life and times. Barbara Kramer draws on historical documents and comments by family members not only to reconstruct Nampeyo's life but also to create a composite description of her pottery-making process, from gathering clay through coiling, painting, and firing. The book also depicts changes brought about on the Hopi reservation by outsiders and the response of American society to Native American arts.
Author | : Nancy Elizabeth McDonald |
Publisher | : |
Total Pages | : 540 |
Release | : 1994 |
Genre | : Hopi Indians |
ISBN | : |
Author | : Raymond Silverman |
Publisher | : Routledge |
Total Pages | : 323 |
Release | : 2014-09-19 |
Genre | : Social Science |
ISBN | : 1317661931 |
The museum has become a vital strategic space for negotiating ownership of and access to knowledges produced in local settings. Museum as Process presents community-engaged "culture work" of a group of scholars whose collaborative projects consider the social spaces between the museum and community and offer new ways of addressing the challenges of bridging the local and the global. Museum as Process explores a variety of strategies for engaging source communities in the process of translation and the collaborative mediation of cultural knowledges. Scholars from around the world reflect upon their work with specific communities in different parts of the world – Australia, Canada, Ghana, Great Britain, New Zealand, Papua New Guinea, Philippines, South Africa, Taiwan and the United States. Each global case study provides significant insights into what happens to knowledge as it moves back and forth between source communities and global sites, especially the museum. Museum as Process is an important contribution to understanding the relationships between museums and source communities and the flow of cultural knowledge.
Author | : James E. Seelye Jr. |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 1064 |
Release | : 2012-11-30 |
Genre | : Social Science |
ISBN | : |
In a single source, this comprehensive two-volume work provides the entire history of American Indians, as told by Indians themselves. Voices of the American Indian Experience provides unique insights into American Indian history by focusing on Indian accounts instead of on relying on other sources. As a result, their voices are clearer, and readers learn more about Indians directly from Indians, rather than through accounts that are filtered, diluted, and possibly even misinterpreted by an outsider's perspective. The volumes comprise a vast and fascinating variety of sources that span creation stories from Native American prehistory, to Indians who met the earliest Europeans to visit the Americas, all the way through to American Indians who served in recent foreign conflicts in the U.S. Armed Forces. This work provides information that is essential to fully understanding the history of the United States, and will be a valuable resource for advanced high school students and college students as well as general audiences with an interest in history or Native American culture.
Author | : Janet Marstine |
Publisher | : Routledge |
Total Pages | : 585 |
Release | : 2021-12-30 |
Genre | : Social Science |
ISBN | : 1317416651 |
Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums. Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of East and West while acknowledging distinctions within specific, but often transnational, cultural spheres. The compelling philosophical perspectives and case studies included within Curating Art will be of interest to students and researchers studying curating, exhibition development and art museums. The book will also inspire current and emerging curators to pose challenging but important questions about their own practice and the relationships that this work sustains.