Hitlers Day Of German Art 1938 The Programme Of The Procession First Published As Zweitausend Jahre Deutsche Kunst Festzug Am Tag Der Deutsche
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Author | : Joachim Von Halasz |
Publisher | : |
Total Pages | : 48 |
Release | : 2009-01 |
Genre | : Art |
ISBN | : 9781905742219 |
'Hitler's Day of German Art 1938 - The Programme of the Procession' provides a unique insight into the very little known celebrations, which took place at each opening of the annual Great German Art Exhibition from 1937 to 1944. This visitor programme booklet provides a comprehensive listing of all parts of the procession including descriptions, images and a map showing the route of the procession. The Day of German Art usually took place in July and celebrations lasted three days, starting on a Friday. The Sunday marked the climax with the official opening of the exhibition in the House of German Art and a large procession entitled '2,000 Years of German Culture' moved through the streets of Munich. The procession illustrated German history, legends and myths and how they were linked to the Third Reich. The reprint of this rare book will be welcomed by scholars of the period as an indispensable primary source offering a valuable perspective on the formation and development of Nazi ideology.
Author | : Johann Chapoutot |
Publisher | : Univ of California Press |
Total Pages | : 514 |
Release | : 2016-09-20 |
Genre | : History |
ISBN | : 0520292979 |
Much has been written about the conditions that made possible Hitler's rise and the Nazi takeover of Germany, but when we tell the story of the National Socialist Party, should we not also speak of Julius Caesar and Pericles? Greeks, Romans, Germans argues that to fully understand the racist, violent end of the Nazi regime, we must examine its appropriation of the heroes and lessons of the ancient world. When Hitler told the assembled masses that they were a people with no past, he meant that they had no past following their humiliation in World War I of which to be proud. The Nazis' constant use of classical antiquity—in official speeches, film, state architecture, the press, and state-sponsored festivities—conferred on them the prestige and heritage of Greece and Rome that the modern German people so desperately needed. At the same time, the lessons of antiquity served as a warning: Greece and Rome fell because they were incapable of protecting the purity of their blood against mixing and infiltration. To regain their rightful place in the world, the Nazis had to make all-out war on Germany's enemies, within and without.
Author | : Joachim Von Halasz |
Publisher | : |
Total Pages | : 48 |
Release | : 2008-12-01 |
Genre | : Art |
ISBN | : 9781905742103 |
Hitler's Day of German Art 1939 provides a unique inside into the very little known celebrations which took place at each opening of the annual Great German Art Exhibition from 1937 to 1944 usually during the month of July. The celebrations of the Day of German Art lasted three days and always began on a Friday. The last day, a Sunday, was the climax of these celebrations. On this day the Great German Art Exhibition was opened in the House of German Art and a large procession entitled 2,000 years of German Culture moved through the streets of Munich. This procession was meant to give insight into German history, legends and myths and how they are linked to the Third Reich. This reprint of the exhibition catalogue will be welcomed by scholars of the period as an indispensable primary source offering a valuable perspective on the formation and development of Nazi ideology.
Author | : Joachim Von Halasz |
Publisher | : |
Total Pages | : 52 |
Release | : 2009-01 |
Genre | : Art |
ISBN | : 9781905742202 |
These visitor program booklets provide a comprehensive listing of all parts of the Day of German Art, a three-day festival that usually took place in July. The procession illustrated German history, legends, and myths, and told how they were linked to the Third Reich.
Author | : Arnold Suppan |
Publisher | : Austrian Academy of Sciences Press |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Balkan Peninsula |
ISBN | : 9783700184102 |
In the spring of 1945, Fuhrer and Reich Chancellor Adolf Hitler, President Edvard Benes, and Marshal Josip Broz Tito stood as examples of the complete rupture between the Germans and Austrians on the one hand, and the Czechs, Slovaks, Slovenes, Croats, Serbs, and Bosniaks on the other. The total break that occurred in World War II with war crimes, crimes against humanity, and even genocides (particularly against the Jews and "Gypsies") had a long pre-history, beginning with violent nationalist clashes in the Habsburg Monarchy during the revolutions of 1848/49. Therefore, this monograph - based on a broad range of international primary and secondary sources - explores the development of the political, legal, economic, social, and cultural "communities of conflict" within Austria-Hungary, especially in the Bohemian and South Slavic countries, the making of the Paris Peace Treaties in 1919/20 by violating President Wilson's principle of self-determination, particularly in drawing new borders and creating new economic units, and the perpetuated ethnic-national conflicts between Czechs and Germans, Slovaks and Magyars, Slovenes and Germans, Croats and Serbs as well as Serbs and Germans in the successor states, deepening the differences between the nations of East-Central Europe. Although many kings, presidents, chancellors, ministers, governors, diplomats, business tycoons, generals, Nazi-Gauleiter, higher SS and police leaders, and Communist functionaries have appeared as historical actors in the 170 years of East-Central and Southeastern European history, Hitler, Benes, and Tito remain especially present in historical memory at the beginning of the twenty-first century.
