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| Author | : Gene Edward Veith |
| Publisher | : Baker Publishing Group (MI) |
| Total Pages | : 0 |
| Release | : 2001 |
| Genre | : Country music |
| ISBN | : 9780801063558 |
Christian cultural analysis of the spiritual tensions and differing values in contemporary country music.
| Author | : Billy Joe Shaver |
| Publisher | : University of Texas Press |
| Total Pages | : 220 |
| Release | : 2005-03-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780292706132 |
Willie Nelson says, "Billy Joe Shaver may be the best songwriter alive today." And legions of fans agree. "Honky Tonk Hero" is the story of a man who not only walked on the wild side and lived to tell about it, but also got it all down in songs that many people consider to be some of the finest country songs ever written.
| Author | : Irwin Stambler |
| Publisher | : Macmillan |
| Total Pages | : 758 |
| Release | : 2000-07-14 |
| Genre | : Music |
| ISBN | : 9780312264871 |
A comprehensive reference source on the history, impact, and current state of country music, offering portraits of figures in the country music world.
| Author | : Ryan P. Harper |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 311 |
| Release | : 2017-04-26 |
| Genre | : Music |
| ISBN | : 1496810910 |
In The Gaithers and Southern Gospel, Ryan P. Harper examines songwriters Bill and Gloria Gaither's Homecoming video and concert series--a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market. The Homecomings represent "southern gospel." Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. The Homecomings' nostalgic orientation--their celebration of "traditional" kinds of American Christian life--harmonize well with southern gospel music, past and present. But amidst the backward gazes, the Homecomings also portend and manifest change. The Gaithers' deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely "southern." Harper reveals how the Gaithers negotiate a tension between traditional and changing community norms as they seek simultaneously to maintain and expand their audience as well as to initiate and respond to shifts within their fan base. Pulling from his field work at Homecoming concerts, behind the scenes with the Gaithers, and with numerous Homecoming fans, Harper reveals the Homecoming world to be a dynamic, complicated constellation in the formation of American religious identity.
| Author | : Dayton Duncan |
| Publisher | : Knopf |
| Total Pages | : 562 |
| Release | : 2019-09-10 |
| Genre | : History |
| ISBN | : 0525520546 |
The rich and colorful story of America's most popular music and the singers and songwriters who captivated, entertained, and consoled listeners throughout the twentieth century--based on the upcoming eight-part film series to air on PBS in September 2019 This gorgeously illustrated and hugely entertaining history begins where country music itself emerged: the American South, where people sang to themselves and to their families at home and in church, and where they danced to fiddle tunes on Saturday nights. With the birth of radio in the 1920s, the songs moved from small towns, mountain hollers, and the wide-open West to become the music of an entire nation--a diverse range of sounds and styles from honky tonk to gospel to bluegrass to rockabilly, leading up through the decades to the music's massive commercial success today. But above all, Country Music is the story of the musicians. Here is Hank Williams's tragic honky tonk life, Dolly Parton rising to fame from a dirt-poor childhood, and Loretta Lynn turning her experiences into songs that spoke to women everywhere. Here too are interviews with the genre's biggest stars, including the likes of Merle Haggard to Garth Brooks to Rosanne Cash. Rife with rare photographs and endlessly fascinating anecdotes, the stories in this sweeping yet intimate history will captivate longtime country fans and introduce new listeners to an extraordinary body of music that lies at the very center of the American experience.
| Author | : Jay R. Howard |
| Publisher | : University Press of Kentucky |
| Total Pages | : 362 |
| Release | : 2021-10-21 |
| Genre | : Music |
| ISBN | : 0813183960 |
Apostles of Rock is the first objective, comprehensive examination of the contemporary Christian music phenomenon. Some see CCM performers as ministers or musical missionaries, while others define them as entertainers or artists. This popular musical movement clearly evokes a variety of responses concerning the relationship between Christ and culture. The resulting tensions have splintered the genre and given rise to misunderstanding, conflict, and an obsessive focus on self-examination. As Christian stars Amy Grant, Michael W. Smith, DC Talk, and Sixpence None the Richer climb the mainstream charts, Jay Howard and John Streck talk about CCM as an important movement and show how this musical genre relates to a larger popular culture. They map the world of CCM by bringing together the perspectives of the people who perform, study, market, and listen to this music. By examining CCM lyrics, interviews, performances, web sites, and chat rooms, Howard and Streck uncover the religious and aesthetic tensions within the CCM community. Ultimately, the conflict centered around Christian music reflects the modern religious community's understanding of evangelicalism and the community's complex relationship with American popular culture.
