Holy Family Altar Society's Bicentennial Recipe Collection
Author | : Holy Family Catholc Church Holy Family Altar Society (Victoria, Texas) |
Publisher | : |
Total Pages | : |
Release | : 1976 |
Genre | : Community cookbooks |
ISBN | : |
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Author | : Holy Family Catholc Church Holy Family Altar Society (Victoria, Texas) |
Publisher | : |
Total Pages | : |
Release | : 1976 |
Genre | : Community cookbooks |
ISBN | : |
Author | : Holy Family Catholic Church (Sweetwater, Tex.). Catholic Women's Organization |
Publisher | : |
Total Pages | : 73 |
Release | : 2003 |
Genre | : Cooking |
ISBN | : |
Author | : Holy Family Parish (Odin, Kan.) St. Ann's Altar Society |
Publisher | : |
Total Pages | : |
Release | : 2013 |
Genre | : Cooking |
ISBN | : |
Author | : Floyd I. Brewer |
Publisher | : |
Total Pages | : 501 |
Release | : 1993 |
Genre | : Bethlehem (N.Y.) |
ISBN | : 9780963540201 |
Author | : Francis D. K. Ching |
Publisher | : John Wiley & Sons |
Total Pages | : 1784 |
Release | : 2012-07-16 |
Genre | : Architecture |
ISBN | : 1118004825 |
A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching.
Author | : Bernhard Siegert |
Publisher | : Fordham Univ Press |
Total Pages | : 287 |
Release | : 2015-05-01 |
Genre | : Social Science |
ISBN | : 0823263770 |
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.