Author | : Alex Scobie |
Publisher | : Penn State Press |
Total Pages | : 178 |
Release | : 1990 |
Genre | : |
ISBN | : 9780271042688 |
Adolf Hitler admired ancient Rome as the "crystallization point of a world empire," a capital with massive public monuments that reflected the supremacy of the State and the political might of the ancient world's "master-race." He also admired the way Mussolini turned the monuments of imperial Rome into validatory symbols of Fascism. Hitler planned a Reich that would be a as durable as the Roman Empire. Its capital, Berlin, would surpass the architectural magnificence of ancient Rome before the advent of Christianity as its official religion. This book examines Hitler's views on Roman imperialism, town planning, and architecture, and shows how Albert Speer, though a self-confessed student of "Doric" architecture, planned and sometimes built structures that were intended to rival such monuments as Nero's Golden House, Hadrian's Pantheon, and the Stadium of Herodes Atticus at Athens. Other architects, such as Ludwig Ruff and Cäsar Pinnau, were to plan structures inspired by the Colosseum and the Baths of Caracalla. The ancient Roman obsession with order, discipline, and the domination of the environment is clearly reflected in the town plans and public buildings conceived by Hitler and his architects. We see that "neoclassical" state architecture in Nazi Germany was intended to signify more than stability and the persistence of tradition. It was only one aspect of the Nazi attempt to re-create a "pagan" totalitarian state based on clearly defined forms of hierarchy that divided society into slaves and slave-owners, those with and those without human rights.
Author | : Nuala C. Johnson |
Publisher | : Cambridge University Press |
Total Pages | : 206 |
Release | : 2003-05-29 |
Genre | : History |
ISBN | : 1139436953 |
Nuala C. Johnson explores the complex relationship between social memory and space in the representation of war in Ireland. The Irish experience of the Great War, and its commemoration, is the location of Dr Johnson's sustained and pioneering examination of the development of memorial landscapes, and her study represents a major contribution both to cultural geography and to the historiography of remembrance. Attractively illustrated, this book combines theoretical perspectives with original primary research showing how memory literally took place in post-1918 Ireland, and the various conflicts and struggles that were both a cause and effect of this process. Of interest to scholars in a number of disciplines, Ireland, The Great War and The Geography of Remembrance shows powerfully how Irish efforts to collectively remember the Great War were constantly in dialogue with issues surrounding the national question, and the memorials themselves bore witness to these tensions and ambiguities.
Author | : Rudy Koshar |
Publisher | : Univ of North Carolina Press |
Total Pages | : 446 |
Release | : 1998 |
Genre | : Social Science |
ISBN | : 9780807847015 |
Germans long have venerated and maintained a variety of historical buildings--medieval fortresses, cathedrals, urban districts. But different groups have sought to use historical architecture to represent competing versions of their nation's history. This book examines the role that historic preservation has played in German cultural history and memory from the end of the 19th century to the early 1970s. 68 illustrations.
Author | : Nigel Thrift |
Publisher | : SAGE Publications Limited |
Total Pages | : 392 |
Release | : 1996-06-13 |
Genre | : Mathematics |
ISBN | : |
This text in the expanding area of social theory and space provides an anlysis of how space is socially constructed, unmade and reconstructed. It shows how social theory can be used to make sense of spatial forms and practices, and how spatial relations are made durable over space and time.
Author | : James S. Duncan |
Publisher | : Cambridge University Press |
Total Pages | : 248 |
Release | : 2004 |
Genre | : Nature |
ISBN | : 9780521611961 |
Argues that landscapes are not only culturally produced, but they also influence governing ideas of political and religious life.