Hollis Frampton Recollections Recreations
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Hollis Frampton
Author | : Bruce Jenkins |
Publisher | : MIT Press (MA) |
Total Pages | : 128 |
Release | : 1987-01 |
Genre | : Art |
ISBN | : 9780262600156 |
A collection of the photographs of Hollis Frampton are accompanied by an analysis of his artistic career
Hollis Frampton, Recollections/recreations
Author | : Bruce Jenkins |
Publisher | : |
Total Pages | : 0 |
Release | : 1984 |
Genre | : Photography, Artistic |
ISBN | : 9780262100304 |
Hollis Frampton
Author | : Michael Zryd |
Publisher | : Columbia University Press |
Total Pages | : 194 |
Release | : 2023-05-09 |
Genre | : Performing Arts |
ISBN | : 0231554168 |
Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan’s circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton’s career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete. This book is a groundbreaking and comprehensive account of this remarkable figure’s work in its totality, from Frampton’s earliest films through Magellan. Michael Zryd explores the connections linking Frampton’s art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton’s notion of the “infinite cinema,” which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton’s ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition’s implication in colonialism and other oppressive power structures. Shedding new light on Frampton’s project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art.
Hollis Frampton, Recollections/recreations
Author | : Bruce Jenkins |
Publisher | : MIT Press (MA) |
Total Pages | : 136 |
Release | : 1984 |
Genre | : Biography & Autobiography |
ISBN | : |
Hollis Frampton: Recollections/Recreations presents the full range of Frampton's photographic work.
Hollis Frampton
Author | : Rachel Moore |
Publisher | : One Work (Hardcover) |
Total Pages | : 120 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
"Hollis Frampton's film (nostalgia), made in 1971, is a witty, hypnotic account of an artist's experiences as a photographer in New York City from 1959 to 1966. Long overlooked and understudied, (nostalgia) is a formal masterpiece. It emerges from a body of film work that is rarely screened, with prints damaged and difficult to locate. Rachel Moore introduces a new generation to a critical moment in art history when (nostalgia) exposed the fragility and the essence of film itself."--
Avant-Garde Film
Author | : Scott MacDonald |
Publisher | : CUP Archive |
Total Pages | : 230 |
Release | : 1993-02-26 |
Genre | : Performing Arts |
ISBN | : 9780521388214 |
The past thirty years have seen the proliferation of forms of independent cinema that challenge the conventions of mass-market commercial movies from within the movie theatre. Avant-Garde Film examines fifteen of the most suggestive and useful films from this film tradition. The films discussed include No. 4 (Bottoms) by Yoko Ono, Wavelength by Michael Snow, Serene Velocity by Ernie Gehr, Print Generation by J. J. Murphy, Standard Gauge by Morgan Fisher, Zorns Lemma by Hollis Frampton, The Ties that Bind by Su Friedrich, From the Pole to the Equator by Yervant Gianikian and The Carriage Trade by Warren Sonbert. Through in-depth readings of these works, Scott MacDonald takes viewers on a critical circumnavigation of the conventions of movie going as seen by filmmakers who have rebelled against the conventions. MacDonald's discussions do not merely analyse the films; they provide a useful, accessible, jargon-free critical apparatus for viewing avant-garde film and communicate the author's pleasure in exploring 'impenetrable' works.