Homerou Ilias
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Homer and the Question of Strife from Erasmus to Hobbes
| Author | : Jessica Wolfe |
| Publisher | : University of Toronto Press |
| Total Pages | : 624 |
| Release | : 2015-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1442650265 |
From antiquity through the Renaissance, Homer's epic poems the Iliad, theOdyssey, and the various mock-epics incorrectly ascribed to him served as a lens through which readers, translators, and writers interpreted contemporary conflicts. They looked to Homer for wisdom about the danger and the value of strife, embracing his works as a mythographic shorthand with which to describe and interpret the era's intellectual, political, and theological struggles. Homer and the Question of Strife from Erasmus to Hobbes elegantly exposes the ways in which writers and thinkers as varied as Erasmus, Rabelais, Spenser, Milton, and Hobbes presented Homer as a great champion of conflict or its most eloquent critic. Jessica Wolfe weaves together an exceptional range of sources, including manuscript commentaries, early modern marginalia, philosophical and political treatises, and the visual arts. Wolfe's transnational and multilingual study is a landmark work in the study of classical reception that has a great deal to offer to anyone examining the literary, political, and intellectual life of early modern Europe.
The Works of William Congreve
| Author | : Donald McKenzie |
| Publisher | : OUP Oxford |
| Total Pages | : 592 |
| Release | : 2011-04-07 |
| Genre | : Literary Collections |
| ISBN | : 0191538140 |
The late D. F. McKenzie worked on this comprehensive edition of the works of the playwright, poet, librettist, and novelist William Congreve for more than twenty years, until his sudden death in 1999. This was a task he had taken over from Herbert Davis, to whom this edition is dedicated. During that time McKenzie uncovered new verse and letters, collated Congreve's texts, recorded their complicated textual history, constructed appendices that shed light on the dramatic context in which Congreve worked, and examined how his contemporaries received Congreve's work. More importantly, McKenzie has convincingly re-evaluated Congreve's works and life to transform our image of the man and his reputation. McKenzie here follows the editorial practice suggested in two early editions of the Works published by Congreve's friend, the bookseller Jacob Tonson, in 1710 and 1719. These three volumes follow a plan similar to that in the Tonson edition, with The Old Batchelor, The Double-Dealer, and Love for Love collected in the first, a central volume with The Way of the World, and a final volume with Congreve's novel Incognita, some of his prose works, letters, and later verse. In each case, Congreve's work is left to speak for itself, unencumbered by intrusive notes, textual apparatus, or collations, which are gathered instead near the end of each volume. This edition will be an invaluable resource for scholars for many years to come. It is a monument to McKenzie's own scholarship as well as to the integrity of William Congreve.
The Library of Richard Porson
| Author | : P. G. Naiditch |
| Publisher | : Xlibris Corporation |
| Total Pages | : 591 |
| Release | : 2010-12-28 |
| Genre | : Reference |
| ISBN | : 1456805290 |
In writing this book three questions chiefly interested me. What books and pamphlets did Richard Porson own? From whom did he acquire these materials? What has become of his holdings? Answering the first question was relatively easy. For over two hundred years students have known that, after his death, Porsons library was divided into two unequal parts. The larger portion was sent to auction, the smaller part, together with Porsons papers, was separately sold to Trinity College, Cambridge. To treat the problem I have examined all of the microfilm set of the Sotheby auction catalogues from 1783 to 1808, save when catalogues were not marked or the markings were too faint to decipher: notably Jan. 1, 1785; May 29, 1786; Jan. 22 and May 1, 1797; June 1788; Jan. 13, 1789; May 26, 1791; June 22, 1795; Jan. 1796; 1800; Nov. 14, 1803 through Dec. 3, 1804 (twenty-three catalogues); April 18 and May 29, 1805; April 14-30, May 19, June 5, July 2, 10, 15, 1806...or when the microfilm is imperfect. Likewise, I have seen, in London, most of Christies book catalogues from 1782 to 1808; and, in Los Angeles, much of the Frank Marcham collection at UCLA (coll. 416 boxes 10-34). Finally, I have seen almost all of Porsons books at Trinity and a few other places. From 1786 to 1808, Porson purchased hundreds of books and pamphlets. The records allow us to trace his purchases at forty-seven auctions. Of these, Leigh & Sotheby presented most of the sales. But Porson also bought at sales offered through Edwards, Robson and Clarke, King & Loche, and he at least interested himself in a Stewart sale. In addition, one has to take into account books given to Porson as prizes or gifts; perhaps books entrusted to him for review; and books for which he subscribed. Addressing the second question is complicated by three factors. First, there is the imperfection of the records. The archives of most houses do not sirvive; even the L&S house-files are, on occasion, imperfect or incompletely legible. Secondly, clerks wrote down what they heard. Often enough, they heard Pawson or Pauson, and it was needful to establish identity. Thirdly, there are difficulties in the way of determining specific editions: these range from the existence of multiple editions or impressions to incompleteness of library records and of descriptions of volumes of tracts.