| Author | : Rick Chromey |
| Publisher | : Morgan James Publishing |
| Total Pages | : 240 |
| Release | : 2020-02-04 |
| Genre | : History |
| ISBN | : 1642796727 |
A social historian examines the use of technology in modern U.S. history and offers a different way to group American generations. The G.I. Generation. Silents. Baby Boomers. Gen Xers. Millenials. Generation Z. Every generation has its label and box. But the real question is: Why? Enter GenTech. It’s a whole new way to look at American generations. Instead of the conventional fixed and linear dates for generational cohorts, Dr. Rick Chromey proposes a fresh understanding that’s fluid and more of a loop, rooted to the technology each generation experiences in their “coming of age” years. Since 1900, there has been more technological change than in all of previous combined history. The airplane. The automobile. Radio. Television. Nuclear energy. Rockets. Internet. Cellphones. Robots. Furthermore, there’s a massive cultural shifting unlike anything witnessed since the Dark Ages gave way to the Renaissance, Reformation, Enlightenment, Scientific, and Industrial Ages. Consequently, postmodern generations (born since 1960) have grown up in a new, cyber, wireless, and visual high-tech culture that’s forever changed how we do business, learn, socialize, broadcast, entertain, and worship. It’s technology that shapes us, gives every generation its personality, and seeds who we’ll become tomorrow. GenTech opens a whole new perspective on how to view the world and understand why every generation matters. Praise for GenTech “Whether you’re a technology nerd or wizard, this intriguing book will help you connect the digital dots. You’ll see how technology is profoundly shaping our culture—and you, like it or not. Plus, you’ll discover how technology affects each generation differently, for better or worse.”—Thom Schultz, co-author of Don’t Just Teach…Reach!
| Author | : Kelly K. Garner |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 257 |
| Release | : 2016-10-27 |
| Genre | : Music |
| ISBN | : 1442246413 |
Country music, an original American artform, has been around since before the recording industry began and long before a singer even had the opportunity to sing into a microphone. From the early beginnings in the hills of Appalachia, to the rise of Hank Williams, Patsy Cline, and the more recent megastars, including Garth Brooks and Carrie Underwood, country music has proven to have staying power. It is one of the most popular styles of music in the world today, garnering more sales and downloads currently than any other genre. Many talented individuals are aspiring to sing country music and are determined to turn it into a successful career. Because of this growing popularity, there is a need to educate interested singers with information and methods that will give them the best possible chance at either having a career as a artist, working in the industry as a background vocalist or session singer, or simply realizing their potential in country music. Kelly K. Garner's So You Want To Sing Country is a book devoted to briefly reviewing the rich heritage of country singing and thoroughly examining the techniques and methods of singing in a country style. Additional topics of discussion will include country song types and structure, instrumentation, performing on stage and in the studio, and career options in country music. Additional chapters by Scott McCoy and Wendy LeBorgne, and Matthew Edwards address universal questions of voice science and pedagogy, vocal health, and audio enhancement technology. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Country features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
| Author | : Paul Harvey |
| Publisher | : UNC Press Books |
| Total Pages | : 357 |
| Release | : 2012-09-01 |
| Genre | : History |
| ISBN | : 1469606429 |
In a sweeping analysis of religion in the post-Civil War and twentieth-century South, Freedom's Coming puts race and culture at the center, describing southern Protestant cultures as both priestly and prophetic: as southern formal theology sanctified dominant political and social hierarchies, evangelical belief and practice subtly undermined them. The seeds of subversion, Paul Harvey argues, were embedded in the passionate individualism, exuberant expressive forms, and profound faith of believers in the region. Harvey explains how black and white religious folk within and outside of mainstream religious groups formed a southern "evangelical counterculture" of Christian interracialism that challenged the theologically grounded racism pervasive among white southerners and ultimately helped to end Jim Crow in the South. Moving from the folk theology of segregation to the women who organized the Montgomery bus boycott, from the hymn-inspired freedom songs of the 1960s to the influence of black Pentecostal preachers on Elvis Presley, Harvey deploys cultural history in fresh and innovative ways and fills a decades-old need for a comprehensive history of Protestant religion and its relationship to the central question of race in the South for the postbellum and twentieth-century period.