The Poetry of Translation
| Author | : Matthew Reynolds |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 385 |
| Release | : 2011-09-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0199605718 |
A very wide-ranging book which launches a new theory of poetry translation and pursues it through readings of poem-translations from across the history of English literature. It engages with the key debates in translation studies, and offers new interpretations of major works such as Pope's Iliad, Pound's Cathay, and Dryden's Aeneis.
History of the Art of Antiquity
| Author | : Johann Joachim Winckelmann |
| Publisher | : Getty Publications |
| Total Pages | : 452 |
| Release | : 2006-01-15 |
| Genre | : Art |
| ISBN | : 9780892366682 |
"Translation of a foundational text for the disciplines of art history and archaeology. Offers a systematic history of art in ancient Egypt, Persia, Etruria, Rome, and, above all, Greece that synthesizes the visual and written evidence then available"--Provided by publisher.
The Oxford History of Classical Reception in English Literature
| Author | : Patrick Cheney |
| Publisher | : Oxford University Press |
| Total Pages | : 803 |
| Release | : 2015-10-29 |
| Genre | : Literary Criticism |
| ISBN | : 019107778X |
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
The Oxford History of Classical Reception in English Literature
| Author | : David Hopkins |
| Publisher | : Oxford University Press |
| Total Pages | : 803 |
| Release | : 2012 |
| Genre | : Literary Collections |
| ISBN | : 0199547556 |
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Amelia
| Author | : Henry Fielding |
| Publisher | : Broadview Press |
| Total Pages | : 551 |
| Release | : 2010-08-25 |
| Genre | : Fiction |
| ISBN | : 1770484272 |
With its combination of satire and sentiment, its focus on the seedy side of London life, and its unexpected shifts in tone, Amelia has intrigued and disturbed readers since its first publication. Eagerly awaited by Henry Fielding’s eighteenth-century readers of Tom Jones, the novel perplexed many of them. Amelia counters the traditional courtship plot of eighteenth-century novels with its convincing portrayal of a marriage between an errant husband and his wife, and is ahead of its time in its depiction of the alienation of modern city life. Appendices include contemporary criticism and related works by Alexander Pope and Sarah Fielding.
The Acquisition of Books by Chetham's Library, 1655-1700
| Author | : Matthew Yeo |
| Publisher | : BRILL |
| Total Pages | : 283 |
| Release | : 2011-05-10 |
| Genre | : Literary Criticism |
| ISBN | : 9004210202 |
Chetham's Library, Manchester, was founded in 1655 by the bequest of the Manchester merchant, Humphrey Chetham (1580-1653). Drawing on recent debates about the methods of book history, this book is a detailed study of the way in which an early modern provincial library was created, stocked with books and administered. Using extensive archival research into the Library's acquisitions and the trade in books and ideas in the later seventeenth century, Yeo examines the motivations behind the Library's foundation, the beliefs of those responsible for the selection of books and the Library's relationship with the London bookseller Robert Littlebury. The result is a refreshing reinterpretation of provincial intellectual culture and the workings of the early modern trade in books and ideas.
